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The role of females in jane eyre
Jane eyre role of women
An Analysis of Jane Eyre
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Jane Eyre by Charlotte Brontë communicates the dire repression of women during the 1800s. Women were viewed as trivial beings put on God’s earth to reproduce and please the men in their lives. This view was unchallenged and unavenged by most Europeans. Bronte thought differently than most though and decided to challenge this view of women in this feministic novel. Jane’s uncivilized free and wild thinking expresses rebellion against societal norms for women during the 1800s, and showcases her ability to go against expectations and fight for her own independence. In Jane’s words, “‘I am no bird; and no net ensnares me; I am a free human being with an independent will”’ (Brontë 356).
Even as a child, Jane was treated with disrespect. Jane’s
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But, Rochester has a deep secret he has been keeping from her – that he is already married to another woman. Rochester tells her that he still wants to get married but “the answer [Jane’s] mind gave – Leave Thornfield at Once’—was so prompt, so dread” (418). It was considered normal to give in to what the man wanted in a relationship, in fact in the 1800s and throughout much of the 1900s, women were supposed to please their men like it was their job. But Jane is not like other women, she sees the flaws in her oppressive world and decides to do what she thinks is the best way to precede in this unfortunate circumstance. Jane exclaims that “[she] was experiencing an ordeal… Terrible moment: full of struggle, blackness, burning! Not a human being that ever lived could wish to be loved better than [she] was loved; and him who thus loved [her she] absolutely worshipped: and [she] must renounce love and idol. One drear word comprised [her] intolerable duty—‘Depart!’”. Rochester responds with, “‘Jane, you understand what I want of you? Just this promise—‘I will be yours, Mr. Rochester’”. But Jane stands her ground and renounces him saying, ‘Mr. Rochester, I will not be yours…’”. Rochester becomes angry and exclaims, “‘Oh, Jane, this is bitter! This – this is wicked.’ It would not be wicked to love me’”. Jane’s response is ultimately truthful and feministic: ‘It would to obey you’” …show more content…
This is coincidentally where her three cousins live and she decides to stay with them for a while. Her male cousin, St. John, is a missionary looking for a wife to take to India and help him with his work. One day, St. John proposes to Jane that they get married (570/571) because he wants her to be his “helpmeet and fellow-labourer” since she is so strong (570). Jane doesn’t know quite what to do. She exclaims that if she does “join St John, [she will] abandon half [herself]; if [she does] go to India, [she will] go to premature death” (574). Jane shortly decides that she does not want to marry him because she would be losing herself and because he does not love her and only sees her as a “solider (574)”, a “good weapon” (574), and “a useful tool” (590). Jane asserts herself immensely in this scene with St. John. In Jane’s free thinking she decides that she is the master of her own fate and does not want to let St. John dictate her future. She makes her own decisions, and Jane decides to stay true to herself and not just marry a man out of utility, but wants to wait for love to come along with
When her wedding is interrupted, she prays to God for solace, “Be not far from me, for trouble is near: there is none to help” (274). As she wanders the heath, destitute and hungry, she places her survival in the hands of God, “I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish nor one of the souls it treasured” (301). Jane vigorously objects to Rochester’s lustful immorality, and she refuses considering living with him while the official church and state continually deem him married to another. Even so, Jane barely brings herself to leave the only love in way she has ever known. She credits God with helping her to escape and not fall to the desires of the flesh and return to what she knows would have been an immoral life, “Still I could not turn, nor retrace one step. God must have led me on.”
Moving ahead a few decades takes us to the Romantic Era, which was the first half of the 19th century. There was a huge surge in portraying gender roles in literature and art. Charlotte Brontë’s Jane Eyre portrays a great depiction of gender roles during this time period. Jane Eyre is a Victorian Era novel. The Romantic Era and the Victorian Era overlap a number of years, so Jane Eyre does encompass ideas of both eras. However, what’s important about the novel is the progressive depiction of women and how it deviates from the norm. A central theme of the novel is the patriarchal society that Jane lives in.
