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Essay over the street by ann petry
Essay over the street by ann petry
Essay over the street by ann petry
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In Ann Petry’s novel, The Street, the urban setting is exposed as an enemy with all who encounter it. This formidable adversary challenges anyone who wishes to brave the city including Luttie Johnson. Luttie forms a complicated relationship with the setting as she fights its challenges in attempt to find her place within it. Through her use of literary devices, Petry establishes Luttie’s relationship with the urban setting. Using selection of detail and imagery, the urban setting is revealed as the antagonist, and through personification, the conflict between Luttie and the wind is illustrated. The urban setting can instantly be recognized as an antagonist to anyone who faces it. The imagery of the city reveals its formidable nature. The
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
In this passage “The Street” by Ann Petry, Lutie Johnson’s relationship with her urban setting is expressed using figurative language. Lutie allows us to walk with her and experience one cold November night near the streets of seventh and eighth avenue. The relationship between Lutie Johnson and the urban setting is established using personification, imagery, and characterization.
In the nonfiction novel The Devil in the White City, Erik Larson uses imagery, tone, and figurative language to portray the dreamlike qualities of Chicago and the beauty that lies within this city. Larson’s use of imagery causes the reader to picture the beautiful landscape of the fairgrounds before the fair becomes, which might make the reader wish they were apart of this scenery. Larson emphasizes people will see things they “have never seen before”. Like a “broad body of water extending into the horizon” (55) , making the reader feel as if
Gilbert’s use of imagery emphasizes the wild, vibrant, energetic nature of the city of Naples. It becomes clear that, In Gilbert’s eyes, Naples is a city unlike any other. The author writes, “An anthill inside a rabbit warren, with all the exoctism of a Middle Eastern bazaar and a tough of New Orleans voodoo” (Gilbert 175). This shows
In 2013, just shy of my 17th birthday, I planned a day trip with two of my friends to see The Phantom of the Opera in New York. At this point in my life, I was entirely unaccustomed to large cities, such as New York City, and felt excited to experience the bustle I expected. While in the city, a woman informed me about methods to avoid the crime so intertwined with life in the city and introduced me to the concept that, just as New York City held many attractions for tourists, it also held some dangers as well. This idea takes pride of place in Edward Jones’ short story, “Young Lions” and its discussion of Caesar Matthews. As I learned a few years ago, the city truly contains amazement for those experiencing it, but, like all things in life,
The island of Manhattan was consolidated into the greater New York City in 1898. Because of this the city was transformed from a nineteenth century seaport with cobblestone streets into a twentieth century metropolis of skyscrapers and subways. The artists of the Ashcan movement saw this changing society in human terms. They saw this in a light which depicted the interaction of so many different cultures which were being thrust together. They documented these changes on a level which the ordinary person could understand. Because of the Ashcan School we have a picture of society which one really cannot understand amidst the overpowering spectacle of overpowering buildings and increasing technology.4
When looking at these pieces, it is best to use certain modes of analysis. Levine made art that showed how corrupt and unjust he felt that America was. Welcome Home is a work of satire, where he mocks the major general of the army that he himself served in during World War II. The contextual mode of analysis can be used when looking at this work, because it was made right after World War II and it is in context of the historical time period. The biographical analysis can also be used, since Levine was so strongly influenced by what he saw in the army, and he therefore displayed his strong views against what he saw as “undemocratic” leaders.1 When viewing City Landscape, it is best to use a contextual mode of analysis. This piece was made during the ...
The 1946 novel, “The Street” by Ann Petry establishes a struggling relationship between the main character; Lutie Johnson, and her new surroundings. Lutie seeks, her overall objective in finding a safe refuge to live, however; the description of 116th street seems less than an ideal home. Petry uses decrepit imagery and forceful personification showing a battle between Lutie, the town, and the wind. The combination of the destructive town, and the winds haunting figure creates an overall feeling of caution within this gloomy road, making the goal seem near impossible.
Throughout The Death and Life of Great American Cities by Jane Jacobs, she writes about the city’s change through a ballet dance and movement surrounding her. “In real life, to be sure, something is always going on, the ballet is never at a halt, but the general effect is peaceful and the general tenor even leisurely” (Jacobs 833). This idea of change she discusses and goes in great depth with, portrays just how constant not just a particular city but the world is. She describes every day to be a ballet of some sort; witnessing everyone’s day as they walk down the sidewalk. Even when a corner is turned, seeing so many different face as they all move at different paces and occupy their time in different manners, it all adds to this dance. Everything changing around her and maybe even things not really making sense but despite all of that, still being able to come together and create something no matter what’s being made of it, relates to Growing up Unrented on the Lower East Side by Edmund Berrigan.
Upon entering the city limits, it soon becomes evident that the life of the community centers around one road and it runs straight down the heart of the city. This road is a highway, that run straights through town creating an impossible site for vacationers to miss as they make their way through the area. Every if not all businesses designed to capture the tourist market are located on either side of the road in a four-block stretch. This...
Flanagan, Maureen A., and Maryann Gialanella Valiulis. "Gender and the city: the awful being of invisibility." Frontiers - A Journal of Women's Studies 32.1 (2011): xiii+. Academic OneFile. Web. 2 Dec. 2011.
EXPLORE THE CONTRAST BETWEEN WINDY CORNER AND MRS VYSE’S ‘WELL APPOINTED FLAT.’ HOW DOES OUR KNOWLEDGE OF THESE ENVIRONMENTS PREPARE US FOR THE CONFLICT IN THE NOVEL.
Quickened procedures of urbanization in the twenty-first century, as we have seen, are to a great extent moved in urban areas in creating nations, and the greater part of these new urban natives are living in informal or illicit advancements. Urban design, then again, moves past the investigation of space; it is the act of effectively forming the city in a wanted manner (Németh, 2010). It is evident that urban communities can frequently be overpowering places, and that we require a decided state of mind and clear center so as to explore their complexities. Urban originators enhance the livability of urban communities by making an interpretation of arrangements into physical systems, setting up configuration criteria for advancement ventures,
Upon arrival into the jungle of vast buildings, the first thing noticed is the mobbed streets filled with taxi cabs and cars going to and fro in numerous directions, with the scent of exhaust surfing through the air. As you progress deeper into the inner city and exit your vehicle, the aroma of the many restaurants passes through your nostrils and gives you a craving for a ?NY Hot Dog? sold by the street venders on the corner calling out your name. As you continue your journey you are passed by the ongoing flow of pedestrians talking on their cell phones and drinking a Starbucks while enjoying the city. The constant commotion of conversing voices rage up and down the streets as someone calls for a fast taxi. A mixed sound of various music styles all band together to form one wild tune.
The images such as “roboted roads”, “thick iron breath” and “neon flowers” (Serote, W. 2002: 20-25) describe various aspects of the city. These examples reveal the controlling effects of industry in the city and also the artificial beauty of the city in the dark. ...