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The boston marathon bombing
Photo narrative essay
The boston marathon bombing
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On its surface, a picture is simply a snapshot of the moment in time. However, when analyzed for the beauty and eloquence that could exist within a photo, a simple picture can turn into so much more. It can become a story. A story with the ability to extend far beyond the focal length of aany camera. It can become a story truly worth a thousand words. Josh Haner of the New York Times wrote a beautiful, harrowing story about Boston bomb survivor Jeff Bauman through a photo series in his 2014 feature photography Pulitzer Prize winning piece.
Jeff Bauman was cheering on his marathon running girlfriend when the Boston bomb exploded, ultimately causing him to lose both of his legs. In his photo story, Haner captures Bauman’s recovery process, both
Bruce Barron is a well-known Christian author of many books on the Christian faith, as well as the author of the essay, “PUTTING WOMEN IN THEIR PLACE: 1 TIMOTHY 2 AND EVANGELICAL VIEWS OF WOMEN IN CHURCH LEADERSHIP”. Barron starts off his essay giving some background on the current battle going on in churches today and how various denominations are deciding to go in different paths when it comes to a woman’s role in the church.
Louis “Louie” Zamperini went from the Terror of Torrance to a World War II hero. He grew from a young boy, who terrorized his town, into a record breaking runner, who competed in the Olympics. He later joined the United States Army Air Forces and served as a bombardier in World War II. After his plane crashed and he was stuck on a raft in the ocean, he was captured by the Japanese and became a prisoner of war. Louie’s resourcefulness, toughness, and defiance from his boyhood helped him to survive the relentless torment thrown at him later in life.
Terry Fox, he was the greatest, bravest and the most generous man who risked his life for saving thousands of people from cancer. He became the perfect example of seizing a fulfilling life by never giving up to achieving the goal. He was born in Winnipeg Manitoba on July 28 1958. He was a remarkable athlete, yet at the age of eighteen, he found that he had bone cancer. He lost a left leg and he was no longer able to run or move like before; nevertheless, he was inspired by other cancer patients at hospital and promised himself to do something good to the world. His marathon began on April 12, 1980 and he ran 5,373 kilometers in 143 days. Eventually, cancer forced him to stop running, yet he completed his dream of raising one dollar from each of Canada's 24 million people.
Terry knew that aches and pains are common in athlete’s lives. At the end of his first year of university there was a new pain in his knee. One morning Terry woke up to see that he could no longer stand up. A week later Terry found out that it was not just an ache he had a malignant tumor; his leg would have to be cut off six inches above the knee. Terry’s doctor told him that he had a chance of living but the odds were fifty to seventy percent. He also said that he should be glad it happened now fore just 2 years ago the chance of living was fifteen percent. The night before his operation a former coach brought Terry a magazine featuring a man who ran a marathon after a similar operation. Terry didn’t want to do something small if he was going to do something he was going to do it big. "I am competitive" Terry said, "I’m a dreamer. I like challenges. I don’t give up. When I decided to do it, I knew it was going to be all out. There was no in between Terry’s sixteen month follow up he saw all the young people suffering and getting weak by the disease. He never forgot what he saw and felt burdened to thoughts that died to run this marathon. He was one of the lucky one in three people to survive in the cancer clinics. Terry wrote asking for sponsorship " I could not leave knowing that these faces and feelings would still be here even though I would be set free of mine, s...
Photographs are able to give many points of view as well but by changing the lighting it could seem to have been shot at a different time of day; change the angle and it could look like a completely different thing. Although these two combined would make a great story, photographs alone aren’t always enough or reliable; they could be taken out of context and misinterpreted by the public. Because the fact that photographs are easier and have many ways of being manipulated, they don’t really apply to the ethos, pathos and logos of a narrative, which is why a narrative is more important to a story.
