Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
J.r.r. tolkien essays
J.r.r. tolkien essays
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: J.r.r. tolkien essays
J.R.R. Tolkien, an English writer, was born in Bloemfontein, South Africa. He played a significant role in reviving fantasy and mythological stories in modern literature. On January 3, 1892, he was born to his father, a bank manager, and his wife. At the age of three, Tolkien moved back to England with his mother and brother, and shortly after, his parents passed away (“Tolkien, J.R.R.” 1547). He attended Oxford, where he developed an interest in ancient mythology, languages, literatures, and philology. Tolkien's famous titles, including The Hobbit and The Lord of the Rings, are complex with separate languages, background stories, and fantasies. His extensive knowledge of northern European languages and literature influenced him to write The Hobbit and The Lord of the Rings.
"The Inklings" literature group.
There, they would read aloud their work, and Tolkien would read his sagas, which helped form a foundation for his writing and served as the starting point for his success. This group played a crucial role in introducing and shaping his fantasy stories, including The Hobbit and The Lord of the Rings. J.R.R. Tolkien was influenced to write these works by his extensive knowledge of northern European languages and literature, the early death of his parents, his service in World War I, his interest in myths and sagas, and his peers in "The Inklings" literature group. All of these factors contributed to shaping his works and helped revive fantasy stories in modern literature. While J.R.R. Tolkien had many great influences on his stories, the greatest came from his family, World War I, and his peers in "The Inklings" literature group.
J.R.R Tolkien's action packed, fantasy driven, inspiring novel The Hobbit shows the message that everyone must know, that you should never give up even if all hope seems to be lost. It shows setting of evergreen forests with villages scattered along the paths of which they must take and mountains just on the horizon. The read must go along with bilbo baggins a hobbit that does not realize there is more to him than just being a baggins and that he will live up to his family's name. Even after gandalf tells him that he will embark on a great adventure he still doesn’t believe he is anymore than just bilbo. Therefor this story is inspiring and shows that with the setting, character, and theme combined make this story a great read.
Tolkien, J. R. R., and Alan Lee. The hobbit ; The Lord of the Rings. London: HarperCollins, 2010. Print.
This story begins with a small fellow by the name of Bilbo Baggins. This fantasy story was written in 1956 by J.R.R. Tolkien. It is about a hero’s journey through the dangers and wonders of Middle Earth. Although it was not meant to become such a well-known book, it is filled with much literature. Throughout the book, Tolkien uses literary devices such as repetition, similes, and metaphors to develop the theme of cunning and cleverness.
The paper will begin with a look at the life of Tolkien. This will serve the purpose of providing some context for the novel. Looking into the life of Tolkien will also serve to give the reader some insight into the mind that gave birth to such a rich land and why the novel may have some importance for sufferers of mental illness. Next will likely be a short summation of the
The Hobbit by J.R.R Tolkien is a novel that shows a journey with a hobbit, Bilbo, and dwarves that try reclaim their kingdom that a dragon took from then a long. Over the journey, Bilbo changed from soft and timid to be a charter of wisdom and courage. Bilbo has developed through the story because of key events and these key events.
Tolkien, J.R.R. The Hobbit, Or, There and Back Again. Boston: Houghton Mifflin Company, 1996. Print.
The Hobbit by J.R.R Tolkien is said to be one of the greatest children's novels of all time. The novel, due to its use of such characters as goblins, elves, trolls, giants, and others is in tradition, a fairy tale. The tale centers on a small hobbit by the name of Bilbo Baggins. It follows the journey of a band of dwarves, a wizard named Gandalf, and their robber, Bilbo on their way to retrieving treasure that had long been taken away from them. The hobbit traveled all over Middle-Earth, beginning with Bilbo's tiny hobbit-hole in the ground, to Mirkwood forest, to finally reaching the Mountain in which the dragon Smaug lives. Tolkien uses a large amount of imagery in his writing which can been seen through settings in The Hobbit. The imagery is usually either dark or light, depending on Bilbo's mood and contrast of his surroundings. J.R.R Tolkien uses dark and light imagery in The Hobbit to effectively set an eerie and mysterious mood and to foreshadow events such as Bilbo's journey in Mirkwood and his adventure in the Mountain.
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
· Urang, Gunnar. "J. R. R. Tolkien: Fantasy and the Phenomenology of Hope" Religion and Fantasy in the Writing of C. S. Lewis, Charles Williams, and J. R. R. Tolkien. United Church Press, 1971
J.R.R Tolkien’s work of fiction The Lord of the Rings, have with the advent of Peter Jackson’s film adaptation brought the series to newfound heights of fame. As with many works of it’s kind, The Lord of the Rings depicts a battle between good and evil, with the main characters in the books striving to thwart evil’s plan. In many other works, the author’s personal belief system or worldview drives the narrative, with the message being paramount and the characters the vehicles of conveyance for the point of the story. C.S Lewis, a friend and contemporary of Tolkien’s, is a prime example of this. Lewis’ popular series The Chronicles of Narnia is an allegorical work, teaching Christian principles through the use of fiction. While raised as a Catholic himself, Tolkien does not explicitly promote his religious background, nor does he engage in allegory. However, Tolkien’s views of morality can be found throughout the work, specifically in the way in which evil is portrayed, the use of power and moral freedom of choice. Randel Helms writes in his book, Tolkien’s World, “Tolkien’s particular myth parallels his Christianity, … positioning a malevolent and corrupting outside influence, spiritual and probably eternal, against which man is doomed to fight, but which he has no hope of conquering” (67).
Tolkien, J. R. R. The Hobbit, Or, There and Back Again. New York: Ballantine, 1982. Print
J.R.R. Tolkien Research Paper As many have grown up during this generation, they have been dazzled by the work of J.R.R. Tolkien as well as the artistic interpretation of this trilogy by Peter Jackson. This movement started when Tolkien created The Hobbit and then later the Lord of the Rings trilogy in the 1930’s, 1940’s and 1950’s. However, there are those who have criticized both the books and the cinema for being sexist and/or racist. Tolkien is not sexist because he develops his female characters by revealing their individualism and dynamic features, and is also not a racist because much of the criticism comes from Peter Jackson’s interpretations and because racism is harshly looked upon more in this generation than it was back in the 1940’s.
Tolkien, J. R. R., and Christopher Tolkien. The Legend of Sigurd and Gudrún. Boston: Houghton Mifflin Harcourt, 2009. Print.
Urang, Gunnar. "J. R. R. Tolkien: Fantasy and the Phenomenology of Hope" Fantasy in the Writing of J. R. R. Tolkien. United Press, 1971
Tolkien, J.R.R.. “Now Read On…” Interview by Dennis Gerrolt. BBC Radio 4. BBC, 1971. Web. 11 Jan. 2014.