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An Analysis of Jane Eyre
An Analysis of Jane Eyre
An Analysis of Jane Eyre
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The Individuality of Faith in Jane Eyre Throughout the novel Jane Eyre, Jane Eyre struggles to find the ideal balance between spiritual obligation to her faith and human desires. During her life she encounters three religious figures that aide in the shaping of Jane’s religion: Mr. Brocklehurst, Helen Burns, and St. John Rivers. Each person signifies a standpoint on religion that Jane rejects as she establishes her perceptions about principle and faith as well as their potential consequences. Therefore, the Christian faith is something that every individual must develop for himself by witnessing the religious faiths of others and then must establish his faith based on the morals and ethics the individual personally believes. Jane
John Rivers impact Jane’s spiritual development. At the early age of ten years old, Jane Eyre made her first friend, Helen Burns. Helen is a few years older than Jane when they meet and has a much more matured faith. Helen has a meek and forbearing conviction in her faith. In attempts to comfort Jane’s irrational fears and emotions, Helen patiently comforts Jane by telling her, “If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends.” (65). Although ultimately Jane finds Helen’s faith too docile for her own adoption, Jane reveres, respects, and loves Helen because of it’s passiveness. After her escape from Thornfield Hall, Jane finds herself with St. John Rivers and his sisters where she encounters her third key figure in the development of her faith. St. John Rivers is a man of ambition, glory, and extreme self-importance. He proposes to Jane asking her to sacrifice her emotional deeds for the fulfillment of her Christian duty. Along with his proposal, he asks Jane to accompany him to missionary work in India which was a life that would require Jane to be disloyal to the person Jane knows herself to be. St. John River’s faith is too pessimistic and demanding for the person and life Jane aspires for herself; therefore, Jane rejects his viewpoint on faith while developing her
When her wedding is interrupted, she prays to God for solace, “Be not far from me, for trouble is near: there is none to help” (274). As she wanders the heath, destitute and hungry, she places her survival in the hands of God, “I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish nor one of the souls it treasured” (301). Jane vigorously objects to Rochester’s lustful immorality, and she refuses considering living with him while the official church and state continually deem him married to another. Even so, Jane barely brings herself to leave the only love in way she has ever known. She credits God with helping her to escape and not fall to the desires of the flesh and return to what she knows would have been an immoral life, “Still I could not turn, nor retrace one step. God must have led me on.”
While she was there, she was presented with a proposition that would fulfill her spiritual journey in life. “Jane come with me to India: come as my helpmeet and fellow-labourer...God and nature intended you for a missionary’s wife.” (Bronte, 404 & 405). St. John offered to marry Jane so that she could go with him to preach the word of God and help convert India’s inhabitants. St. John was very influential on Jane, as a result of his strong religious beliefs and compelling rhetoric. Even his cold attitude was transmitted to her. Consequently, Jane greatly contemplated the decision. Ultimately, she decided that she would be willing to go on the trip with him, but as a sister rather than a wife. She did not feel any adoration between her and St. John, only a sense of servitude. Thus, forming the ultimate bond of love would be treacherous and empty. She would not only be without independence, but also the possibility of finding love. When St. John is confronted with this idea, he harshly rejects it, insisting on the necessity of the marriage. After a week of frigidity
This passage also applies to Jane's life after Lowood. After Jane runs away from Thornfield, refusing to become a mistress, she has little money and few belongings. By escaping Rochester, Jane runs from sin, temptation, and safety, into the unknown, trusting in God to help her find food and shelter. She is more concerned for Rochester than she is for herself, and comes to the conclusion that "Mr. Rochester was safe; he was God's and by God would he be guarded" (319; ch. 28).
St. John Rivers is introduced into the novel as a savior. He takes Jane into his home and under his care when she believes to have reached the end of her road. It is here, at Moor House with St. John, that she is given a new beginning with a new identity, job, and, eventually, a family with St. John and his sisters. As a clergyman, St. John is a good, moral person whose intentions are to provide for his people and his family. He also eventually wants to become a missionary someday soon. Jane likes the idea of this and it is evident to readers that Jane admires St. John and loves him like the brother he has become to her. He even gives her a job as a teacher at a school for less fortunate children. It is here that she is introduced to Rosamond Oliver and her father.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
The tone of Jane Eyre is direct, perhaps even blunt. There is no prissy little-girl sensibility, but a startlingly independent, even skeptical perspective. At the age of 10, the orphan Jane already sees through the hypocrisy of her self-righteous Christian elders. She tells her bullying Aunt Reed, "People think you a good woman, but you are bad; hard-hearted. You are deceitful!" and "I am glad you are no relative of mine; I will never call you aunt again so long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say that the very thought of you makes me sick." (In fact, when her aunt is elderly and dying, Jane does return to visit her, and forgives her. But that's far in the future.) With the logic of a mature philosopher, in fact rather like Friedrich Nietzsche to come, Jane protests the basic admonitions of Christianity as a schoolgirl: "I must resist those who ... persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel that it is deserved." And this bold declaration, which would have struck readers of 1847 (in fact, of 1947) as radical and "infeminine":
Independence, the capacity to manage ones own affairs, make one’s own judgments, and provide for one’s self. Jane Eyre herself is a very independent woman. Throughout her life she has depended on very few people for very little. Charlotte Brontë wants the reader to learn that independence can open many doors of possibilities.
