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The Immortal Poet, Li Bai Li Bai, also known as Li Po is considered to be one of most prolific poets of China. Born in 701, this great poet was considered to be a genius yet he had a life of a wanderer. Most of his poetry was composed under the influence of wine, yet they are considered to be masterpieces. Li Bai was a Daoist and his work has a clear reflection of Daoism, that is which revolves around romance. A glance at his work also shows that he did not compose structured poetry. His pieces are free flowing and short, a beautiful amalgamation of imagination and nature. My paper will focus on Li Bai, his work and how his poetry has had a deep impact
Li Bai was born
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His work has been celebrated through ages and dynasties. There is a monument built in commemoration of Li’s hometown in Sichuan province, China. Wu adds that” he has been bestowed upon the name of the Angel banished from Heaven and one of the Six Idlers of the Bamboo brook” (59). Innumerable poets have taken inspiration from his work and have even named him as the ‘Saint of Poems’. He has inspired many modern day Chinese poets including Yang Wangli and Mao …show more content…
His praises are sung even today in all corners of the world which is proof enough that he deserved the titles given to him. His genius in poetry moved the ancient Chinese culture and the entire world. It is quite evident that he never got the acclamation for his work which he deserved in his lifetime, yet he truly lived the life that he wished to. It was that life of a wanderer and a free soul that he was able to compose such extraordinary and significant pieces of art in his lifetime. His poems have been an inspiration to many and I hope that each individual is able to excavate the true sense and meaning of each of his poems to understand the latent beauty of his
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
Throughout Brooks’ life she received numerous of honors and awards. She was one great poet and her poems were well-known. Brooks carried a great influence and her legacy still lives in the life of many modern poets.
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
Although still adopting a traditional literary form, the poetry writing can be regarded as an example of the heterogeneity and border-crossing of cultural-scape in globalization period. Those poems were produced under the brunt of the international mobility that is propelled by the capitalist globalization, but precisely and paradoxically, in a suspending situation caused by national regulation, a “state of exception” of this mobility. The juxtaposition of the frustration on foreign life and the flare of nationalist emotion (with the rhetoric emulating ancient barbarian-expelling heroes), may imply a paradoxical consequence in globalization: the international mobility undergirding the national awareness instead of undermining it. Following this thread, the publication of this kind of poetry in 1930s, the oblivion of it after war, and the subsequent re-discovery, recognition, and research of it can be all taken as symptomatic traces of the localization, articulation, and transformation of national consciousness (both as “Chinese” and “American”) in the continuous globalization. Needless to say, those poems are deeply flawed in terms of aesthetics due to the rather poor literacy of their authors. It would be invoking to put these poems beside those “high art” works also produced in globalization context, such as the works on the Eiffel Tower and the London fog by Huang Zunxian (黄遵宪), a late Qin intellectual caught in between the East and the West, the
...ery and veiled political references in Bei Dao’s poem, “Notes from the City of the Sun”, are used to exemplify the struggles of the people during the Cultural Revolution.
“Mao’s Last Dancer” is a book about the life of Li Cunxin. Li Cunxin was born into poverty in China under the rule of Mao Ze dung. The book was first published in 2003 and since then has won several awards including the book of the year award. Throughout the novel the composer chronologically cites the life of Li Cunxin and how he felt and where he belonged at certain points in his life.
Literature shows us the changes of our society from time to time. It also gives us an idea about people, culture, politics, gender traditions, as well as an overall view of previous civilizations. As a part of literature, poetry introduces us to different cultures with different perspectives. Ancient Egypt and ancient China may differ in terms of culture, politics, economic stability, tradition, or even in religious belief. However, in poetry, especially in love lyrics both Egyptian and Chinese poems portray common area of describing women, social attitudes toward love, sexuality and the existence of romance or selfishness in relationships. . If we look at the Egyptian poem “My god, my Lotus” and the Chinese poem “Fishhawk”, we will see both poems have similarities in describing relationships. Also, they have the similarity of imagining the lovers and their expression of love toward each other. However, both poems have some significant differences in terms of representing female sexuality, gender disparity and the display of love.
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurs in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment. As was the case in China, Cao depicts the two forms of belief existing alongside one another, and not necessarily practiced exclusively to one another.
China has gone through many changes in its history. Changes include economic, political, and social. In the early 1500 and throughout history, mostly all social classes followed Confucianism. Confucianism is a type of religion based on an ideal society (Chang 2012, 22). China was molded though Confucianism but that slowly deteriorated as years went on. One main group that has been a main part in these changes is the Chinese literati. The Chinese literati include the higher-class people such as officials and scholars. The Chinese literati were the dominant social class during the 1500’s but their power slowly decreased throughout history. Throughout my paper, I will explain the Chinese literati involvement as centuries passed.
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
...efore people became impressed with his writing. Only when the man himself was forgotten did the people begin to appreciate his musings.
...s work was always rich and full of details, complex contradictions. He appreciated everyone in his years of life. His most favorite thing while writing books and essays and poetry was using words to force his readers to rethink their own lives and obstacles creatively. He always spent his life rethinking his past and future actions, thoughts, asking questions to get a better understanding of concepts. He loved to look to nature for greater intensity and meaning for his life.
Boucquey, Thierry, gen. ed. “Luo Guanzhong.” Encyclopedia of World Writers, 14th through 18th Centuries. New York: Facts On File, Inc., 2005. Bloom’s Literature. Facts On File, Inc. Web. 14 May 2014
One of his descriptions from the Analects was, “At 15 I set my heart on learning; at 30 I firmly took my stand; at 40 I had no delusions; at 50 I knew the Mandate of Heaven; at 60 my ear was attuned; at 70 I followed my heart’s desire without overstepping the boundaries.” This shows that he was deeply concerned about the different cultures that weren't taught properly. Texts were also very beneficial to the Chinese culture when compared to the aspects of Confucianism.” The classical Confucian texts became key to the orthodox state ideology of the Chinese dynasties.” The Chinese government systems was influenced by many intellects and works that motivated the examination systems of China Works, such as Sage Go-un’s writings, also became very intellectual and contained a motivational aspect to guide the community of the Chinese people and the
His profound wisdom of morality and human relationships that he imparted on his disciples has been passed down and this displays how he came to be the most significant Chinese philosopher that there has been.