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Poems written during the Harlem Renaissance
Harlem renaissance report
Harlem renaissance report
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Claude McKay During the Harlem Renaissance, African American poets expressed their need for equality and their struggle in America so far. Poets attempted to act like a match that would start the fire and hunger for equality. Poets like Claude McKay would help other African Americans realize how American mistreated them. African Americans thought that America would help bring them freedom, but McKay woke them from the dream that many had. McKay did not just tear people from the precious dreams they had he also tried to call people to action to gain equality. Claude McKay is known for expressing the African American struggle in America and acts as a voice of action. Claude McKay is a well known poet from Jamaica during the Harlem Renaissance,
McKay expresses his enemy as a pack of dogs stating that they are “mad and hungry dogs”. He also states that the pack of dogs mock their prey. The dogs are supposed to represent the white men and how they treated African Americans at the time. The poem is simply stating let us (African Americans) die in peace and do not push us to death or torture us. This poem acts as call to action for African Americans to rise up and not let the whites treat them like this. In two lines in the poem McKay states, “If we must die, let it not be like hogs” “If we must die, O let us nobly die,”. McKay is trying to emphasize to African Americans to not let these white men who think they are above everyone else kill them mentally and physically. He is also to trying to emphasize to not let the white men kill them in their foolish ways, and to take a stand fight for equality so they will die nobly. Wagner discusses again how McKay’s poem can rally African Americans together, “[With the publication of “If We Must Die” McKay became] the incarnation of the new spirit and the spokesman for a whole people at last resolved to witness no longer, in registration and submissiveness, the massacre of its own brothers at the hands of the enraged white mob, but to return blow for blow and , if necessary, to die” (Wagner). The poem paints a picture of battle scene where a captain or a general is trying to rally his troops up. It is trying to get their blood pumping and get them ready to fight a battle whether it be verbally or
By 1921, McKay had become the associate editor of a magazine called, The Liberator, a socialist magazine of art and literature. In 1922, Harcourt, Brace and Company published a collection of seven poems called, Harlem Shadows. This made him receive the status of being the first significant black poet. Even though he was considered an African-American icon, McKay said he still considered himse...
Claude McKay real name is Festus Claudius McKay was an important person in the Harlem Renaissance, a prominent literary movement of the 1920s. His poems are traditional in technique and on the sentimental side in subject and tone.1
During the Harlem Renaissance, both Claude McKay and Langston Hughes developed an analysis of their time period through poetry. Each writer has a different poem but allude to the same theme. The White House by Claude McKay and I, Too, Sing, America by Langston Hughes makes a relevant comparison to the racial inequality during the 1900s. Both make a point about how White America has withheld equal rights from Blacks or Black America, making it hard for them to survive. More specifically, The White House speaks about the type of oppression being experienced during racial segregation and trying to triumph over it while I, Too, Sing, America speak about what created their oppression and envisioning change in the future.
His work, which varies from “dialect verse celebrating peasant life in Jamaica, to militant poems challenging white authority in the United States, to philosophically ambitious novels about the effort of blacks to cope in western society” (“Claude McKay” 1375) displays the depth of this great writer. The main ideals of this poet were to raise social issues and to inspire his people. McKay used his writing as an outlet for his feelings of distrust toward those who he believed oppressed his people. In many ways, McKay’s writing affected his life, but in even more ways, McKay’s life affected his writing. The writings of Claude McKay were constantly changing throughout his life and caused him to be the most dynamic poet of the Harlem Renaissance.
...for equal rights. In some poems McKay even called for violent acts to change the laws, however, as an educated man, reason prevailed. As result he adopted religion, and his poetry, like himself became conflicted. Out of this confliction came some of the most powerful African American poetry in history. Claude McKay poured his soul onto to paper, and as a result, it seeps in to all who read it.
