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Oedipus the king character analysis
Tiresias in Oedipus Rex
Oedipus the king character analysis
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Symbolism
Oedipus’ swollen feet
When Oedipus was three days old, his parents received a prophecy saying that he would one day kill his father. So, they pierced and bound his feet and sent him off to be abandoned on a mountainside. Oedipus survived the incident, but was left with scars on his feet. In fact, his name in Greek translates to "swollen foot”. Oedipus’s scarred feet are more than symbolic. They show the fact that he has been marked for suffering right from his birth. This shows how Sophocles had the idea that humans have no power in the face of the gods. The scars also demonstrate the irony of Oedipus's ignorance. Although his name blatantly points attention to his feet. Which are the keys to discovering his identity, Oedipus doesn’t realize his true identity until it’s too late.
The Crossroad
Sophocles specifically places the confrontation at a three-way intersection. Crossroads are a symbol of life
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choices. The crossroads also represent the moments in life where you have to make decisions. Oedipus's fate has been predetermined from birth. Oedipus does make a fateful choice at the crossroads, but it was the one that he was predestined to make. Sophocles is trying to show how all the seemingly free choices we make in life have been predetermined. Sophocles makes an interesting decision by making it specifically a three-way crossroads. The fact that it's three is reiterated several times in the play, which means it has a deeper meaning. The three roads could represent the past, present, and future. There's a correlation between the crossroad and the Greek goddess of the crossroads, Hecate. This is because there is three roads at the crossroads and it was said that Hecate had three heads. Each head looks down a different path, one sees the past, one the present, and one the future. Though Hecate isn't mentioned in the play, perhaps the three-way crossroads in Oedipus the King has a similar symbolism. This idea is pretty consistent with the theme of fate in the play. Oedipus is being pushed along by the irreversible flow of time. Blindness The motif of seeing and not seeing comes throughout the beginning of the play, it first appears when the prophet Teiresias walks on stage. Teiresias is literally blind, but he can see clearly see Oedipus's tragic past, present, and future. Oedipus's is not blind, but he's completely blind to see the dreadful fate the gods have placed upon him. Oedipus’ ignorance on this matter is made even more ironic by the fact that he has showed his intelligence, by solving the riddle of the Sphinx and yet he can't figure out his tragic ending. In fact, Oedipus gets irritated with Teiresias and begins to question his powers as a "seer" because he failed to see through the Sphinx's mind-game: This tricksy beggar-priest, for gain alone Keen-eyed, but in his proper art stone-blind. Say, sirrah, hast thou ever proved thyself A prophet? When the riddling Sphinx was here why hadn’t thou no deliverance for this folk? And yet the riddle was not to be solved By guesswork but required the prophet's art; Wherein thou wast found lacking; neither birds Nor sign from heaven helped thee, but I came, The simple Oedipus; I stopped her mouth. (389-398) When Oedipus finally sees the terrible truth of his life, Sophocles shows his metaphor by having the king stab out his own eyes. Oedipus says he does this because he can no longer look on the horrors that his actions created. At the point where he gouges out his eyes, Oedipus literally becomes the thing he's always metaphorically been which is being blind. At the end of the play, Oedipus becomes symbolic of all of humanity, stumbling forward through the unknowable. Theme The theme of Oedipus the King is that one cannot escape or change fate, despite what you try to do to prevent it. We see this theme in patterns through the story. Sophocles uses Oedipus, king Laius and Jocasta to develop this theme throughout the story. In episode 3 Oedipus states “and here I am, who never touched a spear. Unless he died of longing me I killed him that way! You were indeed. I was misled by fear” This quote is right after he hears that Polybus is so called father is dead, it shows how Oedipus believes he dodged a bullet or in other words that the prophecy that was bestowed on him can’t come true. However his prophecy was fulfilled twenty years ago, yet he believes it will not come true. Jocasta as receives this message of king Laius death and responds the same way. However unlike them Laius took other extreme matters into his hand. In the story The messenger states “The ball-joints of your feet might testify, your feet were pierced”. Sophocles is not only trying to show us how drastic measures cannot change fate but the theme shows the characteristics of another character. Even though King Laius doesn’t speak in the entire story we see by his actions what type of man he is. This theme of what cannot escape or change fate despite how hard they try, can show the characteristics. Of other characters. Sophocles uses this theme to teach his audience I valuable lesson in life. That fate is predetermined and nothing you can do to change it. As we see he does this by showing how people try to escape and in the end nothing changes. Tension Sophocles uses dramatic irony and tone through the characters in his play to create tension especially the uncontrollable desires of Oedipus.
