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Essays on islamic art
Attributes of early islamic art
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From detailed carpets and rugs to beautiful works of calligraphy, Islamic Art has been one of the biggest impacts on art since the 7th century. Well-known Islamic works include the Taj Mahal, Dome of the Rock, and the Ardabil Carpet. Originating in the areas in present-day Syria, this style of art and even the architecture has been passed down by many skilled Muslim artists. It also introduced to us many fascinating, one-of-a-kind techniques and forms to the world of art. Because of its lengthy history and existence, there are tons and tons of new styles and techniques, and it is still growing. Islam, a religion that has been founded by Muhammad (570-632), has been accepted by Muslims throughout the world. This religion is one of the largest religions in the world, containing more than a billion followers. Many different Islamic artifacts and works have been found by archeologists, and it could range from Glassworks to doors. These artifacts can be found in public areas, museums, and even …show more content…
From the fourteenth century, these two doors were also made in Egypt and are made from wood. the door has been carved and inlaid with other materials like ivory and ebony. These doors belonged to a Minbar, which is a podium. Used by prayer leaders, it is used for Islamic worship. There are pretty star/flower shaped designs on the doors, and when examined up close, there are many circular and round designs inside the designs itself. This artifact can be found in Gallery 450
The third artifact is a small Panel with Horse Heads, with a height of around 14 inches and a width of around 9 inches. Similar to the Minbar Doors, this panel is also made of wood and carefully carved. The design of the panel consists of flowery/leafy designs and two horse heads, facing away from each other. The “chiaroscuro effect” was used in this panel, meaning the panel was carved to a variety of depths. This artifact is located in Gallery
Surely, it was easily recognizable during the Early Zhou dynasty that it was a ritual wine vessel and for the wealthy to use for their offerings. But today, at first glance, it may look intimidating with its sharp points from top to bottom. The vessel has a unique shape and green patina color that catches the eye whether looking disgusting or elegant. It is also not very inviting with its rough looking texture, long spout, and awkward handle. Right where the rim of the cup starts and the spout ends are a pair of capped posts rising from the rim. Opposite from the spout is a sharp leaf-shaped rim, which could be easily mistaken as the spout, since wine could be poured out from that end too, technically. The design was modeled after a bird in flight. However, with a closer look, the detailed work on the vessel shows. This one has a somewhat thin braided or grid-like design imprinted around the whole cup, which makes it unique from other bronze vessels. Most Shang bronze vessels have a dominant motif of a frontal monster or animal-like mask known as a taotie. It typically had horns, eyes, nose, upper jaw, fangs, horns, eyebrows, and ears; therefore, sometimes could be known as opposed animal profiles or split representation as well (Cantor). Some versions include legs and a tail. With the closer look, the strong structure is more apparent as well. It is a unique one resembling a camera's tripod, though pointier and could actually be real sharp. Developed from the gu which was a goblet used for a single drinker, this jue was considered a small ewer on legs. It was a wine cup that only ancestor spirits could "hold and touch", not to mention its large size. This specific Ritual Wine Vessel measures a little over eight inches in height and a little over six inches in width due to
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
These Canopic Jars lids are in the form of protective deities know as the four Sons of Horus Baboon (Hapy) contain the lungs, Jackal (Duamutelf) the stomach, the Human (Imsety) the liver, and Falcon (Qibehsennuef) the intestines an astonishing display. Purceeding to the African exhibits promonately displayed was the Palace Door 1920’s its artist was Olo`we` Of Ise 1875-1938 of Yoruba Nigeria it feature are complex with hundred of carved face and figures to negligible detail. Mwaash a Mbooy sculptured mask from Kuba culture Democratic Republic of Congo Africa 19th mid 20th century is a beloved pick of mine. The mask is constructed of wood, cowry shells, glass beads, and raffia.
