Using Biographical and Historical Criticism in Critiquing The Yellow Wallpaper

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Using Biographical and Historical Criticism in Critiquing The Yellow Wallpaper Charlotte Gilman was a renowned feminist author who published most of her work in the late 1800s and the early 1900s. Her works, of which "The Yellow Wallpaper" is most famous, reflect her feminist views. Gilman used her writings as a way of expressing these views to the public. At the time "The Yellow Wallpaper" was written, the attitude in colonial America towards feminists was not one of tolerance or acceptance. In the mid-1880s, Gilman suffered a nervous breakdown and eventually was referred to a specialist in neurological disorders. The doctor's diagnosis was such: Gilman was perfectly healthy. The doctor ordered Gilman to domesticate her life and to immediately stop her writings. Gilman went by the doctor's orders, and nearly went mad. Now although "Yellow Wallpaper" is a fictional story, it becomes clear that the story was significantly influenced by Gilman's life experiences. Gilman seems to be exploring the depths of mental illness through her writing. Evidence of Gilman's life experiences can be seen all throughout the story. The main character in the story, a slightly neurotic woman, is married to a prominent physician. This husband refuses to believe anything is wrong with his wife's health simply because her physical health is intact. Thus, he prescribes for his wife nothing more than relaxation and cessation of her writings. This character clearly correlates to the doctor who "treated" Gilman for her nervous breakdown. The description of the room and the wallpaper is clearly crucial to the story as a whole. The room itself is described as large and airy, with windows facing towards a "delicious garden." The wallpaper does not fit the room at all. It is a repulsive, pale yellow color. The description of the wallpaper seems to function metaphorically. The wallpaper becomes much more detailed and much more of a fixture in the main characters life as the story progresses. The wallpaper essentially takes on a life of its own. This progression seems to represent mental illness itself. As mental illness progresses, it becomes much more whole and enveloping. Gilman attempts to represent the depth of mental illness through the wallpaper. For example, the woman in the story comes to the conclusion that there is a woman in the wallpaper behind the pattern.

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