Terry Fox had all the obstacles lined up and he knocked them down, although the malignant tumor in his right leg finally overwhelmed Terry, he still overcame numerous obstacles. Terry Fox dealt with the tumor in his leg and overcame the amputation of his leg. He also managed to train for the marathon of hope, even though overcoming a physical and emotional amputation. He also was able to start his run for the marathon of Hope, by attempting to run across Canada raising money as he ran. Even though Terry Fox did not complete his goal, he still lives on today in our currency, stamps, and many more ways.
It should not be a surprise that many people believe that a college degree is a necessity in today’s world. We are taught to believe this at a young age. The average citizen will not question this statement due to how competitive the job market has become, yet does graduating college guarantee more success down the road? Peter Brooks is a scholar at Princeton University and publisher of an essay that questions the value of college. He obviously agrees that college can help securing a job for the future, but questions the humanities about the education. He uses other published works, the pursuit of freedom, and draws on universal arguments that pull in the reader to assume the rest of his essay has valid reasons.
A day that was supposed to be happy turned into a second. People were injured or killed. Family members were devastated by the incident. The Boston Marathon was supposed to be a fun and exciting day for people watching and for the runners. We shouldn’t take every moment for granted, because you never know when it might be your last day or what we might consider "normal."
We’ve all heard the phrase “A picture is worth a thousand words.” It’s the mere fact that an idea can be conveyed with just one single image. We come across tons of unfiltered images everyday, whether we see them in newspapers or magazines. These images move us, they have an impact on some of us, deep to our core. When a photograph directly impacts an individual, one will recount an image long after they have seen it.
Sadly, on September 1st, Terry had to stop his marathon as cancer had infected his lungs. He went back to British Columbia to get treatment. Less than a year later he had died due to the cancer in his lungs. Although he may have died his given those with cancer hope again with the amount of money raised for cancer research.
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
Luckily, an angel in the form of a Coast guard chef rescued him and sought out help. The next thing he knew, he was in a hospital bed without legs (from the kneecap down) and with a broken neck.
Art is an imitation of nature and the features or symbol of imaginative skill in the mind. It is characteristically in a pictorial form such as portrayal, imagery, or fabricating, monument work to be cherished primarily used for exquisiteness or expressive power. Bruce Nauman, Kerry James Marshall, Maya Lin, and Louise Bourgeois demonstrate their artwork and their inspiration behind their work.
Mauro Prosperi, 34, decided to enter the Marathon de Sables (Marathon of the Sands) in Morocco, the spring (1) of 1994 (3). He was an experienced marathon runner, Olympic athlete and an Italian policeman at the time. Mauro was on day 4 and in 7th place when an intense sandstorm hit during a water break at a checkpoint. Instructions from the race were to stay put and wait for assistance. Mauro did not wait. He put on his special sandstorm scarf and sunglasses and claims to have kept moving in order to “not get buried” (2). Eight hours later when the sandstorm had finally calmed, Mauro was nowhere near people or the race. He tried his emergency flare gun (3) but it was too late; he was too far from humanity. His survival instincts quickly kicked in. He held an empty water bottle and urinated in it, knowing that first urination contained the most water. He kept it incase it became necessary. Prosperi knew to only walk during the cooler part of the days: mornings and evenings. He would find shade during mid-day and burry himself in the sand at night to stay warm. On the 5th (3) day Mauro stumbled upon a Muslim shrine and went inside for shelter. He hung his flag outside to keep it cool. Inside, he found two bats. He wrung their necks and drank their blood for nutrients. He thought he was going to die so he wrote a suicide note to his wife on the
Photojournalism is a specific form of journalism that employs the use of images to form a news story that meaningfully contributes to the media. This allows a photographer to capture stills that tell the story of a moment in time. Photojournalism creates a transparency between the media and the people as it depicts an accurate representation where meaning can be misinterpreted through text. Photojournalism largely contributes to the way we understand the reality of a moment. Becker (1982) supports this concept as he compares photography to paintings. He says that paintings get their meaning from the painters, collectors, critics, and curators; therefore photographs get their meaning from the way people understand them and use them. Photojournalist’s