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Ibnbattuta s travels in west africa
Ibn battuta west africa
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Moroccan traveler, Ibn Battuta, is well-known for being one of the greatest travelers of his time. Battuta’s descriptive account of his travels to East and West Africa in the fourteenth century provides important insight into African Islamic life at that point in time. Although Battuta and the peoples in black Africa shared the same religion, he comes to realize that sharing a religion is not enough to completely relate to a different group of people. The story of Ibn Battuta in Black Africa illustrates the difficulties he faced in relating to these peoples due to the non-traditional role of women, different religious customs, and frequent misinterpretation of situations.
In Ibn Battuta’s description of his time in West Africa, he frequently writes of his disapproval in the way women dress and behave in this culture. In traditional Islam society, women are typically under the tight control of their husbands or fathers, and cover their faces with veils so as to not draw any unwanted attention. However, in this region, Battuta notes that, “With regard to their women, they are not modest in the presence of men, they do not veil
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One custom that he writes about is a dusting custom in which men remove their clothes and throw dust on their heads as a sign of respect before their king. He believes that it is a “bad custom” because as the footnote indicates, “. . . Islam tends to deprecate such customs” (Pg. 59, 89). Additionally, Battuta is unhappy that some people eat animals who have not been properly slaughtered through a ritual. He describes a time when a camel he had been riding died, and states, “I found the blacks had eaten it as their custom is in eating a dead animal” (Pg. 62). Battuta ultimately has a difficult time relating to their regional customs that stray from the traditional Islamic customs he follows at
Islam is presented in the Epic of Sundiata in a way that encourages listeners to embrace Islam over their indigenous belief systems. The epic accomplishes this by incorporating elements and practices of the indigenous beliefs into Islamic tradition; and by adapting certain Islamic mythology — such as the Jinn — to the existing West African culture. It also asserts the superior power and strength of those who derive their power from Allah and the Jinn, to those whose power is based in ancestral worship and fetishes. Through conflict, adaptation, and tolerance, the Epic of Sundiata presents an accessible version of Islam to the people of the Mali Empire; and promotes the acceptance of this new faith over the indigenous beliefs of the area.
He decided to improve the status of his land on his arrival from a pilgrimage from Mecca in 1324. Furthermore, he transformed his trading city of Timbuktu to a center of learning and religion and built a mass, which set a new style of architecture in West Africa. “Caravans of Gold” underlines the importance of Timbuktu because it concentrated on African scholarship, politics, teaching theology, and Islamic law. Timbuktu was a significant place in Africa during this time because it became a market right after and made a profit for the region. Likewise, it was a religious, cultural, and profitable center whose people traveled north across the Sahara through Morocco and Algeria to other parts of Africa, Europe, and Asia. According to The History of Africa, “Because of his devotion to Islam, Mansa Musa strengthened Islam and promoted education, trade, and commerce in Mali” (Asante, 2014, pg. 135). It was a successful center for the trans-Saharan gold and salt trade and grew as the center of Islam. This statement launches the truth that Timbuktu supported Islamic values and knowledge because it was a city most well-known for the education of important scholars whose backgrounds were of Islam. Asante supports the fact that Mansa Musa was effective in reforming the city of Timbuktu and the trade in that area. Asante also states that “Musa did not forget the control of the gold and salt; it was fundamental for the
Underneath the tale of Segu is the hushed and disloyal question few people tend to voice: how did they lose the rights to use the land and resources of an entire continent? This novel explains that it was not just Europe’s greed and Christianity pretense that led to the fall of Africa. It shows that Islam was a major force that endangered Segu as well. However, aside from the tragedy’s that were outlined, there lies a captivating story about culture, spirituality, and diversity.
Women have always been thought of as something that needed to be controlled in Muslim culture. Their bodies are a source of shame that must be covered during prayer and also in the public (Mir-Hosseini 2007: 3). Veiling, done by a hijab or chador, is when women either wear a headscarf to cover themselves or they wear a veil that covers their entire body, excluding her hands and eyes (Mir-Hosseini 2007: 1; Mir-Hosseini 2003: 41; Berger 1998: 93; Smith-Hefner 2007: 390-391; Brenner 1996: 674; El Guindi 1999: 6). Veiling is used as a tool for oppression. By having women veil themselves, it enforces the control by the male run and male dominated society (Mir-Hosseini 2007: 7). Also, the punishment for women appearing without a veil transitioned as the concept of veiling was addressed, transitioning from seventy-four lashes, to being arrested and held between ten days and two months for being “immodest” women and offending public morality, or fined 50,000 to 500,000 rials (Mir-Hosseini 2007: 8). The oppression of veiling is perpetuated through the thought that it is a woman’s religious duty to wear one, condemning foreigners and women in society if they refuse. Although it is a tool for oppression, there was resistance the oppression. In ...
