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Essay abou Jean-Michel Basquiat
Influences of art
Essay abou Jean-Michel Basquiat
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Jean Michel Basquiat Jean Michel Basquiat was in many ways an art hero. Risen from a seemingly grim and dark beginning, tagging a form of street poetry under the pseudonym SAMO meaning same old shit, he came out of the shadows of the underground punk scene in New York City. A Neo-Expressionist by nature Basquiat painted with a rough and aggressive style that in my opinion embodies the definition of Neo-expressionism; when looking through Jean Michel Basquiat’s works there is a strong sense of primitivism, borrowing from an almost ancient tribal style. Basquiat seemed to have taken bits and pieces of styles from his favorite artists throughout history. Many artists Influenced Jean Michel Basquiat, from Cy Twombly to Pablo Picasso. The artist that had the most influence not just on Jean Michel’s art but his life was Andy Warhol. As a high-powered art figure Andy Warhol played a key role in Jean Michel Basquiat’s success; from the time that they met to the grand finale of their collaboration Andy was there to …show more content…
In the beginning I didn’t feel as though Basquiat was a product of being African American as much as the history books would lead us to believe. After looking much of his work, you can see and feel pain. One piece that changed my mind was his painting “Defacement” In the documentary “Radiant Child.” I’m still uncertain about the role racism played in his life; If it had impact on everything he did. To me it seems that his experiences as a young African American in the late 70’s and 80’s that racism gave fuel to the fire that turned out some of the most impactful art I’ve ever seen. I didn’t really think much of his work when I first saw it. In fact, before learning about Jean Michel in depth I really didn’t like anything about his art despite being strangely drawn to it in a “how did this guy get famous from this” kind of way. Knowing his story and seeing his interviews has given me a different
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Philippe Petit changed numerous peoples’ thoughts about the Twin Towers when he performed his high wire walk between them in 1974. Before Philippe Petit walked the high wire between the Twin Towers in 1974, people weren’t certain how they felt about the construction of the World Trade Center. After Philippe performed, people began to warm up to the idea of the towers. Philippe Petit walked the high wire between the Twin Towers on August 7, 1974. This event prompted Andrew McMahon to write the song “Platform Fire” about this event for his band, Jack’s Mannequin. This song was not a hit for the band; however, fans of Jack’s Mannequin seem to have a special place in their heart for it.
They were living on couches, and sneaking onto trains to get from one part of the city to another. In Jean-Michel Basquiat: The Radiant Child, A documentary by Tamra Davis, an ex-girlfriend of Jean-Michel’s was quoted, “If you've decided to live a certain counterculture, subversive lifestyle, its very difficult to go home” (2010). Jean-Michel lived that counterculture lifestyle; he was a graffiti artist, spray painting New York under the name of SAMO. Jean-Michel never had a real job because he claimed that it felt humiliating to have someone order him around. When he became desperate for money, he made and sold postcards on the streets of New York (Jean-Michel Basquiat: The Radiant Child). Neo-expressionism also operated largely outside of the state. However, as with most art, critics were quick to claim that the art was being produced and sold as a commodity and therefore was controlled by the market. But many chose to take the side that Irving Sandler did in his book Art of the Postmodern Era, “… genuine works of art had meanings which have nothing to do with commerce or politics and are unaffected by either” (Sandler, 225). This was the mindset that drove most Neo-expressionist artists. In all “genuine” art, there is an attempt to disturb the hegemony and make people see things
Richmond Barthé was born in Bay St. Louis, Mississippi on January 28, 1901. Richmond was born in a hard time for African Americans. He demonstrated incredible guarantee as a craftsman at a youthful age, however as a Colored American in the South, he was banished from selecting in any of the craft schools in New Orleans, Louisiana, close to his home. At eighteen his area minister in New Orleans and an author for the New Orleans Times Picayune distinguished his capability. Richmond was eventually admitted to the Art Institute of Chicago, after struggling to get admitted to an art school. He began to study sculpture, which denoted a defining moment in his profession. After Barthe graduated in 1928, he opened up a studio in Harlem, where he stayed permanently in 1930. Nonetheless, ending up progressively disregarded by a symbolized world that had come to esteem deliberation an imaginative style which held no enthusiasm for him; Barthé moved to Jamaica in the late 1940s, and later existed in Switzerland and Italy before coming back to the United States in 1969. His career in Jamaica flourished, till he later decided to come back home to the states. Overall Richmond Barthe received many honors and awards including: Rosenwald Fellowship, Guggenheim Fellowship, Audubon Artists Gold Medal in 1950, and awards for interracial justice and honorary degrees from Xavier and St. Francis Universities. Overall this artist intrigues me as I’m sure it was extremely hard to start off. He was born during the worst times in America, racism throughout his life and then leading into the great depression. I’m glad he was able to express himself through the art that he published.