Mr. Rochester is irresistibly driven by his feelings. He carries a long history of ignoring sound judgment, including his hasty and unwise marriage to Bertha Mason because he "was dazzled, stimulated...[he] thought [he] loved her"(310), and his ensuing licentious, wandering life in search of pleasure. He has grown so accustomed to burying good sense, that he is able to completely disregard the fact that he still has a living wife with a clear conscience. Swept away by his feelings, he ignores the law, and tries to justify marriage to Jane. His passion often exceeds his control, like when Jane tells him she must leave Thornfield. "‘Jane! Will you hear reason? Because, if you won't, I'll try violence'" (307), he tells Jane desperately. Mr. Rochester deludes himself into the belief that he listens to sound judgment, but in reality, what he calls reason is simply folly born from his uncontrolled passions.
St. John Rivers plays one of these life determining foils to Jane. Eyre. His confidence, devotion and reason intrigue Jane almost enough. silence her inner passionate spirit, but it is the forces of nature that prove to be stronger than human will. & nbsp; The life path of a Victorian woman was somewhat limited in its direction and expression of individuality. Jane Eyre strongly adheres to the Victorian morality which was dominated by the Anglican party of the Church of England in which passion and emotion were kept concealed. Jane's.
A Christ Figure in Jane Eyre is Helen Burns who is a Christian friend that attends Lowood with Jane. Helen teaches Jane all of the right things to do in life. Helen was “very forgiving” (Foster 120). She was a “role within society” (Foster 118), well Jane’s society. Helen was “basically be a walking version of the New Testament instructions to ‘turn the other cheek’ and ‘bless them that curse you’ and ‘love your enemies’” (44). Jane says “ ‘I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly’ ” (44).
... self-worth. She believes that there is a chance for her to change her future. She had to make certain sacrifices in order to discover her strength, true friendships and her self-worth. She sacrifices her love to preserve her self-worth. After realizing her marriage to Rochester cannot be lawful and will mean surrendering her sense of dignity and virtue, she leaves him. When Jane leaves Thornfield she says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Bronte 336). In the end, she finds her happiness, as she is now with the man she loves, she preserves her self-worth without sacrificing her integrity.
...would have to sacrifice her passion for the sake of religious duty. On the other hand with Rochester, Jane would be forced to sacrifice her morality for the sake of her passion whilst Bertha was alive. When she heard of Bertha’s death she realised that with Rochester she could live a happy life full of love. Rochester and St John Rivers both have passion, Rochester’s is a passion for his love of Jane whereas St John Rivers is a passion for his work as a missionary, and he allows this passion to quell his love for Miss Oliver. St John Rivers is prepared to come to love Jane over time; however this is a sign of his lack of passion while Rochester truly loves Jane despite their differences, and his love for her is true love. For Jane it is a choice between a marriage of passion and a marriage of practicality, for Jane it is her passion and heart that eventually wins.
Jane’s perspective of love is based upon a mutual understanding and equality. Jane’s equality in a relationship is derived from her desire of independence. Jane reveals her need of independence in her relationship with Mr. Rochester when she told him she would always call him master but she would not be inferior to him. Haiyan Gao asserts in her article “Reflection On feminism in Jane Eyre,” “Jane loves Rochester with all her heart and Rochester’s status and wealth make him so high above for Jane to approach, yet she never feels herself inferior to Rochester though she is a humble family teacher.” It is also notable that Jane does not pursue a relationship with Mr. Rochester with the intention of gaining money. Her love is solely based on equality and independence and not status, power, or property. As Heidi Kelchner proclaims in her article “Jane Eyre,” “Although she ranks far below Rochester in social rank and wealth, she feels equal to him in soul, understanding his true nature.” Jane has pure intentions in her marriage with Mr. Rochester as she believes he is her equal and true love. Jane proves that she seeks true love once more when she rejects St. John Rivers marriage proposal. St. John had offered Jane an invitation to become his missionary wife in India. Jane acknowledges that he does not seek marriage for love but instead for religious purposes. Therefore, Jane proposes an alternate plan that allows her to serve as a single, independent missionary and co-worker of John. As Heidi Kelchner affirms Jane’s thoughts in her article “Jane Eyre,” “As St. John’s wife, she fears she would be restrained, and always checked forced to keep the fire of her nature continually low.” She would not be degraded to an object but rather wanted to stand as a strong independent woman. Jane would not accept the humiliated marriage to please St. John’s wishes. She would continue to look for true love based upon
Passion and reason, their opposition and eventual bringing together, serve as constant themes throughout the book. "Unjust!--unjust! Said my reason...How all my brain was in tumult, and all my heart in resurrection!" (Bronte, 17) Jane's passions are uncontrolled because she is not using reason. We see the dangers of nature and passion tempered by reason in the scene in which Rochester almost marries. Jane must get over her overwhelming passion for Mr. Rochester or Jane runs the risk of losing herself. In this case, passion nearly gains a victory over reason. Jane nearly loses her own personality in her overwhelming love. "Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition" (Bronte, 247). In other words, the individual must attain a balance between reason and passion, not be dominated by one or the other.
Although written during both the Victorian and Gothic time period, Jane Eyre draws upon many revolutionary influences that ultimately enabled it to become one of the most successful books of all time. Jane Eyre is merely a hybrid of a Victorian and Gothic novel, infusing a share of dark allusions with overzealous romanticism. The primitive cultures of the Victorian period reflect high ethical standards, an extreme respect for family life, and devotional qualities to God, all in which the novel portrays. Yet, to merely label Jane Eyre as a Victorian novel would be misleading. While the characteristics of a Gothic no...
Due to her rough childhood, Jane's passion is uncontrollable. Rather than being passionate about love, she is passionate about justice. While at Lowood, she eventually learned the meaning of forgiveness and strength. Her good friend, Helen Burns, teaches her to accept others opinions of her, to be humble and recognize one's own faults. Helen counsels Jane, saying "Life appears to me too short to be spent in nursing animosity, or registering wrongs" (58).