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Literary analysis the yellow wallpaper
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Thesis on charlotte perkins gilman
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Imprisonment of Women Exposed in The Yellow Wallpaper
When asked the question of why she chose to write 'The Yellow Wallpaper', Charlotte Perkins Gilman claimed that experiences in her own life dealing with a nervous condition, then termed 'melancholia', had prompted her to write the short story as a means to try and save other people from a similar fate. Although she may have suffered from a similar condition to the narrator of her illuminating short story, Gilman's story cannot be coined merely a tale of insanity. Insanity is the vehicle for Gilman's larger comment on the atrocities of social conformity. The main character of "The Yellow Wallpaper" comes to recognize the inhumanity in society's treatment of women, and in her awakening to this, visualizes her torment in the faded yellow wallpaper that hangs in her chambers, her jail. The unnamed narrator of the tale is purposefully left unnamed; the narrator could be any wife, any mother, any woman. Gilman transforms the hysterical, insane female of early 19th century literature into genius.
The first striking image that readers of "The Yellow Wallpaper" are presented with is not that of a room, it is not of the house, but of the character of John, the husband. John is described as a man of a "practical and extreme" nature (246). His presence throughout the tale provides for the narrator's motive. John refuses to accept her wife's condition; he does not believe that there is anything truly wrong with her.
If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression, a slight hysterical tendency - what is one to do? (246)
The narrator is possessed by her hus...
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...ion. Sven Birkerts. Boston, Massachusetts: Allyn and Bacon, 1992. 387-400.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12 (1986): 113-128.
Johnson, Greg. "Gilman's Gothic Allegory: Rage and Redemption in 'The Yellow Wallpaper.'" Studies in Short Fiction 26 (Fall 1989): 521-530.
King, Jeanette, and Pam Morris. "On Not Reading Between the Lines: Models of Reading in 'The Yellow Wallpaper.'" Studies in Short Fiction 26.1 (Winter 1989): 23-32.
Knight, Denise D. "The Reincarnation of Jane: 'Through This' - Gilman's Companion to 'The Yellow Wallpaper.'" Women's Studies 20 (1992): 287-302.
Rigney, Barbara Hill. Madness and Sexual Politics in the Feminist Novel: Studies in Bronte, Woolf, Lessing, and Atwood. Madison, WI: The University of Wisconsin Press, 1978.
While on vacation for the summer, the narrator of "The Yellow Wallpaper" is, at the most, depressed at the beginning of their visit to a colonial mansion. Her husband John, however, thinks there is nothing wrong with her except temporary nervous depression (pg 391) and has her confined to a bedroom upstairs. I believe John loves her very much and is trying to help her get well, but he won’t believe there is an illness unless he can read about it or see something physical with his own eyes. "He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures." (pg 391) During the time of this writing it was the norm that men dominated women. Women were to be seen but not heard. They were not to argue with men, so she was forced to do as he said. Her husband has forbidden her to "work" until she is well again. (pg 392) She is held prisoner in her bedroom and has nothing to do to keep her mind active except stare at the wallpaper, although she did sneak in writing in her journal when possible.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
Shumaker, Conrad. "Too Terribly Good to Be Printed: Charlotte Gilman's 'The Yellow Wallpaper'." reprinted in Twentieth-Century Literary Criticism Vol. 37. Ed. Paula Kepos. Detroit: Gale Research Inc., 1991. 194-198.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
Charlotte Gilman was a renowned feminist author who published most of her work in the late 1800s and the early 1900s. Her works, of which "The Yellow Wallpaper" is most famous, reflect her feminist views. Gilman used her writings as a way of expressing these views to the public. At the time "The Yellow Wallpaper" was written, the attitude in colonial America towards feminists was not one of tolerance or acceptance. In the mid-1880s, Gilman suffered a nervous breakdown and eventually was referred to a specialist in neurological disorders. The doctor's diagnosis was such: Gilman was perfectly healthy. The doctor ordered Gilman to domesticate her life and to immediately stop her writings. Gilman went by the doctor's orders, and nearly went mad. Now although "Yellow Wallpaper" is a fictional story, it becomes clear that the story was significantly influenced by Gilman's life experiences. Gilman seems to be exploring the depths of mental illness through her writing.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
After learning of Gilman’s life, and by reading her commentary and other works, one can readily see that The Yellow Wallpaper has a definite agenda in it's quasi-autobiographical style. As revealed in Elaine Hedges’ forward from the Heath Anthology of American Literature, Gilman had a distressed life, because of the choices she had made which disrupted common conventions—from her ‘abandonment’ of her child to her amicable divorce (Lauter 799). Her childhood is described notably by Ann Lane as an introduction to the 1979 publication of ‘Herland’, one of Gilman’s most notable novels.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12:2 (1986): 113-128.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.
This first section is based on what dance is. Dance is defined differently by different people. Some people define it as a sport and some people define it as an art. Some people do dance for different reasons. Some people do dance as a sport, others do it as therapy, and others just do it recreationally. According to an article named When will Dancers Be Considered Atheletes, Dance can be done competitively. Dance is extremely beneficial for several reasons. According to When will Dancers be considered athletes, football players found that they had strengthened their ankles and feet, had increased agility, and were less likely to get hurt because of muscle strength after practicing a form of dance named ballet ( Dancers: Artists or Athletes?).