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A business model
A business model
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“Aww man, the series is over already!?” Im sure this has gone through many viewers’ minds after an awesome series has ended with the final episode. Many viewers wish that the show was continuing or that at least their favorite characters hooked up, but usually that isn’t the case. But what if, by chance, that it was? Doujinshi are just that. Doujinshi are amateaur or professional magazine, most often manga, published independently by a group of fans. (Galbraith) Die hard fans who want a story to continue after it officially ends create doujinshi, in various ways. Some take characters from established series and place them in new stories, alternative couplings, parallel worlds, or involved in more sexual encounters that were never intended by …show more content…
Daniel H. Pink suggests that “anmoku no ryokai is the heart of a new business model because allowing consumers to produce keeps fans interested in the work, cultivates new talent in amateur artists, and provides free market research on what is popular and what people want.” (Galbraith) Also according to Yasuhiro Arai, author of Copyright Infringement as user Innovation, “anime and may other industries can benefit from doujinshi. The doujinshi markets provide a possible source of talented creators, serve to promote the sales of original works, and provide new styles and ideas that can be incorporated in commercial anime and manga.” (Arai) Arai also argues that “the weak incentive of copyright holders to litigate has caused the positive externalities of doujinshi to become relatively large and thereby stimulated the creation of new styles and ideas by Sakuru, which have enhanced international competitiveness in Japanese anime and manga industries.” (Arai) Keiji Takeda, another main organizer of Japan’s doujinshi gatherings, has this to say on the topic, “ the doujinshi are creating a market base, and that market base is naturally drawn to the original work. This is where we are finding the next generation of authors. The publishers understand the value of not destroying that, and as the manga weeklies falter and decline, new talent is more important than ever.” (Pink) Anmoku no ryokai is not just a deft way to avoid conflict, it is also a business
“Copyright is a fundamental right of ownership and protection common to all of the arts” (O’Hara & Beard, 2006, p. 8). “It is a form of intellectual Property (IP)” and it gives the owner exclusive rights to the copyright (O’Hara & Beard, 2006, p. 11).
Abstract: In 1995 Lance Rose and Esther Dyson wrote articles in Wired Magazine expressing polarized views on the future of copyright law and copyright infringement. This essay reviews those articles, analyzes each article's accuracy as defined by current trends years later.
Creators have creative freedom and can alter or shape a persons opinion with their works.
This paper will explore what it is about anime that makes it so appealing to even a Western audience, creating an international fan base. Although manga can be traced to American origins, the comics that the Americans brought over have been intensely modified to create essentially a new form of media. Manga and anime have become a significant component of Japanese culture, and often times they integrate Japanese culture and society. Yet, regardless of its Japanese origin, anime is still viewed on the other side of the planet. The question then becomes what is it that makes it so appealing to a foreign audience? This paper will rely heavily on Susan Napier’s book, From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the
Munsterberg, H. (1985) The Arts of Japan An Illustrated History Charles E. Tuttle, Tokyo, Japan.
Remixing original material from different artists has become an important controversy in today’s modern world. The matter of stealing copyright material is taken very seriously and offends a lot of artists. Lawrence Lessig, author of “Remixed: Media” and a professor at Harvard Law School, writes about how he doesn’t agree. He uses several examples and personal stories to back his position and try to get his readers to understand that what new contemporary artists have started doing. Is nothing illegal and attempts to make it socially acceptable. Writing something like this, the author should include three rhetoric appeals such as ethos, pathos, and logos. Ethos is, by definition, “an appeal to authority or character” (31). Pathos is a way to connect through emotion. Logos is incorporating formal examples such as definitions, facts, and proven statistics. Another part of the article would be the kairos or otherwise known as the appropriate placement of each argument during the course of an article. While reading, it’s easy to see how ethos, pathos, and kairos is used in Lessig’s article as he places an emotional state that could be perceptive to his audience and modern day statistics to connect with his audience in order to convey his opinions on remixed material throughout his article, while leaving out personal credentials.
