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Phenomenal woman maya angelou poem analysis
Phenomenal woman maya angelou poem analysis
Phenomenal woman maya angelou poem analysis
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McKay’s use of figurative language in order to address the hard truths between the relationships between Blacks and whites in America did not stop in “The Harlem Dancer”. McKay’s candid and widely popular poem “If We Must Die”, utilized metaphors with a powerful tone and inspiring mood. The use of metaphors begin in the first line of the poem when McKay states “If we must die—let it not be like hogs” (McKay). For much of American History, African Americans have been called, treated, and hunted like animals. McKay’s use of this metaphor creates a call to action that tells readers that if African Americans are going to be killed, let it be in a noble fashion for the good of their race. McKay continues his use of metaphors when he states “ While
In “Queens, 1963”, the speaker narrates to her audience her observations that she has collected from living in her neighborhood located in Queens, New York in the midst of the Civil Rights Movement. The narrator is a thirteen-year-old female immigrant who moved from the Dominican Republic to America with her family. As she reflects on her past year of living in America, she reveals a superb understanding of the reasons why the people in her neighborhood act the way they do towards other neighbors. In “Queens, 1963” by Julia Alvarez, the poet utilizes diction, figurative language, and irony to effectively display to the readers that segregation is a strong part of the American melting pot.
“Harlem Night Song” is written by Langston Hughes. “Harlem” is also written by Langston Hughes. In “Harlem Night Song”, the speaker asks his love to spend the night roaming through Harlem. In “Harlem”, the speaker wonders what happens if a goal is put off. The speaker in “Harlem Night Song” is a African-American person in Harlem going on a date.
Johnson begins his poem on behalf of the hardships of African Americans by acknowledging that after all the Africans hardships and pain they’ve been through, they are on the verge of freedom as long as they stick together. The way Johnson uses diction to show his audience how to face hardships with unity, is by the use of the strong phrases or words used. Johnson implies, “Lest our feet stray from the places, our God, where we met Thee,” (28), and “Out from the gloomy past, Till now we stand at last.”(19-20). The outpour of emotions with the use of strong diction words in that quote, informs the reader that as long as we the people
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
The poem “If We Must Die”, by Claude McKay, very different from Durbar’s poem, “We Wear the Mask”. The voice in this poem has strong and demanding tone. This poem was written for a black movement. ...
...xperienced about not being able to eat at the table when guests would come which refers to how White America has been treating Black America. He then comes to the conclusion that this too shall pass and believes that he will be able to overcome his oppression. McKay portrays his experiences by speaking in a more mature tone about the significant events that have occurred and tries to find a way to tolerate the oppression. He lets White America know that what they have done to Black America was wrong. He shows that even though white America has alienated African Americans and treated them with disrespect, he will not stoop to their level although he is angry about it. The writers make it clear that their poems may differ yet they hold the same meaning of that White America has wronged Black America but it shall pass and in the future they will regret their actions.
In 1919, race riots that were sweeping the country Claude McKay paid tribute to it by writing a poem entitled “If We Must Die.” Encouraged by his poem and of the NAACP and other black leaders, blacks now appeared in public with rifles at their sides (Rosewood Report, 1993, pg8). In southern communities, black residents increasingly carried weapons to protect themselves against the many lynchings that were occurring. Whites lived in fear, convinced that ...
In the 1920s, many grand events were experienced by the population. A short time before the start of the Great Depression, this decade was one of prohibition, lavish parties, flappers; and also of the Great Migration. The Great Migration was a time period from 1917 to 1970, during which much of the African American population moved from the southern states, to more urbanized northern communities (Great Migration). While many relocated to the Detroit area because of the booming automotive industries like Ford, some moved to other metropolitan areas such as Chicago, Illinois, and New York City. The surge of the Great Migration helped to initiate what is now known as the Harlem Renaissance. The Harlem Renaissance was a period of great accomplishments for the African American community; from music, to art and poetry, and even to dance. This era was also a time during which the birth of racial equality happened. The Savoy Ballroom, located in the heart of the Harlem district, was the birth place of the lindy-hop and the quintessential swing movement, thus making it a crucial part of the Harlem Renaissance, as well as the progression of dance even to this day (Swinging at the Savoy). This
Sonnets is a type of poetry that originated in Italy. There are many different types of sonnets, such as the Shakespearean sonnet, Petrarchan sonnet, and the Spenserian sonnet. Despite their differences, these sonnets share some similarities. “Harlem Dancer” by Claude McKay and “In an Artist’s Studio” by Christina Rossetti share many similarities and differences such as the form, the portrayal of women, and the way the woman is objectified.
The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.
“Beauty is not in the face; beauty is a light in the heart.”- Kahlil Gibran. I am going to compare and contrast between “Sonnet 130”, by William Shakespeare and “The Harlem Dancer”, by Claude McKay. Both poems and sonnets are English and have fourteen lines or stanzas, and the rhyme scheme of ABABCDCDEFEFGG, which points out beauty in women.
There is a beautiful marriage between technique and meaning in poetry. If one can fully probe the configuration of poetry; one will see this marriage. Their mind will be seduced by the words, their heart ensnares by its gist, and finally by way of the poem literary devices can be captured involuntarily. A great model of the essence of this relationship is the classic poem “Harlem” by Langston Hughes. In this poem, the author approaches the universal despair of dreams being deferred and underlines the fallouts of it. His precise techniques that influence this poem help it emerge into a metaphorical warning statement about dreams becoming disregarded in life. The author’s specific uses of similes and metaphors allows for interpretation by his readers regarding the main idea behind his poem, and in this essay I will examine how these literary techniques help to ameliorate the author’s meaning.
In the poems King of Hearts by James Fross, Over the Middle Passage of Time by Millard Iowe, and The Little Black Boy by William Blake, the poets, like Marilyn Nelson’s Conductor and A Wreath for Emmett Till, all focus on the gravity and poignancy of slavery and racial discrimination. In order to emphasize the common theme—slavery, the poets apply in their poems several literary techniques, most notably contrast, allusion, and metaphor.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
In “America,” McKay has done just this. He openly and honestly writes of his struggles, of the struggles faced by most blacks during this time. He depicts the double consciousness and in-between that he experiences being a hyphenated American. He is also not afraid to stand back, to use America’s strength to give him the power to fight against this hate. Although the poem ends on a more melancholy note, with the future of America looking bleak, McKay shows that, even then, there is still a small hope for the future.