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The influence of renaissance art
The influence of renaissance art
English Renaissance influence
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Before Martha Stewart was Martha Stewart the megabrand, there was Dorothy Draper, the queen of decorating and Good Housekeeping’s design Director. She shot to fame with her 1939 book “Decorating Is Fun!”.
Dorothy Draper was an American Interior Decorator born on November 22, 1889 in Tuxedo Park, NY. She was the first one ever to make Interior Design a profession.
Born into the aristocratic Tuckerman family in one of the first gated communities in the United States, Dorothy Draper (maid name Tuckerman) learned glamour and elegance since her early years. Her parents were Paul Tuckerman and Susan Minturn. Her great-grandfather, Oliver Wolcott, was a signer of the Declaration of Independence. Her cousin, Sister Parish also became a major interior
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The opposite of minimalism, soon her designs were incorporated in homes, hotels, restaurants, theaters, and department stores. The Draper bedroom scheme of wide pink and white wallpaper, chenille bedspreads, and organdy curtains soon became ubiquitous across the country.
Draper was again hired by Douglas Elliman to redecorate a block of former tenement homes to motivate buyers, as people were not purchasing the homes. This area is known today as Sutton Place. She painted all the buildings black with white trim and added colors to the doors.
This job opened a door for Dorothy to do a great deal of hotel design, including Sherry-Netherland in New York, the Drake in Chicago, and the Fairmont in San Francisco. During the Great Depression, Draper spent $10 million dollars designing the Quitandinha in Rio de Janeiro, Brazil.
She had already started a column in the local newspaper, Ask Dorothy. During the Depression, her column ran in 70 newspapers. She advised people to “take that red and paint your front door with it” (Depression Class). Many people followed her advice and continued supporting her success by buying more than a million yards of her signature cabbage rose
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As Carleton Varney says "Dorothy Draper was to decorating, what Chanel was to fashion. The woman was a genius; there'd be no professional decorating business without her." (Collins) Aside from the boldness, the baroque, and the black and white stripes, she wrote about woman empowerment in Good Housekeeping to teach regular women how to be more fabulous in their regular lives (“If it looks right, it is right”). Free-spirited, impossibly beautiful, and larger than life, Dorothy Draper, the Queen of Interior
Vera Olivia Weatherbie was an accomplished painter in her own right, regarded more so now than during her lifetime. She was born in 1909 in Vancouver and attended Brittania Secondary School. She grew up in the Strathcona neighbourhood near Chinatown in Vancouver’s East end. Her parents were strict, conservative Presbyterians, yet somehow she was able to persuade them to let her attend the Vancouver School of Decorative and Applied Arts (VSDAA) at the young age of 16.
George Lois (1931- ) is a writer, art director, graphic designer and advertising legend. Lois is historically significant because of his memorable, historical and risk taking designs in the form of magazine covers that showcased in MOMA, and advertising campaigns for top brands that put companies on top.
Dorothy Case, later known as Dott, was born on April 9, 1885 to Marcus and Harriet Case in Ithaca, Michigan. Dorothy was the youngest of 9 children. Her mother was a teacher and realized her daughter’s ability for learning from a very young age. In 1889, Dorothy and her family moved to Loch Haven, Pennsylvania where upon their arrival they were struck with bad luck. On May 31, 1889, the Case family possessions arrived in Johnston, Pennsylvania, which was the same day that the South Fork Dam gave way.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
Faith Ringgold was born in Harlem on October 8th 1930, the great depression had just ended and although she lived in the north, racism was still going on all throughout the country. As a young child, Ringgold was often bed ridden because of harsh asthma and during this time she often would draw. In 1950 she got her own studio and started working on oil painting projects. By 1962 she had gotten her MA in Art at the City College of New York, had two daughters and had been divorced and remarried. Ringgold was greatly influenced by a family who loved storytelling and learned from her mother’s stories about the ancestry of the slaves. Ringgold was both an artist as well as a teacher of art within the New York City public schools and a professor at the University of California, San Diego. Throughout her lifetime and time of her paintings, the civil rights movement was in full force.
