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Morality in literature
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In Canto V, The Inferno, Francesca da Rimini and Paolo Malatesta were reading a romantic book that brought out their emotions and love for each other that made them passionate. Dante (the poet) condemned them to hell together to be punished for committing adultery. It leaves one to think who is more responsible for moral responsibility. I feel the creators and vehicles of the messages that are promoting unacceptable attitudes and behaviors aren’t more responsible and accountable than that of the consumers. The content that is created generally has fans and detractors. Also if consumers didn’t watch these types of works they wouldn’t exist and disappear. Creators have creative freedom and can alter or shape a persons opinion with their works.
Although the media may have influence upon a persons thoughts, ultimately it’s the consumers who buy the content and allow it to play a role on their personality. Take Francesca and Paolo for example, they read a book about love and they couldn’t resist committing adultery. The book played a role on their emotions, but if they didn’t have those emotions deep down inside of them to begin with then the book wouldn’t have an effect on them. The story itself played on their deep attraction for each other. The author wasn’t aware about the feelings they had for each other when creating the book, then the book can’t be blamed for their actions. Although Paolo and Francesca had resemblance to Lancelot and Guinevere love story, they didn’t need to act on it. Lancelot and Guinevere acted no more than a ploy to Francesca and Paolo to commit adultery. You wouldn’t kill the creator of the story, you would kill the people who committed the act. Ultimately they had a moral responsibility not to carry out those acts. Generally people don’t ask for the content to be made however content wouldn’t be made if it wasn’t watched or read. Just like back when there was a mass school shooting multiple news outlets blamed violent video games for that careless behavior. Millions of people play violent video games but I don’t see everyone shooting up schools or movie theaters. Although some video games have some influence on people it’s up to the consumer to decide if they want to purchase the video game and pretend to live in a pretend world or reality. If the video games didn’t have fans then they wouldn’t be producing games with such violence. After all Francesca and Paolo chose to read the story and just because the story reflected their own love for each other it was their decision that lead them to imitate Lancelot and Guinevere adultery to resolve their own conflict. The effect that the media and video games have on people may have some power in influencing on peoples choices, essentially the power is in the individual’s hands. They are responsible for making moral responsibility conscious choices. Although people don’t ask for the
Everyone remembers the nasty villains that terrorize the happy people in fairy tales. Indeed, many of these fairy tales are defined by their clearly defined good and bad archetypes, using clichéd physical stereotypes. What is noteworthy is that these fairy tales are predominately either old themselves or based on stories of antiquity. Modern stories and epics do not offer these clear definitions; they force the reader to continually redefine the definitions of morality to the hero that is not fully good and the villain that is not so despicable. From Dante’s Inferno, through the winding mental visions in Shakespeare’s Hamlet, spiraling through the labyrinth in Kafka’s The Trial, and culminating in Joyce’s abstract realization of morality in “The Dead,” authors grapple with this development. In the literary progression to the modern world, the increasing abstraction of evil from its classic archetype to a foreign, supernatural entity without bounds or cure is strongly suggestive of the pugnacious assault on individualism in the face of literature’s dualistic, thematically oligopolistic heritage.
Ask anyone you know what their ultimate goal in life is, and the answer will unanimously be, “to be happy.” According to Aristotle, Thomas Aquinas and Dante, a state of fulfillment is the ultimate goal of all beings. This is how they define happiness: a state of being fully. Happiness and the means by which humans can achieve it is the main theme in Dante’s poem, The Comedy. In this poem, Dante starts his journey in the Inferno where he sees the souls of those who rejected the possibility of happiness by not knowing or refusing to know God. He then ascends to Purgatory, in which he observes souls who want to be happy, but must purge themselves of sin to achieve it. In the final installment, The Paradiso, Dante meets the souls of people who are truly happy. However, there is a peculiar feature in Dante’s version of paradise, which is that the souls are arranged in a hierarchy. The implications of a hierarchy of happiness would be that certain peoples’ fulfillment is less than others’, meaning that certain people have less potential to be happy than others. If there really were a hierarchy of human potential, then it would certainly contradict Catholic tenants such as divine grace and justice. Therefore it would stand to say that there is no hierarchy in heaven.