In the first stanza of the poem, McKay makes use of vivid imagery to highlight the plight of African Americans
Since a renaissance normally indicates a cultural rebirth of sorts, I assume that a Harlem Renaissance would mean a cultural rebirth the black people of that era. McKay took part by crafting poetry that exemplified how his people lived and they were disparaged. In the poem Africa, he discusses how it once was the cradle of life, but now “Thou art the harlot, now thy time is done” (13). And in “Harlem Shadows we are introduced to “little dark girls” (5) who because “Of poverty, dishonor, and disgrace” (14) was “In Harlem wandering from street to street” (18). In other words, McKay was stating that the little girls were forced into prostitution. Then in “America” he stated that “Although she feeds me bread of bitterness /And sinks into my throat her tiger’s tooth” (1-2). The ‘she’ in line one refers to America and indicated that the speaker isn’t being treated kindly. Finally, in “If We Must Die” he asked that his people pull themselves up so that “If we must die, let it not be like hogs / Hunted and Penned in an inglorious spot”
This contributes to the poem’s meaning by showing how animals symbolize the mistreatment of the African Americans and their fight to earn honor. The poem starts out by saying “if we must die, let it not be like hogs” (1). The comparison of their death to hogs shows how horrific and brutal their death is capable of being. It is also symbolizing the honor the men hold because of how the line is written. The men are practically saying that if they do not have the option between life and death, they want their death to at least not be treated like an animals death. Animals are used as a symbol of honor and mistreatment again in the poem when it says “like men we’ll face the murderous, cowardly pack/pressed to the wall, dying, but fighting back” (13/14). These lines show how animals symbolize mistreatment and honor by saying that although they are being pressed up to walls in packs like animals, they will still have honor and dignity to be able to fight
Both Langston Hughes and Claude McKay are important poets of the American literature as they have represented the conflicts and struggle of the people. Their flair of writings clearly involves the self-identity and the cultural identity of the individuals in a proper manner (McKay, 19-22). In "Harlem", there is a clear illustration of the deferred dream. It is the nature of the normal individual to desire about something. Even every individual wants that one day their dream will be true.
McKay’s use of figurative language in order to address the hard truths between the relationships between Blacks and whites in America did not stop in “The Harlem Dancer”. McKay’s candid and widely popular poem “If We Must Die”, utilized metaphors with a powerful tone and inspiring mood. The use of metaphors begin in the first line of the poem when McKay states “If we must die—let it not be like hogs” (McKay). For much of American History, African Americans have been called, treated, and hunted like animals. McKay’s use of this metaphor creates a call to action that tells readers that if African Americans are going to be killed, let it be in a noble fashion for the good of their race. McKay continues his use of metaphors when he states “ While
To analyze a poem like Claude McKay’s “If We Must Die”, one must first understand the context of the writing. At the time it was created, the Red Summer of 1919 was occurring. This was a revitalization of anti-racial feelings that swept across the United States, and the time period was characterized by an increase in hate crimes against African American communities. The casualties included dozens dead, hundreds of injuries, and the burning of over a thousand houses owned by blacks. Claude McKay, being a militant civil rights supporter, used this poem to encourage the black community to retaliate against these attacks.
Although many African Americans can easily lose their identity due to the oppression they face, the tone in Claude McKay’s and Langston Hughes’ poems show that fighting back for equality will allow them to maintain their identity. In McKay’s poem “If We Must Die,” he talks about the issue of lynching. African Americans were being lynched for no reason without getting a say in what happened. In response he says, “Like men we’ll face the murderous, cowardly pack, / Pressed to the wall dying, but fighting back!” (McKay). Although the white Americans were trying to put them down, they are refusing to leave without a fight. McKay uses the word “we” to emphasize that this is a problem for many African Americans. He is speaking to the
The literature during the time of the Harlem Renaissance was made to uplift African American’s and improve the awareness of the black race not being treated the same as white people. With many famous authors writing about the struggles African American people faced throughout America made people notice what was actually happening to these people. All people are the same and nobody should ever be treated differently because the color of their skin, but sadly this was not enforced until later on after many black people were treated horribly. Harlem Renaissance authors made heroic exploits in racism in the United States, making a change in not only African American lives but a change in the country for the better.
In “America,” McKay has done just this. He openly and honestly writes of his struggles, of the struggles faced by most blacks during this time. He depicts the double consciousness and in-between that he experiences being a hyphenated American. He is also not afraid to stand back, to use America’s strength to give him the power to fight against this hate. Although the poem ends on a more melancholy note, with the future of America looking bleak, McKay shows that, even then, there is still a small hope for the future.
He refers to the White people as Fate for the Black people and yet, contradicts God as both White people and Black people. He says that while White people think they are a high and mighty God, Blacks truly are God because just as Jesus was persecuted as a minority, so are the African-American people. This poem, in addition to many other poems by Claude McKay, truly gives voice to the emotions and difficulties of an African-American poet during the times of slavery up to the end of the Harlem Renaissance.