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Traditional gender roles in japan 1970 s
Gender roles in Japanese culture
Women portrayed in horror and film noir films
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Horror movies have become a staple in the movie industry. In theaters worldwide, but primarily Hollywood, the women of horror are often portrayed as the damsel in distress, usually lacking independence and often victimized. This portrayal of women in horror is not internationally acknowledged. Japanese horror (aka J-Horror) has gone to great lengths to make the wrath of the female feared amongst all audiences. As a country known for its “slow progressing cultural movements” (McRoy 54), Japan has used film as away to express the changes in traditional and cultural practices. In comparison to Hollywood, J-horror makes the role of the female much more significant to reflect changes in both tradition and society. Various J-horror movies like Ringu, Ju-on, and One Missed Call are particularly good examples of expressing these changes, but not necessarily the only ones.
From an outsider perspective, Japan seemingly maintains an honorable, proper style of living. However, this view is outdated. Closer inspection of Japan’s current society shows that it is increasingly bearing resemblance to that of the United States (Bureau Statistics). This does not mean that Japan does not still carry the same traditions, but implies that what may have been culturally relevant in the past may not be what is appropriate in the present. For women in particular, being the average japanese wife no longer means being obedient and submissive. It means having the ability to be independent from man.
Women’s rights is a war that is being fought on a global level. Just like American women in the early 20th century, Japanese women found themselves caught in the middle of societal and economical changes. They were the housewife, the child-bearer, and relied...
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Iles, Timothy, 1961-. "Japanese Horror Cinema (review)." The Journal of Japanese Studies 33.1 (2007): 264-268. Project MUSE. Web. 21 Nov. 2011. .
J., Chris. "Chris' Survival Horror Quest." Dreamdawn Interactive. 2006. Web. 10 Dec. 2011. .
Lah, By Kyung. "Japan Sees Alarming Rise in Child Abuse - CNN.com." CNN.com - Breaking News, U.S., World, Weather, Entertainment & Video News. 15 Feb. 2011. Web. 10 Dec. 2011. .
"Marriages and Divorces." Statistics Bureau. Statistics Bureau, 2009. Web. 02 Dec. 2011. .
McRoy, Jay. Nightmare Japan: Contemporary Japanese Horror Cinema. Amsterdam: Rodopi, 2008. Print.
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton Publishing, 1992.
The genre of horror when associated to film, it reflects on a vast variety of issues but when examined for the cultural significance it is narrower to what the aim is. This review surveys multiple scholarly sources from different aspects of the purpose of horror films. This literature review justifies that horror is derived from the fear and guilt within our psychological minds. I will argue that the cultural significance of this genre relates back to the emotional appeals that are conjured up when viewing these films.
The events of World War II have established a new public perspective on women. Through women’s accomplishments, they justified females were capable of achieving high standards that existed once as only attainable by men. Once vulnerable to prejudices, they’ve given an opportunity for all to comprehend there can be a life when the populaces aren’t segregated by race or gender. Women have rehabilitated the faded thought of their rights and responsibilities, bringing history closer to a more righteous and responsible dawn.
During the early 1900s there was a mass immigration movement of young Japanese women, these women were called “Japanese picture brides,” as they migrated from their home lands they came to America in the hopes that they would be coming here to begin a new life, with their new husbands, and be able to live comfortably enough to send money back home to their families in Japan. As these picture brides settled into their new American lives, they would soon realize the injustices and oppression they were now living amongst. Once they arrived here in America, their mental image of how life was supposed to be accruing soon came to a halt, when the men they thought they would be marrying only became a figure of their imagination and the lifestyle they thought they would be living hardly ever occurred in any of the arranged marriages. Even as women of this time era continuously faced hardships in their home life, there were many other social prejudices and oppression against the picture brides that they had to endure around the United States. As a picture bride, there were many social injustices they had to conform to in order to survive in their homes and in the towns that they lived in.
When looking at much of the world’s ethical views and morals today, many of its standards can draw back to that of the samurai. This warrior class of Feudal Japan contributed greatly to the development of social values that people today constantly follow. It is important to look to past events and cultures to enrich the future and the ideals of the samurai are ones that better people in self fulfilling ways. Whether it be to instill positive values to children or applied to become successful in the “real world”, the virtues and morals set forth by the samurai are invaluable teachings that will influence society for many years to come.
Some people might say that these movies provide entertainment and transport families into the lives of princes and princesses. Many critics have said that the films have amazing soundtracks and have detailed and interesting plots. Still, however entertaining the films may be, the way women are viewed and treated outweigh any enjoyment that a viewer could have. The subliminal lessons young women learn from these films have lifelong repercussions and negatively affect the female
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
...action with others… especially men. This supplies final substantiation of the authors' argument, that women continue to be oppressed by their male-dominated societies. It is a bold undertaking for women to ally and promote a world movement to abandon sexist traditions. Although I have never lived in a third world or non-Westernized country, I have studied the conditions women suffer as "inferior" to men. In National Geographic and various courses I have taken, these terrible conditions are depicted in full color. Gender inequality is a terrible trait of our global society, and unfortunately, a trait that might not be ready to change. In America we see gender bias towards women in voters' unwillingness to elect more females into high office, and while this is not nearly as severe as the rest of the world, it indicates the lingering practice of gender inequality.
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
In addition, shortly thereafter, she and a small group of American business professionals left to Japan. The conflict between values became evident very early on when it was discovered that women in Japan were treated by locals as second-class citizens. The country values there were very different, and the women began almost immediately feeling alienated. The options ...
The cause of this is the way that gender roles are now being protrayed in their country. For Japanese woman, they are currently not being displayed as the...
Woman in Japan During the Meiji Restoration Throughout history women have been neglected and disregarded. Women have received less rights than men since the beginning of time. Women in Japan during the Meiji Restoration can atest to this unjust time for women. Proof of these unjustices against women are evident in a collection of primary sources found in Politics and Society in Japan’s Meiji Restoration brought together by Anne Walthal and M. William Steele. These primary sources contain the information needed to conclude how woman were truly treated and how they weren’t allowed to have a role in Japan’s government.
As women, those of us who identify as feminists have rebelled against the status quo and redefined what it means to be a strong and powerful woman. But at what cost do these advances come with?... ... middle of paper ... ... Retrieved April 12, 2014, from http://www.feminist.com/resources/artspeech/genwom/whatisfem.htm Bidgood, J. 2014, April 8 -.
Sonzai is constructed from 2 words; son and zai. Son means subjective self-subsistence or sustain over time. Zai means that the subject stays in the same places in which the word “places” refers to social places which consist of human relations, such as home, hotel, inn, etc. By putting these two words together, we get sonzai (human existence) which literally means self-sustenance of human relations. Although sonzai looks similar to ningen, they are quite different. Ningen refers to capability of being an individual and at the same time also being a member of a society. To sum up, ningen is mostly explaining about a person as an individual. Sonzai emphasizes the dynamic structure of human being, such as human relations which concerns about the relationship between one individual to others. However, sonzai can be said as the interconnection of the acts of ningen as sonzai describes what a person (ningen) does to others. According to Watsuji Tetsuo, we can combine both ningen and sonzai becomes “ningen sonzai” which refers to the subject, who is at once individual and social, and to society, who are at once singular and composite (Kalmanson, 2010).