...entertainment industry is saying that intellectual property is just as real as physical property. The digital age faces a true balancing act a digital dilemma if you will- the right to freedom of expression while protecting intellectual property.
all that we need on Earth, but that doesn't mean that we are supposed to have
In The Inferno of Dante, Dante creates a striking correspondence between a soul’s sin on Earth and the punishment it receives in hell for that sin. This simple idea serves to illuminate one of Dante’s recurring themes: the perfection of god’s justice. Bearing the inscription the gates of hell explicitly state that god was moved to create hell by justice. Wisdom was employed to know what punishments would be just, power to create the forms of justice, and love to show that the punishments are conditioned with compassion, however difficult it may be to recognize (and the topic of a totally separate paper). Certainly then, if the motive of hell’s creation was justice, then its purpose was (and still is) to provide justice. But what exactly is this justice that Dante refers to? According to the Oxford English Dictionary, it is the So hell exists to punish those who sin against god, and the suitability of Hell’s specific punishments testify to the divine perfection that all sin violates.
"What is fame? Fame is but a slow decay Even this shall pass away." Theodore Tilton The Divine Comedy, by Dante Alighieri, is a poem laden with such Christian themes as love, the search for happiness, and the desire to see God. Among these Christian themes, however, is Dante's obsession with and desire for fame, which seems to be a surprising departure from conventional medieval Christian morality. Indeed, as the poem progresses, a striking contradiction emerges. Dante the writer, in keeping with Christian doctrine, presents the desire for fame and glory among the souls of Inferno in order to replace it with humility among the souls of Purgatorio. Yet this purification of desire is not entirely embraced by Dante, who seems preoccupied with his own personal fame and glory. Therefore, how do we reconcile the seemingly hypocritical stance that the souls must strip themselves of pride and become humble, yet Dante can continue in his quest for fame and glory and still be saved? This contradiction is developed as the reader and the character Dante travel through Inferno and Purgatorio and is resolved in the second sphere of Paradise. It is this sphere, which allows for fame and glory for honorable reasons, that permits us, as readers, to resolve this tension. It is in this sphere that Dante elucidates that fame is not always bad, but only becomes so when one's motives are impure.
sin which involves one person, and it is more of a selfish sin, but the
While Dante has the audacity to describe Lucifer himself in his Inferno he never describes God directly. Rather, he describes other entities from heaven, and expressions of God’s will. Thus, an image of God doesn’t really exist in Inferno. Early in the journey though, Dante equates God and justice as he crosses the Acheron, and does not present an image of a just God, but suggests that God is justice itself. This equating of God to justice occurs when Virgil first has to invoke God’s authorization for Dante’s journey. When Virgil has to insist that they are allowed to be there later God and justice are recalled, implying that God himself is present in the punishments in Hell and that those punishments are just.
why they do not have to carry the stones anymore when the penance for Pride is completed. Through Purgatory, it is easy to see the verse in the Bible which pride does bring a person down.
I am an artist, and have loved creating art ever since I was a child. When I start to create art, it is usually stemming from things I have imagined or been inspired by in my daily experiences. I will start out keeping to myself, but eventually I like to ask others opinions. Whether they give negative or positive feedback their opinion can affect the entire outcome of my piece. If I choose to take their opinions and critiques and alter my piece because of them, then the piece is not one hundred percent mine. It has been influenced by other’s ideas and input. I believe this is also an example of what Sartre was trying to get across when he formed this
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
This is what some artist dread the most because they could have heard or saw something in their past and then not have thought anything of it. Then when it comes to them writing or painting or making music they come up with this grand idea that they have when really they are just sub-concisely remembering something they have already heard or saw and putting their name on it. In the article he takes about the show, The Simpsons, and goes into details about one of their episodes. “An argument over the ownership of the animated characters Itchy and Scratchy rapidly escalates into an existential debate on the very nature of cartoons. “Animation is built on plagiarism!” declares the show’s hot-tempered cartoon-producer-within-a-cartoon, Roger Meyers Jr.” Without the making of some shows they would not have sparked interests into other creative minds do take that idea and turn in it into their
Michael Rock’s article “Designer as Author” addresses a quite popular topic of discussion in graphic design. Authorship. In there, Rock validates the active roles played by designers across various fields of artistic productions. The connection that exists between authorship and design is built on the ability of the designer to stand and work alone to accomplish a project. The article is more of argument-oriented in a way that highlights the overall roles designers play in the success of a project.
Throughout the course of history, the ever-increasing ubiquity of the media landscape has increased the prevalence of moral panics. In a society where bad news sells, the media exacerbates and fuels moral panics in order to gain public interest and therefore viewership. With increased viewership, comes a larger market and thus an opportunity for advertisers to reach a wider audience of consumers.
Artistic freedom is regularly based or exploited because most of the time people aren’t happy with that artwork. This is a very controversial topic for me because I’ve seen art pieces that have angered me and made me the question the artist or museum who allowed it to be viewed in their exhibit. This Art history class made me look back and take back those thoughts because I learned that art is just another form of expression. I believe many artists try to push the limit of their art just to have their next big piece of controversial work.