...He then promptly replies, "'I will at least choose--her I love best. Jane, will you marry me?'" Jane, of course, eagerly responds, "'Yes, sir'" (426; ch. 37). Once again, Jane's principles remain uncompromised, but this time she is able to get exactly what she wants.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
Consequently, Jane’s desire to have St. John “neglect” her takes a different turn. Instead of the dominating men leaving her, she builds up the autonomy through several hardships, and abandons them herself. She makes the decisions herself, and comes back to Rochester when she knows they will be viewed as equivalents.
The period of their engagement is thus represented by Brontë as wrought with the perils of sexual temptation as implied by Jane’s idolatry of Rochester and willingness to yield to him. Still, Jane’s religious agency and morality allows her to resist, thus ensuring her a continued connection with God. Nevertheless, Jane retains her spiritual love that includes Christianity and allows her to accommodate her mortal desires. Jane is again tried when she learns of Bertha’s existence and is begged by Rochester to be his mistress, to which she denies by saying she “will keep the law given by God; sanctioned by man” (313). In the midst of this catastrophe she says, “One idea only still throbbed life-like within me—a remembrance of God” (293) and with a firm resolution she leaves Thornfield and Rochester, exulting “him who thus loved me I absolutely worshipped: and I must renounce love and idol” (312). Jane’s actions clearly demonstrate that she submits her will to God even when her whole being is at odds with her decision; and this is not simply indicative of a religious duty but also a morality that grounds her existence.
Though it is clear that Jane begins to have feelings for Rochester not long after meeting him, she is able to handle the situations she is put in when she is romantically involved with him. First, she refuses to marry him until she is sure that Blanche is not romantically involved with Rochester in any way. Second, when she finds out about Rochester’s wife and he begs her to run away with him, she refuses because of the fact that she has respect for herself and she know that it is the wrong thing to do. In this instance, Jane displays a great amount of emotional maturity. She could have very well decided to become Rochester’s mistress and run away with him. But because she respect herself, and because she does possess that emotional maturity, she does not allow herself to do so. Rochester is not the only suitor with which Jane displays emotional maturity. After Jane runs away from Thornfield and Rochester, she meets St. John Rivers and his sisters. After spending some time with the trio, Jane feels herself becoming comfortable. Eventually, St. John Rivers urges Jane to marry him and to accompany him on a mission trip as his wife. Although Jane finds herself tempted, she does not allow herself to accept because she wants to be her own person, and she knows that she could never love him in a romantic way. This is just another example of how much Jane grew up over the course of her
Jane is very religious and stays true to her moral beliefs. When Mr. Rochester asked her to marry him she was so excited and overjoyed, but once she found out that he was already married she knew she had to leave. Jane was heartbroken, but she knew that it was against her religion to marry a man that was already married, even though Mr. Rochester’s wife was crazy and didn’t treat him like a wife. Jane told Mr. Rochester, “I am no bird; and no net ensnares me; I am a free human being with an independent will; which I now exert to leave you.” (257-258). Jane wanted to let Mr. Rochester know that she can make her own decisions. Jane knew that the only thing she could do was leave, even though it would have been easier to stay. Jane chose what was right and had to make some hard decisions but she benefited from going her own way. Jane always tried to help those in need, and those she could teach. Jane was so kind and loving and that is why St. John wanted to marry her and bring her to India with him to do mission work. Jane knew that St. John didn’t love her and she only loved him like a cousin not a wife. Jane said no to him but eventually he persuaded her to say that she would marry him. Jane knew that it was not right for her to move to India and marry someone who didn’t truly love her, so she went in search of Rochester who loved her unconditionally. Jane made the right decision by following her heart and leaving St. John for the person she truly wanted to be with. Jane did everything she believed to be right and never went against her
She says this in response to Mr. Rochester’s requests to staying with him as his mistress, even after she found out that he is currently married. Jane wants Mr. Rochester to let her go and let God do his work. This action in Jane attributes to what she learned from Helen Burns.
