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How animal imagery contributes to the emotional force of othello
Characterisation of othello
Characterisation of othello
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Imagery in the play "Othello" by William Shakespeare is to intensify characterization and define the meaning of the play. In Othello, the use of animal imagery is used multiple times by Iago to describe the relationships between humans, especially of Desdemona and Othello. Shakespeare describes the characters actions by comparing them to the similarities in animals and having animal-like qualities. By doing this readers can get an idea of what the character is doing or saying. Animal imagery was a strong device used in Othello because it helped make certain points in the play.
The first use of animal imagery was in Act One when Iago tells Desdemona's father that Othello has taken his daughter. Iago stated, "Your heart is burst. You have lost half your soul. Even now, now, very now, and old black ram is tupping your white ewe" (I.i.89-90). Shakespeare does this to create an illusion that Othello is immoral and selfish to take the virginity of a young white girl as an old black man. Iago's animal imagery is used to give Brabantio an animalistic, lustful picture of his daughter's r...
Shakespeare’s use of rhetoric by his characters is clearly used effectively in Othello through Iago’s and Roderigo’s conversation with Barbantio. The two make use of double meanings, animal imagery, Devil and God comparisons, the use of sexual references, and descriptive insults to confuse Barbantio and make him angry towards Othello. Through Iago’s initial torment, continued by Roderigo, they are able to force Barbantio to do exactly as they wish.
Throughout many literary works, authors use animals or their behaviour to mimic or represent ideas in order to signify certain aspects of the characters and setting. In the tragic play of Macbeth, William Shakespeare successfully uses animal imagery as a prominent symbol to foresee upcoming events as well to portray Macbeth's growing guilty conscience. Thus, Shakespeare effectively employs animal imagery as a symbol in order to reinforce and highlight Macbeth’s mental deterioration in this tragic play.
Othello, a valiant soldier, has a much more complex character underneath the surface of his firm rough exterior. To represent these characteristics, in the form of a colored shape, I chose to compare Othello to a square with a red-orange exterior, contrasted with an ice-blue interior. This figure, while portraying some of the more literal traits of Othello, mainly focuses on his inner emotions, and his circumstances throughout the play.
Othello in William Shakespeare's Play Most of the characters in "Othello" perceive Othello as unclean and
Imagery is the use of symbols to convey an idea or to create a specific atmosphere for the audience. Shakespeare uses imagery in Macbeth often, the most prevalent one, is blood. I believe he uses this as a way to convey guilt, murder, betrayal, treachery and evil, and to symbolize forewarning of events.
In the play, Othello by William Shakespeare throughout the entire play it had portrayed symbolism and foreshadowing. These had influenced the most of the characters to act in a foolish ways. This leads us to a suspense ending that caused loved ones to go against each other. By not realizing what is going on between the characters can cause confusing in the plans of the play. Likewise, by connecting each of the following character made it seem we might have knew something was going to happen at the end. Throughout the play we are able to recognize that the handkerchief is played as an important part with all the characters. This is done by showing how each one of the characters is acting with it being loss. Due to it being misplaced some of the characters will do something they normally wouldn’t have done.
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
In everyones life there is always the one person who you think you can trust, and later come to find that they have been playing you all along. This is the exact case for Othello. Iago, whom Othello thought was a person he could trust, betrayed him in many horrific ways.As you read the famous Shakespearian play, Othello, the Moor of VeniceI, you come to realise pretty quickly that Iago is the evil charecter in this play. The readers do not actually get to see a good side of Iago, if there is any, because he is constantly using and playing people. Readers will also come to learn that no matter how evil Iago may be perceived as that he is very much a coward, using other people to do most of his dirty work for him.
Thesis Statement: When the characters in Othello cease to use reason they lose their humanity and are associated with animal imagery. Roderigo Irrationally in love with Desdemona Wants to drown himself like "cats and blind puppies" Iago calls him a snipe Iago Irrationally jealous of Othello and Cassio Equates love with animalistic lust Encourages others to "be a man" A man is decisive A man looks out for himself A man loves himself Roderigo calls him an "inhuman dog", Lodovico a "Spartan dog" Emilia implores him to tell the truth "if thou be'st a man" Othello Irrationally jealous of Desdemona and Cassio Equates lack of reason with animals Refers to himself as a dog.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
character. The character of the character The first use of animal imagery I noted occurred. came in Act One when Iago, Othello’s standard bearer. has awakened Brabantio, who was a Venetian senator.
The beginning of Shakespeare’s use of imagery to develop a central character is seen in Hamlet. Through Hamlet’s first soliloquy, Shakespeare depicts how he is melancholic. Given the context that Hamlet is disgusted by Gertrude’s hasty remarriage to her former brother-in-law, Hamlet says, “O that this too too solid flesh would melt, / Thaw, and resolve itself into a dew, / … How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!” (I, II, 129-130, 133-134). Here, Hamlet is very melancholic to the degree that he wishes his solid flesh, which shows the innate human corruption, would melt into a dew and die, which clearly demonstrates his melancholic outlook towards life. In addition, Hamlet continues his soliloquy by mentioning his religion. This time Hamlet wishes that “the Everlasting had not fixed / His canon ‘gainst self-slaughter” (I, II, 131-132). Here, Hamlet discusses how God forbids suicide, which shows how ...
One very clear example of this can be found within Act V Scene ii and the imagery which is used to describe Desdemona, 'that whiter skin of hers than snow/ and smooth as monumental alabaster', and in the recurrent references to light, 'thou flaming minister', 'thy former light'. Further, if one views beauty and light in this context as heavenly then the animality and darkness can be seen to correspond to that which is secular, a notion which Othello communicates in the opening speech of the final scene, placing earthly notions of justice against...
Shakespeare utilizes imagery in the scenes of Macbeth’s grief for killing king Duncan, lady Macbeth cleaning the spot on her hand, and the voices Macbeth hears after he has finished his dark deed. Lady Macbeth