This Cactus Stirrup vessel was created by the Chavin. This was made in Peru, and sometime between 900 and 200 BC. These vessels were used for looks. This Cactus vessel is a Tembladera-style. The material this vessel is made out of is gold and ceramic Chavin ancient artifacts. The purpose of this vessel was that it was a the Chavin's gold crown. Also, it served as feline, the Cactus Stirrup
Different religions have shaped the cultural landscapes throughout history. In most religions, they have what is known as a sacred site. Many of the sacred sites are near the founding of the religion or near a place where something significant had once occurred. The followers of these religions often build temples to worship their gods. One example, would be the Dome of the Rock, where Muhammad, a prophet of God in the Muslim culture, said to have ascended into heaven.The Dome of the Rock is a masterpiece of Islamic architecture and is the "Noble Sanctuary" by Muslims. The place of worship for Muslims is known as the mosque, but the Dome of the Rock is much more iconic and would be best identified as a Muslim shrine. The temple was originally made for pilgrims and took thirteen years to construct. This is also a significant place for the Muslim community
It is a tympanum, a semi-circular art above the lintel of the church portal. In hieratic scale, Christ is centered, standing in front of the gates to Heaven, and surrounded by angels waiting for the dead to arrive (Fig. 1 Gislebertus). The dead are seen rising from graves and coming out of tombs, standing in line to be judged. Even in a sculpture, Gislebertus manages to capture a fearful look in the faces of the elongated figures as they wait their turn for the weighing of souls (Fig. 2). Although there are no depictions of Hell itself, one side obviously leads to Hell because we see elaborately detailed evil-looking creatures, and Satan is presented in the body of a human with the head of a beast (Fig. 2). The inner archivolt, or arch, above the sculpture has what looks like carved flora and the outer archivolt contains detailed rondures symbolizing the zodiacs (Fig
The Vestibule leading to this entrance hall is identical to the entrance of the Temple of Erectheus on the Acropolis of Athens. The statues in the deep niches, carved by Frederick MacMonnies, combine “American idealism with the elegance of Second Empire Style and is in advanced realm by their lack of enframement or paneling.” The vaulted entrance hall, which leads to the grand staircase, is segmented into three aisles and is clad in Iowa sandstone. The arched central aisle has the names of prominent Bostonians inscribed on them.
These bronze doors have 5 panels on. each side, containing scenes from the Old Testament. They were dubbed “ The Gates of Paradise,” by Michaelangelo, and was Ghiberti’s greatest work. Ghiberti also made a larger than life statue of the Arte dei Mercani di Calimala’s(the guild of the merchant. bankers) patron saints.
When I got closer to read some information I learned that they date sack as for as second millennium B.C. used by the Bell-Beaker people. I have never heard about the Beaker I felt the need to research them mainly because the artifacts was so old out still in great shape. I was able to find that Beaker culture was just a term used for archaeological artifacts found all over Europe. I learned most of their artifacts are from the Bronze Age and some of the artifacts on display shows religious influences but not all of them. While these artifacts may not be as popular as the Sorolla Room the age and condition of these are very impressive and shows influences Spain had on the rest of Europe at that
Islam is a monotheistic and Abrahamic religion alongside Judaism and Christianity. It is currently the second largest religion in the world today. Its beliefs come from the Qur'an which literally means "the recitation" which is believed to be a literal transcription of the word of God. Its main prophet is named Muhammad who began Islam by speaking with the angel Gabriel in a cave during his meditation and then acting as an instrument of God to help write the Qur’an. Muhammad then spread Islam to the scattered tribes of Arabia by becoming the leader of Yathrib and using his wonderful leadership abilities to then grow his influence over virtually all of Arabia. Muhammad is known by Muslims to be the seal of the profits because no profits after Muhammad should be considered legitimate. Muhammad also left behind the Hadith or “tradition” which is a collection of writings compiled of reports of Muhammad’s actions as leader of Yathrib. These reports are used as a more specific code of ethics in day to day life and from these reports the 5 Pillars of Islam are derived (Smith 160). Although Islam shares many similarities to Judaism and Christianity it is often viewed in the US with hate derived from preconceived notions following the attack on September 11th 2001. This paper seeks to provide an overview of Islam’s history as well as its two major sects and 5 main pillars to remove preconceived notions and provide a glance into the minds of the Islamic people.
