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Character sketch of meursault in the stranger
The stranger albert camus critique
The stranger in albert camus
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Indifference in Albert Camus' The Stranger
In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.
Meursault's guilt plays a large role in the novel as far as his everyday dealings with his attitude about life in general. Meursault feels guilty about not feeling guilty. He knows when he enters a situation such as when his mother died he should have felt guilt and remorse, but didn't and therefore his emotional state turned to an apologetic atmosphere. The concept of Meursault feeling apologetic instead of feeling guilty is illustrated when he is asking for time off from his job to go to his mother's funeral. "Sorry, sir, but it's not my fault, you know." p.1 He was sorry for leaving work and thus he apologized, but then he later reasoned to himself that he knows under the circumstances he had no need to be sorry for asking for a couple days off. Meursault later wishes he reconciled with his mother about sending her to a home. He was sorry for doing it, but director of the home assured him that he had done everything he could have for her in light of his situation. With Meursault working in a town a few hours away by bus he was unable to visit his mother as often a...
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...ifference to the world he feels free because he no longer has to answer to anyone or be annoyed with doing anything that takes him away from his true love of self-pleasure. Meursault lives by and for the moment without regard for the ramifications or consequences of his actions. When his moment of purification by pain occurs he is exhilarated by the energy he feels with the crowd that has gathered to see him lose his life. Before he is beheaded he comes to terms about his life, he deems that now that it's about to be over he can fulfill his need of achieving ultimate pleasure. I if I were placed in the same circumstance, I would have already come to terms with my own mortality knowing that I was facing death for the crime I had committed. Because I don't know if I believe in God, I don't know if would look forward to an afterlife or dread going into nothingness.
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
As the engue marked a pledge the ekdosis marked a transformation of the bride as she shifted from a child to an adult, a virgin to a wife. Actions that symbolized this transfer included cutting of the bride’s hair, removing the girdle she wore since puberty, and taking a ritual bath in water from a sacred spring.
At first glance, Meursault could be seen as an evil man. He shows no grief at his mother’s funeral, worrying more about the heat. His first reaction to his mother’s death is not sadness, it is a matter-of-fact, unemotional acceptance of the situation. “Maman died today. Or yesterday maybe, I don’t know.” Later on in the story, Meursault kills an Arab on the beach, and his only concern is that he has ruined the calm, pleasant day he was having. When he is in jail, the magistrate comes in an attempt to save Meursault’s soul, but instead of cooperating, Meursault simply confounds the magistrate by refusing to believe in God. Even at his trial, Meursault doesn’t show any remorse for having killed the Arab. Based on this evidence alone, how can we not see Meursault as evil?
This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a...
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Because some cheerleading squads don’t compete, society thinks of it merely as a physical activity. Even though cheerleaders’ main purpose is to support other athletic activities, cheer squads whom compete, follow all physical criteria to be considered a sport. Cheerleaders put forth an incredible amount of determination. They practice tirelessly to show off their skills, with little or no recognition for their efforts. Cheerleading is a sport because it requires physical fitness, skill, dedication, and stamina. Cheerleading should be considered a sport globally.
Love can torment those who have it, especially if the relationship is stopped in an abrupt manner. The narrator of “The Raven” is constantly having a conversation with a Raven that is intrinsically controlling his mind. The narrator’s
The New York Times states that cheerleading is the fastest growing girls’ sport, yet more than half of Americans do not believe it is a sport. A sport is defined as “an athletic activity requiring skill or physical prowess and often of a competitive nature” (dictionary.com). Cheerleading at a competitive level is physically demanding and requires team work to be the best. The misconception of cheerleaders being weak, nonathletic crowd entertainers makes people believe cheerleaders are not athletes and that cheerleading is just a hobby but cheerleaders that compete at a competitive level are in fact athletes because it meets the standards of what a sport is, which includes rules and regulations, and overcoming air resistance.
Attention to the trial sequence will reveal that the key elements of the conviction had little to do with the actual crime Meursault had committed, but rather the "unspeakable atrocities" he had committed while in mourning of his mother's death, which consisted of smoking a cigarette, drinking a cup of coffee, and failing to cry or appear sufficiently distraught. Indeed, the deformed misconception of moral truth which the jury [society] seeks is based on a detached, objective observation of right or wrong, thereby misrepresenting the ideals of justice by failing to recognize that personal freedom and choice are "...the essence of individual existence and the deciding factor of one's morality.2" The execution of Meursault at the close of the novel symbolically brings
Human sacrifice killings is a horrific but devastatingly true reality for some that come too close to the jaws of the Matamoros cult. People usually think of a utopia as an amusement park or just an amazing dream. The dictionary version is often defined as “any visionary system of political or social perfection” (“Utopia”). A dystopia is quite the opposite though. Think of your worst nightmare and that is exactly what a dystopia is. The professional definition is “a society characterized by human misery, as squalor, oppression, disease, and overcrowding” (“Dystopia”). As it goes in 1984, the whole book is based on a dystopian society. Citizens have horrible lives which leave them dehumanized by the central government. They are also being under
From the beginning of the novel, the reader is presented with the fact that Meursault’s mother has just died. Meursault, who has just been told this, proceeds to tell his irritated employer and then asks for a leave in order to arrive to his mother’s final resting place. Upon arrival, however, all Meursault does is fall asleep. He lacks the empathy to even cry tears and is seemingly unfazed by the situation as a whole. When a person himself is unable to feel the pain that arrives with losing his or her kin, let alone his or her closest family member, one must wonder if the person is truly sane or even contains the notion
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.