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Violence in the movies
Violence in the movies
Violence in films and television
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In the setting of the film, City of God, was captured in the country Brazil within Rio de Janeiro, about the times between the 1960’s and the beginning of the 1980’s. Revealing the devastating life style of urban environment, and the massive social changes throughout those years. The story line of City of God/Cidade de Dues, denotes a whole new meaning of survival compared to other cultures. Even though some similarity may be present, but the levels of violence and poverty are on a whole other level. From the true innocent to the all out gangster who everyone is afraid of when they go asleep. Of the planning and related issues in this film, the roles played in the gangs were crucial, the city’s structure influenced many children to follow the …show more content…
Except for Carrots turf, which Li’l Ze wanted to take over repeatedly, but Benny always somehow made him escape his anger. How amazing someone who would kill anyone who did not accept his planning or gave him the respect he anticipated, but not even close to ever killing Benny. Benny was like Scarlett Johansson playing The Black Widow to the Hulk in the movie Avengers: Age of Ultron. However, Benny was an arbiter between Li’l Ze and Carrot’s gangsters. In the end, once you rise to the top, you have a much longer fall. That is what happened to Li’l Ze and he did not even know what was happening around him. The man who could not challenge his anger let everything go downhill because he could not control his emotions. “Instead of a linear narrative, the film captures fragment that create the space of ghetto filled with memories, desires, and dialogues. We encounter characters inhabiting street corners, bars, bus stations, and unnamed meeting – places who watch and comment on the condition of life” (Ghettos and Barrios, 166). In this quote, these gangsters were every where. No matter where you were in Rio de Janeiro, it was highly likely that many of the people were
The urban setting can instantly be recognized as an antagonist to anyone who faces it. The imagery of the city reveals its formidable nature. The
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
In Samba, Alma Guillermoprieto describes the Carnival celebrated every year in Rio de Janeiro, Brazil and explores the black cultural roots from which it takes its traditions as well as its social, economic, and political context in the 1980s. From her firsthand experience and investigation into favela life and the role of samba schools, specifically of Manguiera, Guillermoprieto illustrates a complex image of race relations in Brazil. The hegemonic character of samba culture in Brazil stands as a prevalent theme in numerous facets of favela life, samba schools, and racial interactions like the increasing involvement of white Brazilians in Carnival preparation and the popularity of mulatas with white Brazilians and tourists. Rio de Janeiro’s early development as a city was largely segregated after the practice of slavery ended. The centralization of Afro-Brazilians in favelas in the hills of the city strengthened their ties to black
In Mike Sager’s Death in Venice, Sager creates a vivid story about the gang in Venice as well as their addiction to cocaine. What I enjoyed about this article, was that it told a story in the perception of the gang members. It allowed me to see a glance through the lives of the gangs in the late twentieth century. Throughout the story, I felt multiple emotions, it ranged from disbelief to anger. It is astounding how Sager documented the lives of young males in Venice. As a Chicana, I was surprised by the actions in the article, I grew up in an environment where my daily life was not surrounded by gangs and drive-bys.
Living in poverty brings high tensions and people tend to lose it. The use of alcohol is a contributor of the excess violence in the favelas. Many men and women begin to fight about the littlest thing, but it expands to a large issue as a result of the alcohol. Carolina recounts whenever a fight breaks out, “I was giving lunch when Vera came to tell me there was a fight in the favela” (de Jesus 63). These incredibly common vicious fights are entertainments to people living in the favelas. It is so familiar that whenever a fight breaks out people just enjoy it as if it were a show. As Carolina being the great hero she is, she regularly breaks up the
The 1985 Argentine film La Historia Oficial, directed by Luis Puenzo, is truly deserving of its academy award. The film is set in Argentina in the 1980s, during the last years of a military dictatorship that killed and tortured thousands of its own people who did not agree with their radical polices. The film has many underlying themes especially regarding government-sponsored terrorism, classroom politics and the authority of certain texts. However, one theme is represented again and again throughout the film. The theme that “machismo” will reign supreme in the relationship between males and females, and males in political aspect in the country of Argentina. Men had to hold all the authority in the household and all aspects of life, including
According to Merriam Webster’s dictionary, frontier as an adjective means “a new field for exploitative or developmental activity”. In Helen Hunt Jackson’s “Echoes in the City of the Angels”, Stewart Edward White’s “The Rules of the Game”, Upton Sinclair’s “Oil!”, and Louis Adamic’s “Laughing in the Jungle” Los Angeles is described as a frontier town. Los Angeles, long ago, used to be the Wild West. This is the basis of reasoning behind labeling Los Angeles as a frontier town. Jackson, White, Adamic, and Sinclair all establish Los Angeles as a frontier town after depicting its plethora of Wild West imagery, its developmental activity, and its exploitative activity.