Islamic art and architecture is a blend from three or more different cultural traditions from the east. The Arab, Turkish, and Persian traditions are three such traditions that were adopted into the Islamic art and architecture design. The best expressions of Islamic art and architecture are found in Muslim mosques. The mosque serves as a place where Muslims can come together for prayer of Islam. Mosques are also a center for information, education, and dispute settlement. One of the most famous mosques of the Islamic art is the Great Mosque of Samarra in preset day Iraq. The Great Mosque of Samarra also has a spiral staircase on the outside of it.
The Islamic belief was “ founded by the Prophet Muhammad who was born in Mecca, Saudi Arabia in 570 CE. The Prophet Muhammad, also known as “The Prophet” or “The Messenger” developed the religious, political and social principles that became the foundation of Islam.” (Syracuse University 2021, “Understanding Islam.”) Ultimately building a cultural and political society based on the Islamic
Lorraine Hansberry was an African American playwright and author best known for her work A Raisin in the Sun. Hansberry grew up in a household that valued education and social justice activism, which deeply influenced her writing and worldview. A Raisin in the Sun, Hansberry's most famous play, made its Broadway debut in 1959 and was the first play written by an African American woman to be produced on Broadway. Hansberry's writing is characterized by its powerful portrayal of African American life in addition to her exploration of social and political issues. She was an advocate for civil rights and used her platform as a writer to address racial and economic issues.
Islam is a major world religion. Its origin can be traced back to 610 CE in Arabia. The basis of this religion is the revelations to the prophet Mohammad. Dissatisfied with his life, he traveled to deserts, hills, and the wilderness surrounding Mecca, where he lived, to meditate and reflect. He became a new man through his revelations, which many of his followers believe Allah transmitted to him through his angel Gabriel. Islam was originally an Arab religion, but many different beliefs and practices were added to it, making it extremely popular and aiding in its rapid spread. This new religion spread to many different areas surrounding Arabia, both under Mohammad and after his death. The Muslim Empire grew to encompass Spain and the Eastern Roman Empire as well Persia and Africa. Many different practices and methods were used to spread Islam. The religion itself was appealing to, in addition to the inhabitants of Arabia, other people in the surrounding areas because of its distinct religious beliefs and practices, such as the five pillars, as well as the humility and prayerfulness of the Islamic people. They fought cruel, vicious wars with their enemies. Many different things motivated the warriors to expand, but above all, the riches they would gain from the people of the Fertile Crescent encouraged them to expand.
There exist three basic components of traditional Islamic art: calligraphy, geometric patterns, and floral and vegetal motifs. These three stylistic tools are beautifully rendered and masterfully integrated into complex works of art, but there is no question that artistic expression is severely limited under these categorizations. However, this limitation stems from Islamic theology and concept of art. The main reason for the limitation imposed on visual art is the Islamic theological prohibition of figural imagery. Social laws presented in the Hadith prevented the representation of figures because any imitation was deemed idolatrous. Also, art is considered to be decorative and imitative. Script and patterns are used to decorate objects, whether they be architectural structures, prayer rugs, ceramics, and books. The geometric objects naturally led to artistic patterning and repetition. Although the Islamic community prohibited figural imagery, the community’s rapid expansion during the centuries after its inception diluted the rigidity of traditional customs. Assimilated countries and cultures that practiced figural art before the Islamic armies came continued to do so. These assimilated artistic styles did utilize figural imagery, yet they still reflected the traditional artistic components of Islam. The introductory plaque at the entrance of the Islamic Art collection at the Metropolitan Museum of Art states that Islamic art is characterized by ‘stasis,’ and that even assimilated foreign styles have “always retained its intrinsic quality and unique identity.” The beautifully rendered book miniatures of the Shahnama of Shah Tahmasp illustrate this last point wonderfully. The Shahnama, translated as “The Book of Kings,” is an Iranian national epic penned by the poet Firdausi between 975-1010 AD. Centuries later, it became the custom for shahs to have their own personal copy of the Shahnama. This naturally transformed the quality of the book into measurement of status. The second shah of the Safavid dynasty, Tahmasp, was a great patron of the arts. Not only did he have his copy ornamented with gold, silver, rich colors, and exquisite calligraphy, he employed the most distinguished artists of the time to paint the two-hundred-and fifty-eight inked figural miniature paintings that accompany each page of text. Although all the miniatures are of similar style,...