The Epic of Sundiata presents the Islamic faith in a way that encourages listeners to embrace it over their indigenous belief systems. The epic accomplishes this by incorporating elements and practices of the indigenous beliefs into Islamic tradition; and by adapting certain Islamic mythology — such as the Jinn — to the existing West African culture. It also asserts the superior power, morality, and strength of those who derive their power from Allah and the Jinn, to those who base their powers in ancestral worship and fetishes. Through conflict, adaptation, and tolerance, the Epic of Sundiata presents an accessible version of Islam to the people of the Mali Empire; and it promotes the acceptance of this new faith over the indigenous beliefs
In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the Middle Eastern men to view women as their properties, servants, or even as slaves. Ultimately, there are three main reasons why Middle Eastern men engage in the act of oppressing their women.
The Islamic world remains today a vast land stretching from the Atlantic to the Pacific, with an important presence in Europe and America. (Lecture 8/6) Being colonized for a quite a long time, North African coutries wishes to live at peace with the West as well as the East but at the same time not to be dominated by them. For many centuries, they had been functioning as the “cross-roads” (Clancy-Smith, 1) of culture, politic, trade, science and many more, and it still wishes to devote its religion, resources and energies to building crossroads.
The article authored by Lila Abu-Lughod explores Egypt from 1978 to 1980 in to the world of the Awlad 'Ali Bedouins, more specifically the worlds apart the men and women live in. The author aims to make a compelling argument that not all Muslim people, especially women, share the same ideology or methodology. She aims to provide the truth about the social morals, values, and lifestyles in general through her two year immersion with the Bedouin women located in the Egyptian Western Desert.
The first issue addressed in this essay is the role of women in Islam. “Muslim women are having to confront not only the sexist assumptions from within their own communities … but also from British society as a whole.” (Butler cit Gilliat-Ray,2010: 215) This statement shows that women are facing sexist assumptions not only within the home but also from British citizens who presume that they are being forced into wearing the veil and following Islamic law because their husbands demand it, when more commonly women are following Islam because they want to. By having this presumption of Muslim women it is impacting on their identity, Britain has assigned Muslim women with the role of the victim, often pitied, this is a negative stereotype which can affect their lives. One of the most controversial issues for Muslim women is their choice to wear the veil. “The Qur’an does not impose any general religious obligation for women’s clothing but gives simple guidelines for social decency.” (Kung, 2007: 622)It is not commanded in the Qur’an...
When a person thinks of Muslim woman they may picture a woman who is devalued and underappreciated. People often blame the Islamic religion for the injustices towards women, when in all actually they are imposed by the politics and society of Islamic nations. Muslim women’s dress, role in the household and in society are common misconceptions of the Western world. The Western society’s stereotypical view of Muslim women is misplaced. People picture a woman covered head to toe in
The choices of females are often decided for them. This paper will focus on the young Muslim female and discuss the freedom and oppression attributed to veiling. The hijab is a religious and cultural head covering that post pubescent females choose to adopt to represent their heritage and devotion to Islam through chastity. The hijab has become controversial in Western countries as issues of patriarchy, gender equality, female choice, cultural resistance and racism have become embodied in the veil. The Muslim body has become a symbol, with various cultures forcing differing value and meaning onto the personal choice of being veiled or unveiled. Young Muslim girls are expected to assume an asexual lifestyle that protects and hides them from
The Rihla, book of travels, was a “record of Ibn Battuta’s experiences, as well as his observations
Mariamma Ba’s So Long a Letter and the role women and impact of western culture on Islamic women in post-colonial Senegal: A critical analysis of Aissatou.
Should be submissive and caretakers to their husbands which is made to be a historical been ideal feminine traits. Old-fashioned African society looked upon women as eternally dependent on men. Women have to be secure and directed by men. Women are often objects of utilization, and a source of wealth to men who handle them like personal property. For instance, in West Africa people subjected that married women should earn money
•In many Muslim countries, strict standards exist regarding the appearance and behaviour of Muslim women, who must carefully cover themselves in