Heroic priest Bartolomeo Las Casas, a fighter for the rights of Indians in real life is afraid, constantly looking around to the disorder in Cochabamba. Yes, and the whole film crew, so enthusiastically create a movie instantly is ready to quit, fearing riots taking place in the city. A petty producer Costa, who boasts that for 2 bucks, employs a large crowd, suddenly imbued with sympathy for the woman whose child has suffered in the riots, and spitting on the danger of going into the inferno to save the girl. Everyone is different. We may be bad, but we can and show themselves as heroes.
In the favela of São Paulo, Brazil, 1958, Carolina Maria de Jesus rewrote the words of a famous poet, “In this era it is necessary to say: ‘Cry, child. Life is bitter,’” (de Jesus 27). Her sentiments reflected the cruel truth of the favelas, the location where the city’s impoverished inhabited small shacks. Because of housing developments, poor families were pushed to the outskirts of the city into shanty towns. Within the favelas, the infant mortality rate was high, there was no indoor plumbing or electricity, drug lords were governing forces, drug addiction was rampant, and people were starving to death. Child of the Dark, a diary written by Carolina Maria de Jesus from 1955 to 1960, provides a unique view from inside Brazil’s favelas, discussing the perceptions of good
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In the poem “The City of the End of Things” by Archibald Lampman he paints an image of a dystopian and mechanical future. The theme of this poem is a prediction of the natural world 's destruction and of the current industrialized future. Humans cannot live without nature, thus with the destruction of the natural world comes the downfall of humanity. Lampman wrote “Its roofs and iron towers have grown / None knoweth how high within the night”(9-10), which provokes a picture of a city that is ever growing, seemingly overnight. In the poem there is an ABAB rhyme scheme along with use of alliteration, onomatopoeia, and imagery. By using all of these techniques it helps the reader to better understand the message which is being relayed in the poem. Some of the subjects of this poem include, urbanization, dystopia, nature dying and the fall of
... allusions shown in the novel give a greater understand of Roman Catholicism and the story of Jesus. As the days go by and we live our lives we start to forget the old stories that once brought our world together. With the reading one can develop the true story behind the murder of Santiago and how his story is just like that of Jesus Christ. The reader gets the knowledge of one of the oldest stories with the help of this novel. The power of the Roman Catholic Church is a powerful effect on the world around this novel and the world today and through the novel we see the effect of the seven deadly sins that are apart of the society that we don’t see with the naked eye. Also the reader should get a deeper understanding of how the seven sins are related to people and everyday live of humans. If we don’t learn from the stories of the past we are doomed to repeat it.
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.
The main character in the City Of Fallen Angels story is Clary Morgenstern written by Cassandra Clare. She is a shadow hunter which means she hunts demons ,or any supernatural creature that breaks the law. Other characters are Alec, Jace, Isabelle that are shadowhunters like her. Also there is Simon her vampire best friend. There's also her mom and luke who is a werewolf and. lastly there is Sebastion her evil brother.They live in New York City. There is a problem. Jace starts to pull away from Clary and starts acting weird and different from usual, but no one knows why. While Camille one of the oldest vampires is killing shadowhunters in downworlder area. Causing the peace between downworlders and shadowhunter to alter.
When family and personal honor taints, the aftermath escalates into a major threat stemming from the nature of revenge forming in order to protect a principle. In order to save the family’s honor, which the town holds of the utmost importance, the Vicario brothers seek vengeance on Santiago Nasar. Pablo Vicario’s betrothed Prudencia Cotes, “knew what they were up to […] and [she] didn't only agree, [she] never would have married [Pablo] if he hadn't done what a man should do” (García Márquez 62). The quote characterizes not only Prudencia as unsympathetic, but also much of the town, whose indifference comes in part from its belief that the men have a duty to protect the women from disgrace. The House of the Spirits’ arguable protagonist, Esteban Trueba, tries to save his daughter from what he thinks of as disgrace in a similar manner-murder. The time passes “since the fateful day when Trueba had made him pay for his daughter’s virginity with an axe. Pedro Tercero remembered him as an angry giant” (Allende 360). The simile comparing Trueba to a giant emphasizes the lasting impact the encounter has on Pedro Tercero. Both accounts of vengean...