Two major men teach Jane to appreciate the complexities of her emotions and passions for life: Mr. Rochester and St. John. Both are antithesis of each other but both help Jane blossom into a woman with morals and ideals. With Mr. Rochester, she thrives in Thornfield’s environment where she does not need to suppress her passion and responds naturally to Rochester’s strong fervor. Because she did not receive proper moral schooling as a child, she did not know how to control her emotions. This problem is solved when Rochester fully exploits Jane’s weakness to his advantage by constantly making her feel jealous and inferior. It is not until Jane realizes Rochester’s sadistic intentions of making her feel jealous does she rebel and develop her independent thinking. “Her nature is passionate, but she also recognizes the dangers of uncontrolled passion…inherently conscious that actions must be tempered by reason” (Napierkowki 164). Because of the heartache and betrayal she experiences with Mr. Rochester, Jane finally recognizes her unrestrained emotions. His constant bombardment and humiliation leads Jane to learn to control her emotions or risk getting harmed. By becoming aware of her faults, she is able to reason her every move and make wise actions. Jane’s aspirations to finding a family of her own with Mr. Rochester overshadow her problem of being easily manipulated through her emotions.
Although Jane ends up rejecting all three models of religion, she does not abandon morality, spiritualism, or a belief in a Christian god. When her wedding is interrupted, she prays to God for support. As she wanders the heath, poor and starving, she puts her survival in the hands of God. Jane says;
Similar to many of the great feministic novels of its time, Jane Eyre purely emerges as a story focused on the quest for love. The novel’s protagonist, Jane, searches not only for the romantic side of love, but ultimately for a sense of self-worth and independence. Set in the overlapping times of the Victorian and Gothic periods, the novel touches upon both women’s supposed rights, and their inner struggle for liberty. Orphaned at an early age, Jane was born into a modest lifestyle, without any major parent roles to guide her through life’s obstacles. Instead, she spent much of her adolescent years locked in imaginary chains, serving those around her but never enjoying the many decadences life has to offer. It is not until Jane becomes a governess that many minute privileges become available to her and offer Jane a glance at what life could have been. It is on her quest for redemption and discovery that she truly is liberated. Throughout Charlotte Bronte’s classic novel Jane Eyre, the story’s protagonist Jane, struggles to achieve the balance of both autonomy and love, without sacrificing herself in the process.
Charlotte Bronte’s Jane Eyre represents the role of women in the Victorian era by giving the reader an insight into the lives of women from all social classes. Jane Eyre therefore represents figures of the Victorian time yet the character of Jane Eyre, herself, can be seen as very unconventional for the Victorian society.
Jane Eyre is a Feminist Novel.In the novel Jane Eyre, there is plenty of evidence to suggest that the tone of Jane Eyre is in fact a feminist novel. This book points out the times of unfairness in the Victorian society between men and women, where the man always comes first and is the master of his wife and always the provider. There are many examples that show feminist acts that usually do not occur in the Victorian era, such as wiith strength and integrity, Jane is able to break free from the role that the rest of the society has put her in, which is uncommon in that time
The pride that Jane carries with her might influence her as she tells her tale. She may change details in order to seem more pious or more proper. Jane has reached a blissful state in finding the love of her employer Mr. Rochester. Unfortunately he has a wife in a deranged woman who lives in the attic, where she is tended by a strange, gin drinking servant. Despite the strange circumstances surrounding the marriage, Jane chooses to end her life at Thornfield Manor and flee through the country side. She claims that the reason she leaves her true love is that their marriage would be one that would go against God. The possibility of him as an acceptable husband is slim. He admits he lied to Jane and attempted to become a "polygamist", but he appeals to her sense of reason asking how an insane animal could be his wife. Still she rejects his proposal and leaves, but does she leave because of God, or another reason.