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Reasons for adolescent suicide attempts
Reasons for adolescent suicide attempts
Reasons for adolescent suicide attempts
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For someone who completed just three big feature films in his brief career, the effect of James Dean on popular culture is truly remarkable. It is not just the films themselves, but the persona and the magnetism that James Dean exhibited that attracts such fascination and admiration. James Dean's performances hint at so much more. His reaction to the world around him seems to sum up how so many young people around the world relate to their lives.
He was reared by his aunt and uncle in Fairmont Indiana and every September they have a James Dean festival there which runs for a week. There is a concert and open air film screenings held in the town centre as they remember their famous son. His appeal is more widespread though. The James Dean's fan club is a worldwide phenomenon. Pictures of the young star, the brooding pale, hurt-looking man adorn T-shirts and bedroom walls. His image, like that of Marilyn Monroe, is universal and instantly recognisable. Many films have been made about his short life and endless articles and books have been written about him. His violent death at the wheel of his beloved Porsche racing car has been re-examined from every angle. The driver of the other car in the collision spent his life being pursued for interviews about that fateful afternoon. A car museum in the US offered one million dollars for the remnants of the wrecked car that Dean drove that September day.
It seems as though people are trying endlessly to draw closer to the enigma that was James Dean. He has become the idol of every teenager who mumbles ‘You don't understand me' to bemused parents. Yet Dean somehow encapsulates far more than that. There is a confusion in his presence, an unanswered question and a hidden quality about him. As far as people can tell his real life and off-screen persona seem to be inseparable. He expresses vulnerability as well as an amount of danger and unpredictability. You could never be sure what he was going to do or say next. In the roles that he made famous, there is always a sense of mischievousness that he manages to convey. You never take your eyes off him and, in true rebellious style; he is always at odds with the world around him.
That world was the post World War Two generation. It was the same one that spawned the iconic, misunderstood, rebellious Marlon Brando, the fiery sullen method actor who was and perhaps still is a legend.
In this research paper I will be talking about Walter Dean Myers. I will be talking about his life from when he was born, until his life in the present day. This paper will inform you alot on Walter Dean Myers.
Clurman, Harold. “Actors-The Image of Their Era.” The Tulane Drama Review 4.3 (1960): 38-44. JSTOR.
If there were one thing that filmmakers William Castle and Edward D. “Ed” Wood, Jr. had in common, is that both were at the forefront of 1950s low-budget, B-movie filmmaking where independent studios assigned small budget to filmmakers to create B-movies and release them widely in order to gain higher profit returns during release. Both directors enjoyed their creative freedom with their limited budgets and both of their movies showed passion and energy in their scenes that many “A” film struggle to encapsulate in scenes of their own. However, that’s where the similarities end. Wood was an inept filmmaker, cursed with the passion for making movies but lacking the talent to do so, whereas Castle had extensive experience in the past and used them both during production and promoting his films, becoming a charming “showman” of sorts for his own movies. This “showman” persona was the main inspiration and basis for Joe Dante’s “Matinee”, where John Goodman portrayed a Castle-esque showman who would pull off every trick in the book just to get people to watch his any-budget movies, even if it means capitalizing on them during one of the most tension-filled periods in United States history. Though the film is fiction, Castle did indeed do some outrageous marketing stunts to promote his (mostly) low-budget shockers, even up until near the end of his career during his sole attempt into the A-game – producing the Roman Polanski chiller “Rosemary’s Baby”. Castle couldn’t even resist and took advantage of the paranoia between Catholic beliefs at the time when marketing the movie.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Suid, Lawrence. "The Pentagon and Hollywood: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)." American History/ American Film: Interpreting the Hollywood Image. Eds. John E. O'Connor and Martin A. Jackson. Boston: Frederick Ungar Publishing Co., 1979.
Additionally not only knowing the historical, social, and political background of a film and how the ideas in this film were form,but also how this film affected the society and the point of view of individuals,because after all film is not only affected by the context in which it is created ,but the film also affects individuals are catalyst for change in societies and cultures.
Keathley, Christian. "Trapped in the Affection Image" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 293-308. Print.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
With his popularity rising, Frank Capra utilized his movie techniques to create films that dealt with the Great Depression and films that could empathize with the American people. Capra tried to instill his own ideas into his films that successfully swayed his viewers with thematic issues of faith and patriotism. His movies displayed many aspects of the American Dream, that can be traced back to his origins as a poor boy, to his future as a famous film director. This in part influenced the public as they watched as dreams do come true in his captivating motion pictures. People of today still remember Capra by rewatching his famous films such as the...
James Dean was born in a small town in Marion, Indiana and grew up a performer, Jimmy tap danced, acted in plays and used all other artistic outlets he could get a hold on. James went to school in California to study pre med but later dropped out only to later enroll back into college to become an actor. James appeared first on television for a pepsi commercial and later moved into acting on broadway in musicals. Only staring in three movies one of which was released a month after the twenty-four year olds death. East of Eden, Rebel Without a Cause, and Giant James Dean was an influential actor whose untimely death had an enormous impact on American culture. James Dean was influential to the kids in the 1950’s he embodied all that the fed up
Being a student of method acting, James Dean was able to personify a genuinely pessimistic and troubled Jim Stark with passionate outbursts and the natural mumbling and brooding of a distressed teenage boy. Jim, Judy, and Plato, played by movie stars of the 50s, were dynamic characters forever changed by the events of the story. Character actors played the static characters of the film, such as Plato’s caretaker.
BIBLIOGRAPHY An Introduction to Film Studies Jill Nelmes (ed.) Routledge 1996 Anatomy of Film Bernard H. Dick St. Martins Press 1998 Key Concepts in Cinema Studies Susan Hayward Routledge 1996 Teach Yourself Film Studies Warren Buckland Hodder & Stoughton 1998 Interpreting the Moving Image Noel Carroll Cambridge University Press 1998 The Cinema Book Pam Cook (ed.) BFI 1985 FILMOGRAPHY All That Heaven Allows Dir. Douglas Sirk Universal 1955 Being There Dir. Hal Ashby 1979
"In a career of extraordinary range and depth, Jimmy Stewart has come to embody on screen the very image of the typical American.... His idealism, his determination, his vulnerability, and above all, his basic decency shine through every role he plays..."--
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.