What’s So Important About a Deity? In many literary works throughout history, there is a deity mentioned that has some form of involvement in the life of humans whether it be monotheistic or polytheistic. In Augustine’s Confessions, the main point driving his entire work is how he strayed from God and found his way back to him. It’s an autobiography of an imperfect life. In contrast, the Epic of Gilgamesh is a story of monstrosity and self-discovery contributed to by many authors over the course of history pertaining to an arrogant King who was the puppet of many gods. However, both explore how a supreme deity is a central part of life. Gilgamesh starts off leaving a terrible legacy, that of a raging monster of a king. His people pray, asking …show more content…
They both have many different challenges that they face in regard to their deity/deities. They each experience setbacks, disobedience, redemption, and come to grips with their mortality. Both Augustine and Gilgamesh are being judged by a deity, and change their behavior accordingly. . Augustine struggles with worldly temptations such as sex just as Gilgamesh does. While Gilgamesh is tempted by a goddess, Augustine is tempted by a beautiful woman with whom he has a son. For each of these men their temptations led to them making discoveries about themselves. However, they both have serious setbacks that make them both question and wrestle with the reality of their mortality. Gilgamesh loses Enkidu as a result of their sinful adventures. While mourning for his friend, Gilgamesh “was weeping bitterly for Enkidu, his friend, as he roamed the steppe: Shall I not die too? Am I not like Enkidu?” (p.134). This is the point when he seeks out immortality in his grief, longing to see his dear friend again. This was a crucial turning point for Gilgamesh in his journey of self-discovery. Augustine’s loss was just as personal, he lost his mother. His mother had spent her life raising him and trying to impress upon him the values and ideals of Christianity. It was not something he fully understood and cherished, specifically as a gift from god, until his thirties. After his mother dies, He thanks God for the gift of …show more content…
An important point though is that in both the Confessions and the Epic of Gilgamesh, there is a supreme higher power that gives everyone hope and something to believe in. “Piety and respect suggest a practical acknowledgement of nature’s power and serve to remind humans of their place in the larger scheme of things” (Sparknotes Editors). I think it necessary for people to have something greater than themselves to believe in, otherwise no one would really have anything to look forward to and a fear of death might actually control everyone. Overall, no matter what time period you are from or what your background is, there’s nothing wrong with believing in something greater than yourself the way Gilgamesh and Augustine
When ancient people look to understand religion, it is easier for them to relate to a higher power, also known as a god. Throughout the world and through time, there have been hundreds of different religions that have been established, and in the writings by people of these various groups there are often stories about conversation with the gods. This helps other people in understanding and conforming to the same beliefs. Two of such examples of this style of analyzing what gods are, are found in St. Augustine’s Confessions and The Bhagavad Gita.
The Epic of Gilgamesh served the purpose to shed some light on the culture of Sumeria. The story has helped give factual information even though the epic many not be true in whole, it may have some truth in parts. It has given us more knowledge on the architectural craftsmanship of Sumerian people, and also shows us the belief of many gods in Sumer's polytheistic society.
7-12- Again Augustines thoughts on God reflect that of the religious teachings of his day, namely those of the Neoplatonists. For example he refuses to speculate on how the soul joins the body to become an infant and even follows Plato when he suggests that this life could possibly be some kind of “living death”. He then goes into an examination of his infancy, which he depicts as a quite pitiful state. He described himself as a sinful and thoughtless creature who made demands on everyone, wept unceasingly, and gave everyone a hard time that took care of him. Though very brutal in his self examination, he later states that he does not hold himself accountable for any of these sinful acts because he simply can’t remember them.
Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. In the Epic of Gilgamesh, Gilgamesh is the king of Uruk, but he is not a kind or gentle ruler. The narrator describes Gilgamesh as "surpassing all kings, for his stature renowned" (I.30) and yet the people pray to the gods for help because Gilgamesh "would leave no son to his father" (I.67) or "girl to her mother" (I.73). In other words, Gilgamesh sees nothing wrong with taking what he wants from his people, including their lives. However, when Gilgamesh's best friend dies, he finds himself face-to-face with his own mortality, which he is not prepared to accept as inevitable. Gilgamesh states, "I have grown afraid of death . . ." (IX. 5). He decides to continue wandering the land un...
Gilgamesh is the king of Uruk, one who is macho, irresponsible, and simply not fit to be in the position that his blood status has put him in. His decisions are constantly making the people of Uruk
After encountering the death of his friend Enkidu, Gilgamesh realizes that all men will die. Gilgamesh evolves from the beginning of The Epic of Gilgamesh as an unruly king to a realistic king who’s life ends in death. In the end after accepting that he too must die and be subject to fate, Gilgamesh settles back into his city setting, only this time to be a wise king rather than the foolish hero he once was.
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Gilgamesh, King of Uruk, is the protagonist of The Epic of Gilgamesh, where the audience is brought through the story of a tyrannical king 's transformation to become a mature king. He would learn that his responsibilities as king come before any of his wishes for fame and acknowledgment. As a being who was two-thirds god and one-third human, he desperately tried to gain the attention and later on the immortality that only deities would have. In the Epic of Gilgamesh translated by Andrew George, Gilgamesh believed that in order to be a great king, he would have to complete heroic tasks such as killing Humbaba, the guardian of the Cedar Forest and going to the netherworlds to find the source of immortality.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
The relationship between the gods and humanity in The Epic of Gilgamesh and The Odyssey are the same. In each saga, the gods seem to live nearby and are always present. Both epic poems portray humans as simply at the mercy of the gods. The gods feel that it is their duty to intervene if they feel that man is traveling off course from his destiny. However, the gods are not all powerful.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The Epic of Gilgamesh, one of the earliest known stories, recounts the tale of the reckless King Gilgamesh and his adventures with his friend Enkidu, a natural man created by the gods from clay to humble and teach Gilgamesh to become a better ruler. Through Enkidu’s death, the once fearless Gilgamesh becomes fearful of his own inevitable demise and journeys to find immortality. However, by finding compassion for his humanity, he is able to come to terms with his mortality and continue living wholeheartedly as the ruler of Uruk. In the Epic of Gilgamesh, Gilgamesh learns to accept his mortality by gaining compassion for himself.
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
Although there are differences between this ancient culture and ours, one similar idea found in the story is that of the worship of deity. There are many gods represented in the story of Gilgamesh. This reflects the tendency of the people of that time to cling to religious ideals to explain the unknown.