One characters that is responsible for creating tension In the play is Tiresias. In Episode 1 Tiresias and Oedipus are having a argument it states “I say you are the murderer you seek. Again that horror! You'll wish you hadn't said that. Shall I say more, and raise your anger higher?” This scene is already has tension because of Oedipus tone, which is anger. Sophocles used Oedipus tone because we can see he is unable to control himself which ultimately his downfall throughout the play.
However the tension in this scene is mainly created by Tiresias. Keep in mind that this is episode 1 yet Tiresias tells Oedipus he is the killer. This creates tension because the main plot of the story is Oedipus the figure out he is the killer. Since Oedipus refuses to listen it creates dramatic irony since the audience knows Oedipus is the killer. I know Tiresias creates tension because he can see into the future so he's not
lying. Another scene in the play is also in episode 1 when Oedipus states “I command him to reveal it all to me nor fear if, t remove the charge, he must accuse himself: his fate will not be cruel he will depart stumbling into exile.” Now this builds tensions because Oedipus is basically exiling himself out of Thebes. Oedipus wants the killer to be exposed and exiled however he is the killer and audience knows this. Tension moves the plot because it revolves around Oedipus’ determination to find the murderer of king Laius which ends up in his downfall. Tension is like the engine of the car just keeps it going. Tone Helplessness The Tone in the first choral Oedipus expresses the chorus's fear and reverence for the gods. This shows that the meaning of the ode is simply to describe the city's desperation and desire to get help from the gods. They see the gods as both their preservers and their destroyers. In this ode, the chorus is waiting in anticipation for the prophecy from Apollo that they hope will tell them what needs to be done to end their present plague and please the gods once more. Since they see the prophecy as a chance to be saved by the gods, the chorus express their admiration for the gods, which can be found in the opening phrase, "O sweetly worded voice of Zeus" (163). The chorus also expresses its fear of the gods, in the line, "My frightened mind shakes in fear, quivering" (165). The chorus's view that the gods have both the ability to save and destroy in the phrase "o healing Delian Paean" (166). In this phrase, "Delian Paean" refers to Apollo as a healer. The diction is used to make the gods seem as both the city's preservers and destroyers, serves to paint the chorus's mood of feeling both in awe of the gods and fearful of the gods. Their tone is of desperation since the city is suffering from the current plague. The chorus's mood of desperation and agony can be seen in the use of imagery to portray the growing numbers of dead citizens, in the lines, “Unable to count their number, the city is destroyed, and unpitied, their generations lie upon the ground”(188-190). The image of uncountable numbers shows us that a great many of Thebes' citizens have died. The image of generations lying on the ground also shows how desperate they are to receive help. The tone of the chorus and conveying the chorus's meaning, which is to petition the gods for help.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
How often can one look back on life and see the choices one makes, only to come to the realization that no matter what decisions one makes about any and all of life's choices, most of humanity is paralleled by the same metaphor Sophocles uses to guide Oedipus' life? The riddle of the Sphinx is fate for each and every man, woman, and child. Although in real life the ending isn't always quite as tragic, everyone brings about his or her own discovery of truth and that quest of discovery inevitably touches, and in some cases, dramatically changes the lives of significant and insignificant friends, family, and acquaintances.
Oedipus Rex, also known as Oedipus the King, is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times. The Play is about Oedipus, the king of Thebes, who unwittingly killed his father and married his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would slay him. Accordingly, when his wife, Jocasta, bore a son, he exposed the baby on Mt. Cithaeron, first pinning his ankles together (hence the name Oedipus, meaning Swell-Foot). A shepherd took pity on the infant, who was adopted by King Polybus of Corinth and his wife and was brought up as their son. In early manhood Oedipus visited Delphi and upon learning that he was fated to kill his father and marry his mother, he resolved never to return to Corinth. Travelling toward Thebes, he encountered Laius, who provoked a quarrel in which Oedipus killed him.
Murray, Robert D. Jr. "Thought and Structure in Sophoclean Tragedy", in Sophocles, A Collection of Critical Essays, Woodward, Thomas, editor,
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Sophocles use of language allows his characters to show what is going on inside them to the reader. Many works of literature deal with what happens to a person physically and the resulting consequences. Many do deal with the issues that a person endures internally as a result of physical actions. In Sophocles work the events that take place in the human mind are the catalysts that drive on the story, the greatest events are not when an action happens but when the characters come to terms with what has transpired.
