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Uses of textiles in daily life
Textile mills history
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Textiles have been a vital part of society all over world. When one first thinks of textiles they might imagine just fibers woven together, a body covering, a simple part of everyday life. In fact, textiles are much more than that. Textiles are a form of art, usually with an important meaning. There are many different versions of textile designs ranging from simple weaves, to delicate embroidery, to hand painted cloths, and many more. Each culture has their own distinct vision of what their textiles should look like. It is clear that textiles have and continue to be used as a representation of a culture’s beliefs and traditions all around the world, no matter the economic status of a nation. Textiles have been connected with religion, mythology, philosophy and family bonds; these are just a few examples of the powerful meanings hidden behind the simple woven fibers. In this paper, I will argue that textiles hold important meanings through specific textiles and garments from around the world.
Textiles hold countless meanings. In an interview conducted with Desiree Koslin, an art historian and a textile history Professor at the Fashion Institute of Technology, the importance of textiles was examined. Koslin argues that “textiles are used on the living body in so many ways, as uniform, as status symbol, as profession, and also on the dead body, of course, as well as receptacle of holy things, as back drop for rituals.” With examples from all over the world, it can be seen that textiles are much more than a simple part of everyday life. I am arguing that textiles are important documents of history and society that hold important meaning.
Western Europe can be associated with beautiful and intricate textile workings. Starting i...
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... are such a large part of the visual representation of meaning in their culture that without, a piece of their heritage is gone.
Through the above examples, it can be seen how textiles are not just fibers woven together but another form of art that represents beliefs and traditions and holds important cultural meaning. It seems as though, before industrialization, and extreme advances in textile production, there was a greater passion and customization to create meaningful textiles. Almost all of the examples that I used in this essay were from hundreds of years in the past. Today, art, history and textile expert, Desiree Koslin believes textiles “still carry meaning… although people may have forgotten to original ways and means.” Textiles have and will continue to be more than just fibers woven together but symbols of diverse and deep history and tradition.
In his essay, “How Susie Bayer’s T-Shirt Ended up on Yusuf Mama’s Back”, George Packer points out an issue that has often been ignored in the society. People leave their used clothes outside the Salvation Army or church, but they do not know where the clothes will go eventually. George Packer did a lot of interviews and investigation into the used clothes trade. Based on this report, many cutural and gender issues have been raised. George Parker uses convincing data as well, since he followed closely the trail of one T-shirt to its final owner in Uganda.
To conclude, the capability to create customized clothing is becoming undemanding as technology evolves. Ready made apparel was only available in predetermined sizes before the American Civil War, this exemplifies how the sizes were arbitrary and were not the same on a broad scale. The statement “The wealthy’s clothes were made by tailors” is a prime example of how tailored outfits are costly. Today, designers have computer-aided design to their disposal; this improved the creation of clothing in many ways, making it effortless to design the clothing and to also produce them. With the creation of new technology making clothes, fabrics will become easier.
Fabric that came from Europe costed as much as the equivalent to the garment itself. It became less expensive to make your own fabric than to buy it. “Producing one’s own clothes . . . meant weavin...
Women in pictorial history have often been used as objects; figures that passively exist for visual consumption or as catalyst for male protagonists. Anne Hollander in her book Fabric of Vision takes the idea of women as objects to a new level in her chapter “Women as Dress”. Hollander presents the reader with an argument that beginning in the mid 19th century artists created women that ceased to exist outside of their elegantly dressed state. These women, Hollander argues, have no body, only dress. This concept, while persuasive, is lacking footing which I will attempt to provide in the following essay. In order to do this, the work of James Tissot (b. 1836 d. 1902) will further cement the idea of “women as dress” while the work of Berthe
The color of clothing that the women wear is an important element because it helps to show the women’s power and privileges. The color of clothing a woman wears reflects how much freedom she will have. Th...
The population of immigrants in Canada represents approximately 1/6 of the total Canadian population. In order to facilitate the transition for Indian immigrants who leave their native country to come to Canada, authentic, quality textiles, ranging from silks to cottons, canvasses and rugs will be made available to them. Many traditions are expressed through these textiles. Some of them tell stories or express tradition. Others are exclusive to particular areas in India, based on their design or texture.
The Chronicle of Western Fashion: From Ancient times to the Present Day.
“The Clothing of a Slave.” Think Quest. Oracle Foundation. n.d. Web. 11 Nov. 2013. .
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...
Lawson, David "History Of Renaissance Clothing - How Today's Fashion Is Affected." 6 Jul. 2011 EzineArticles.com. 16 Nov. 2011
Oils, balls, swabs, bandages, tissue, paper, napkins, diapers, socks, underwear, shirts, shorts, sweaters, pants, coats, towels, linen, cushions, drapery, upholstery, rugs, carpet, comforters, mattresses, insulation, filtration, and many other things that are used daily by everyone are composed of, or inspired by cotton. Cotton is a soft, fluffy, naturally occurring fiber plant that can be processed into an array of materials and goods.
Weaving is a common thread among cultures around the world. Weaving is a way of producing cloth or textile. Today we have machines that weave large-scale textiles at cheap prices. Production of cloth by hand is rarely engaged in today’s Westernized societies. Not many people are thinking about how the fibers are actually constructed to make their clothes. However, in other cultures across the world the tradition of weaving still exists. By comparing three cultures that continue weaving as a part of their tradition we can see similarities and the differences between them. The reasons that each culture still weaves vary, as do the methods and materials. The desired characteristics of the cloth also vary around the world as each culture values different aesthetics.
To begin with, I shall look at what fashion is; it is a currently popular style or practice involving clothing, footwear or accessories. It mostly refers to the current trends in looks and dressing style of a person (Cumming 234). In most cases, fashion is confusedly related to costumes; when a person talks of fashion they are seen to mean fashion in terms of textile. Fashion is seen to originate from the Western world and it is copied by other places. In this paper, we shall look at how fashion affects lifestyles and the group of people who are affected most. The paper further investigates how media is used to transmit fashion from one region to the other. Although it has been seen to affect people’s lives many people have different perspectives on fashion and dressing.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...
Fabrics can be made of natural and synthetic materials. Natural fabrics, like cotton (NY Fashion Center) for example, are found here on earth while synthetic fabrics are manmade (MV Styles). There are many distinguish ways to determine if a fabric is natural or synthetic. Each fabric is different in its own way due to it reaction to heat, its odor, residue and chemicals (MV Styles). Fabrics are seen and used every day and in every way. Synthetic material has been pushed more into the picture because it much easier to make and the cheapest to buy. Synthetic materials are sometimes made form fossil fuels like coal. Cotton and Broadcloth are natural fabrics; Polyester is synthetic and Flannel in a synthetic blend with cotton. Fabrics are made up of fibers which have their own chemical structure, which determines their classification. Polymers make up the fibers (Ball-Deslich and Funkhouser). Since cotton is natural, it comes from a natural cellulose fiber with the polymer of glucose (Cotton). Polyester is synthetic which can be classified as saturated or u...