Fan Culture is something that has been around for a while, but it the last twenty years, since the introduction of the Internet, it is also something that has changed dramatically. A fan is an enthusiast of something and now the Internet is a good home for fans to gather and build together a community of fans, a ‘Fandom’. The turn Fandom means a community of a group of people who all enjoy them same thing and the Internet has created a place for online communities. Fan Culture has irreversibly changed the media industry because of the ability share information and fan made created content. The creation of these online based communities have meant that people from all over the world can talk about the latest TV shows, movies, books, comics and other forms of content and create groups dedicated to them. The Internet has also become a platform for the creation of a collective community, where individuals who all have shared interests can go. “Fans uses of technologies bring a sense of playfulness to the work of active reading” (2010; 12). Digital Fandoms are user-led forum of content creation, the fans create a number of things; fan fiction, fan blogs, fan made videos, fan art work, wiki leaks. The fans create a whole new life, another side of the TV show, film or book, that is complicity run and used by the fans. These fan made creation do not have to stick to what is canon in the show and can do what they wish with the character and the storylines. However is this an okay thing to do, Henry Jenkins refers to the fans who create these things are ‘Textual Poachers’. Those fans are now active interpreters instead of passive consumers. In this view the fans are poaching the created content of the writer. The fans have power to create t...
The New Republic is an American magazine that tackles topics in politics as well as the liberal arts. In 2007, Kal Raustiala and Christopher Sprigman, professors at UVA and UCLA Law School, wrote an article in the magazine The New Republic, on “How Copyright Law Could Kill the Fashion Industry.” In the beginning of the article, the authors introduce senator of New York, Chuck Shumer. Shumer is said to bring out a bill that protects fashion designs by making them copyright. Raustiala and Sprigman’s commentary on fashion victims is both effective and ineffective in defending the idea that copying original fashion designs promotes development and creativity in the fashion industry.
...ot so successful when they attempt to do it. Although to some artists, copyright isn’t an issue. But how much changes do we have to make to appropriate an art piece, for it to be considered complying with the copyright law. The copyright law protects an artist’s exclusive right to reproduce or authorize others to reproduce the artist’s work. But the copyright law isn’t as strict as we look at it to be because there isn’t such a thing as international copyright law because in different countries, there are different agreements on what a copyright law should be about.
The success of anime began with the famous Japanese artist Osamu Tezuka, one of the founding fathers of Japanese anime and manga. In the 1960s, Tezuka became a famous manga artist and was given the credit of creating Japan's modern anime i...
On the side of those who have taken initiative to placing copyrights on initial content have been challenged by the online community's ability to interpret this alleged original copyrighted content and place their own spin on it, while in some cases the lines are blurred between those who reap benefits and of what kind, monetary creative or entertainment values of various forms. While in turn the fanbase that is thriving in the arena of online adaption of original copyrighted ideas are afraid of the power that copyrighted gatekeepers hold over them with access to attorneys and judicial process through the courts. Fan driven talent for carrying forward artistic spin offs from original content is at risk of being stuck with huge fines for producing a likeness of the original content and distributing it among fan communities
Anime is a popular type of entertainment, primarily watched during one’s freetime that was originally created by the Japanese. Its origin stems back to World War II in which cartoonists and artists were enlisted in order to utilize art as a form of propaganda to rally their nation together against its enemies (novaonline.com). As World War II ended, propaganda was no longer necessary and cartoonists soon introduced a new form of entertainment that is now known as anime. Around the 1980s and 1990s is when anime began to flourish, becoming significantly well-known in America. Through the late 1900s and 2000s, numerous new animes were released which have since then gained much popularity, for example, Naruto, One Piece, Future Diary, Sword Art
Plagiarism and Copyright Infringement are two terms that mean different things yet are routinely mentioned as synonyms for each other. This is not the case. The underlying reasoning for people who choose to plagiarize and infringe on copyrights involve some of the same ethics and morals, but from a legal standpoint these terms mean different things. This paper will point out the similarities and differences between the two terms. It will first give some meaning and perspective behind each term then it will go into the details of what each term means. It will point out the types of plagiarism that routinely show in academia and what is covered under Copyright law protection. It will go on to compare and contrast the two concepts.
Many people who use the Internet regularly have downloaded some kinds of copyrighted materials such as music and movies. However, should it be illegal to protect copyrighted materials more strictly? Today, downloading and sharing copyrighted materials is illegal in many countries such as Japan and the United States. In fact, people who share copyrighted materials get fines or jail sentences. For example, according to Yahoo Movies, a man from Gunma Prefecture in Japan was arrested for uploading a movie, the Wind Rises, in 2014. Nevertheless, downloading and sharing copyrighted materials should be legal for the economic growth and for artists.