In the play "Oedipus the King" by Sophocles, the author presents us with several instances of dramatic irony. Dramatic irony occurs when the meaning of the situation is understood by the audience but not by the characters in the play. Dramatic irony plays an important part in "Oedipus the King", because it is used to describe Oedipus' character as arrogant and blind toward the truth. The audience is expected to understand Oedipus' history well before he does. In the first three episodes, Oedipus uses a lot of dramatic irony in his speeches.
The myth of Oedipus is one of a man brought down by forces aligning against him. Over the years, different playwrights have interpreted his character in various fashions. In Sophocles’ Oedipus the King, Oedipus is a man who is blind to the path on which his questions take him and exemplifies the typical tyrannical leader in ancient times; in Senaca’s Oedipus, it is the fear of his questions that give Oedipus a greater depth of character, a depth he must overcome if he is to survive his ordeal.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Sophocles makes use of many situations involving dramatic irony. In fact, the entire play could be said to be an example of dramatic irony. The audience becomes aware of Oedipus’ prophecy from the very beginning of the play. The reading from the Oracle stated that Oedipus was destined to murder his father and marry his mother. Although Oedipus is unaware of his fate, the reader knows the tragic future of the character. This use of dramatic irony allows the story to avoid the typical Greek tragedy structure and keep the reader intrigued as the events unfold.
Tiresias acts as a father-like figure in the play to Oedipus and the town of Thebes, and as such, Oedipus shows hostility and aggressiveness towards him, accusing him of being bribed by Creon, and disparaging his visions when he states “QUOTE” (book, page); showing his animosity towards people in authoritative positions. The main reason for Oedipus accusing Creon of bribery is the fact that he is the one who urged for Oedipus to call on Tiresias for assistance. As well as "Creon and Teiresias will shortly be suspected of having plotted against him; the lateness of these two men, at this particular time of crisis," (Lattimore 1). Tiresias' paternal role, and Oedipus' aggression towards him, and other characters that play a similar role, is an important theme in the play. Oedipus being raised by a Foster family, even without his knowledge, has created a deep seeded hostility and resentment towards authority and father figures. His detestation is so g...
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
Throughout the tragic tale, the troubled young Oedipus is faced with many opportunities to give in to fate and throw his life away- all of which he accepted and executed proudly. After having been informed of his undesirable fate, the young man finds himself at a crossroads, pestered by another traveler. In a blinding flash of rage, Oedipus murdered the very man he was trying to avoid, as he later recounts to his wife and mother, “My stick had struck him backwards from the car and he rolled out of it. And then I killed them all”. While fully aware of the possibility that he may know not the true identity of his parents, he was not at all concerned that he may fulfill his prophecy in any violent act he commits. Oedipus took the prophecy seriously enough to uproot his life and leave his home in Corinth, but not seriously enough to even attempt to take up a life of pacifism. His misplaced efforts placed before him a choice between a bruised sense of self worth and uncalled for brutality, his inability to discern the difference between a necessary evil and an absurd liability lead him to begin fulfilling his prophecy. Since first discovering the foul outcome the divine had planned for him, Oedipus was disgusted with the thought of marrying and taking to bed his mother, but in a moment of excitement and thoughtlessness he mar...
When Oedipus inquires “who is this man whose fate the god pronounces?” (1740) after this inquiry almost every statement made by Oedipus becomes ironic because he is referring to himself though he is yet to find out. The audience is aware that the more he looks into the murder of the former king Laius the worse it is going to be for him. Sophocles’ use of dramatic irony keeps the audience one step ahead of the protagonist so they are able to see the errors made by Oedipus. Because the audience has had time to figure what the mistakes are, they are more emotionally invested in how Oedipus will react when he finally understands all the mistakes he has made through the play. As the play progresses the audiences attitude about Oedipus starts to slowly shift; the emotions start to become deeper and we start to see that though he is guilty of murder empathize with
Oedipus and Tiresias, characters of Sophocles' play "Oedipus Tyrannus," are propelled to their individual destinies by their peculiar relationships with truth. Paranoid and quick to anger Oedipus, is markedly different from the confident and self-assured Tiresias. In the dialogue between the two men, Oedipus rapidly progresses from praise of Tiresias as a champion and protector of Thebes in line 304, to blatantly accusing the blind prophet of betraying the city in line 331, to angrily insulting him in line 334. Rather than be intimidated by the protagonist's title and temperament, Tiresias draws strength from what he knows is true and is able to stand his ground.