Some women of the 1920s rebelled against being traditional. These women became known as flappers and impacted the post-war society. People in the 1920’s couldn’t make up their minds about flappers. Some were against them and some were with them. Therefore, some people in the 1920’s loved and idolized flappers, I on the other hand, believed that they were a disgrace to society. These women broke many rules leading young women to rebel against their families.
The American Dream is a strong and powerful set of values that includes the chance to have an abundance of freedom, wealth, and success. In The Wonderful Wizard of Oz by L Frank Baum, and The Adventures of Huckleberry Finn by Mark Twain, the American Dream is something everybody wants. Sometimes it takes a long journey to achieve these goals and the path taken may not be an easy one.
Dorothy West was a novel and short story writer. She was born on June 2, 1907 in
Judy Chicago comments in her essay that she “had been made to feel ashamed of her own aesthetic impulses as a woman, pushed to make art that looked as if it had been made by a man.” The idea that female artists were not permitted to draw from their personal experiences completely undermines the basis of what art is. Art provides context of culture: it adds meaning and relevance to the time that it was created, and the artists’ personal experiences is what drives the artwork, and society, forward. Chicago’s blatant truths about women and their art in the early 70’s describes the struggles of walking between the worlds of femininity and the regular world talked about by Woolf. It’s impossible to deny the importance of femininity. If one is not
The film titled, “The Life and Times of Rosie the Riveter”, looks at the roles of women during and after World War II within the U.S. The film interviews five women who had experienced the World War II effects in the U.S, two who were Caucasian and three who were African American. These five women, who were among the millions of women recruited into skilled male-oriented jobs during World War II, shared insight into how women were treated, viewed and mainly controlled. Along with the interviews are clips from U.S. government propaganda films, news reports from the media, March of Time films, and newspaper stories, all depicting how women are to take "the men’s" places to keep up with industrial production, while reassured that their duties were fulfilling the patriotic and feminine role. After the war the government and media had changed their message as women were to resume the role of the housewife, maid and mother to stay out of the way of returning soldiers. Thus the patriotic and feminine role was nothing but a mystified tactic the government used to maintain the American economic structure during the world war period. It is the contention of this paper to explore how several groups of women were treated as mindless individuals that could be controlled and disposed of through the government arranging social institutions, media manipulation and propaganda, and assumptions behind women’s tendencies which forced “Rosie the Riveter” to become a male dominated concept.
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
Dorothea Dix was born in Hampden, Maine on April 4, 1802. Maine at the time was part of Massachusetts. Hampden was a very small town of only about 150 people. Most of those residents were very poor, including Dix’s family. Her father was Joseph Dix, a traveling Methodist minister. She very much felt the effects of her father’s strict religion. Her father had her sit for hou...
A great job. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
With her friends encouragement she started, Architectural Clearinghouse. It was "arguably the first official interior design business."( Collins ,4). Being a woman also this was quite the feat in the 1920s. Women didn't really own businesses back then and it was seen as very brave to own one and such a an influential one as hers. Soon after she starting getting more and more design gigs, she changed her company name to Dorothy Draper & Company. One of Draper’s biggest gigs was her commissioned to design The Carlyle Hotel on Madison Avenue in Manhattan. She was commissioned by Douglas Elliman. This hotel was hugely important to Draper because she to put her design style and name on a huge piece of Manhattan. She felt as though she could really make her mark on Manhattan even though she already had in many ways being where she was from and what not. Draper was hired many more times by Douglas. He had her designing homes all over Manhattan. Draper did a great deal of hotel design, including Sherry-Netherland in New York, the Drake in Chicago, the Fairmont in San Francisco. At the height of the Depression, Draper spent $10 million designing the Quitandinha in Rio de Janeiro.” (Dorothy Draper & Company,2). Draper was commissioned to do many other places including hotels, homes, and restaurants. Draper’s most well-known and famous interior design was the Greenbrier of West Virginia. The Greenbrier was used as a hospital
In December of 2012, she sold her very expensive townhouse for $33million to move closer to her family. And she was presented with the 2013 Prince of Asturias Award for Communication, which in an arrangement of twelve-month prizes granted in Spain by the Prince of Asturias Foundation to people, elements or associations from far and wide who make eminent accomplishments in the sciences, humanities, and open undertakings. Now most of her pioneer pictures are kept in many different galleries all over the United States. She is still known as one of America’s best portrait photographers.