Artists have a knowledge of all the artists that preceding them, creating a visual vocabulary from the art that they have seen and understand. For Jean-Michel Basquiat, that knowledge translates into his work, despite never having formal training in an art school. It is his awareness and understanding of the culture that surrounds him that brings a layer of sophistication to his painting, setting it apart from street graffiti that has been painted on canvas. Basquiat’s Untitled (Julius Caesar on Gold) (1981) is a confrontation of his own identity that is created with the visual vocabulary of artists that preceded him.
Basquiat was a creative, self-taught artist who thought outside of the box when it came to painting. Most of the pieces he made were a collaboration of different ideas and constructed them together into a collage. During the 1980’s, Basquiat’s art used the human figure to portray Minimalism and Conceptualism. His target market that was in many of his pieces was on suggestive dichotomies that focused on the lower class versus the higher class. Even though Basquiat's work was remarkable, he was criticized and faced some challenges during his journey because of the symbols and words that were used in his paintings.
His father was Haitian-American, Gerard Basquiat, with an occupation of an accountant, and his mother Matilde Basquiat was Puerto Rican and a stay at home mother. Warhol & Basquiat were definitely viewed as a power couple because of the complex art they created together, which impacted the art community and world. In the early stages of Basquiat’s artwork, he used his story as an inspiration to his graffiti on buildings and subway trains, but later on Basquiat’s artwork had emerged into an art movement known as neo-expressionism and has collabed with many pop artists who express the same interest as he does. As his fame continued to grow, his art work developed a sort of sophistication and prestige.
Neo-Expressionism, an art movement that developed in the 1970s, is characterized by its abandonment of “Minimalist restraint and Conceptual coolness. [It] offered violent feeling expressed through previously taboo means-including gestural paint handling and allegory” (Neo-Expressionism). Jean-Michel Basquiat, a well-known Neo-Expressionist painter, explored a multitude of themes that interested him. The most prevalent were issues on race, culture, and heritage. During his 27 years of life, he was able to accurately represent the everyday struggle of the average African-American male while reforming the art industry, defying and accepting stereotypes, and depicting touchy themes of race in his visual art.
While his life was building up to the moment he became rich off of his creativity, it helped him become the man he is today. No matter how unique his life has been, one thing has been a constant in his life, along with many others; He was influenced by the color and personality shown through a piece of art, which was the intent in the first place.
This piece is and is 218.4 centimeters in height and 172.7 centimeters in width. I was not able to find the medium of this artwork but I am assuming it is either acrylic or oil on canvas. The style is also abstract and features what looks like random painted figures and shapes positioned all over the canvas with patches of red, yellow-green, mustard yellow, white and beige as the background. There are a couple random objects painted on this piece that are recognizable, such as a red cup with sugar cubes next to it, but there also many unrecognizable shapes that are more open to interpretation. It is my least favorite because I do not find the overall color scheme of the painting very appealing. Personally I feel as if the colors in this piece do not go well together, especially the shade of green and yellow in the background. Compared to Basquiat’s other pieces that are richer in color, this piece falls
Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...
One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.
The film Basquiat explores the artist Jean-Michel Basquiat, a Haitian-Puerto Rican painting in New York City during the 1980s. Working closely with Andy Warhol, Basquiat was exploited for his unique “urban ghetto” graffiti and crude style of representation. Schnabel’s film further exploits this image of the painter, depicting him in various scenes of poverty and drug addiction, dirty poor love and desperation. Our understanding of the artist is framed by excerpts from essays by art critic Rene Ricard, depicted as a flaming homosexual who leeches off of his artistic friends. Ricard observes the hypocrisy and self-indulgence of the art scene that is vital to...
The Irony of the Negro Policeman by Jean-Michel Basquiat deserves to be included into the 250 because of it’s blatant message of the oppression of blacks in America by a structure that parallels Jim Crow. The painting is said to show the irony of an African American enforcing the rules that are generally meant to enslave them. The painting was made right at the start of the drug and crime epidemic in New York in the 1980’s, a turbulent time for many. Basquiat’s place in Art History is lamented by his success as a sociopolitical force, and an artist who started off poor, on the streets as a panhandler, but later risen to fame and fortune. Although Basquiat died fairly young, he tried his best to get the message of equality across, as well as the hope that discrimination will soon perish; The Irony of the Negro Policeman should be #251 in the required works due to the fact that it embodies this exact message.
Georges-Pierre Seurat was a French Impressionist whose works included; Bathers at Asnieres, Circus, Eiffel Tower, Gray weather, and his most notable and largest piece, Sunday Afternoon on the Island of La Grande Jatte.