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Othello essay on venice
Comment on the theme of jealousy
Othello essay on venice
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Have you ever thought someone could use your own emotions against you? In The Tragedy Of Othello: The Moor Of Venice, by William Shakespeare, the emotions the characters feel are used against them. This happens to both Othello and Cassio. Othello is the moor of Venice. He is also the general of the Venetian Army. Cassio is the Lieutenant of the Venetian Army. Iago utilizes Cassio’s hatred of drinking against him to make him act impulsively. He also uses Othello’s strong belief of Desdemona’s loyalty against him to persuade him to act impulsively. Iago transforms characters from being composed to impulsive by utilizing their emotions against them, making them do something they normally would not do.
Iago influences Casio from being composed
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to impulsive by making him do something he normally would not do. At first Iago tries to get Cassio to have a drink when he is supposed to be on guard. When asked, Cassio replies, “Not tonight, good Iago. I have very poor and unhappy brains for drinking” (Shakespeare 2.3.31-32). Cassio tries to decline his offer, showing that he is responsible and composed since he did not want to drink while on guard. After prodding him, Iago is able to pursue Cassio into drinking, claiming that everyone else were already drinking. Giving into peer pressure, Cassio agreed, but he only wanted one drink. Iago took advantage of Cassio’s decision and kept giving Cassio drinks, making him become drunk. With his plan continuing through, he sends Roderigo to irritate Cassio. When he did so, Cassio says, “A knave teach me my duty? I’ll beat the knave into a twiggen bottle” (2.3.144-145). Since he is so drunk, he tries to beat up Roderigo and is acting spontaneously. This causes him to lose his position as lieutenant. When Cassio realizes his impetuous behavior, he says, “To be now a sensible man, by and by a fool, and presently a beast!” (2.3.303-306). Cassio admits that he behaved as a fool. He said he was once composed, but is now acting foolish and a beast, meaning he is impulsive. Iago convinced him to drink and eventually he became drunk, which he normally would not do. Then, Iago manipulates Cassio’s emotion against drinking to get Cassio to act impulsively. With the intention of doing so he sends Roderigo to annoy him. This causes him to lose his position. Therefore this is the effect of Cassio acting impulsively instead of composed. Another example is Iago changing Othello from being composed to making impetuous decisions.
At first Othello is confident about his belief that Desdemona would never lie or cheat. This allows him to appear composed when the topic is even brought up. When Brabantio says, “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (1.3.288-289), he says, “My life upon her faith” (1.3.290). Othello believes that Desdemona would never lie to him, even though she had lied to her father. Also, he did not act or appear mad when Brabantio says this. As a result, Iago is able to use this confidence of Desdemona not cheating on him against him. At first Iago just gets the idea in his head. He then tries to “Fetch me the handkerchief—my mind misgives” (3.4.80). Othello admits that he is doubting her loyalty. Iago told Othello that she had given the handkerchief to Cassio. At first Othello did not believe him until he realizes she truly does not have it. Once he believed this Iago was able to continue with his lie. He told Othello she has slept with him numerous times. He also tells him that he should kill her due to everything she has done. To this Othello replies, “Ay, let her rot, and perish, and be damned tonight; for she shall not live. No, my heart is turned to stone; I strike it, and it hurts my hand” (Shakespeare 4.1.183-185). Othello admits that he believes she should be killed. Iago then induced him that he should be the one to kill her. Othello
agrees and carries through with the plan. Othello is being impulsive since he is acting out of his hatred and belief that she actually cheated. Once he realizes that Iago has lied to him, he says, “I kissed thee ere I killed thee. No way but this, killing myself, to die upon a kiss” (5.2.354-355). Othello decides to kill himself when he killed Desdemona for a false accusation. Iago had convinced Othello that not only that she has been unfaithful, but that he should also kill her. He is capable of using Othello’s strong belief that she is loyal against him. This allowed him to persuade Othello to believe she had cheated. He is also able to take Othello’s composure about the situation and compel him act impulsively. Such as convincing him to kill Desdemona and deciding to kill himself. Both Othello and Cassio were changed by Iago’s plan for the worse. Iago is able to use both Cassio’s and Othello’s emotions against them to force them to do something they normally would not do. Cassio’s emotions against drinking and his drive to be lieutenant were able to be manipulated by Iago. This caused them to change from being composed to impulsive.
Iago talks about jealousy and deception in this same scene, but never gives any proof or direct descriptions of Desdemona's betrayal. Yet we know that Othello's perception has been sufficiently influenced to make him angry and sick by the end of this conversation. He tells Desdemona he has a headache, but he refuses any help from her. When she puts her handkerchief to his head, he pushes it away saying, "your napkin is too little" (3.3.285). This takes on more significance later on in the play when we find out that this handkerchief is the first token of love Othello ever gave to Desdemona.
While Othello murdered his wife Desdemona, he did it purely from misunderstanding and jealousy. Iago made Othello believe Desdemona is cheating on him with Cassio even though she never did such actions. Iago’s persistence and villainous intentions made Othello become jealous of Cassio and break down his emotions towards Desdemona and want to kill her with fierce rage. Othello would not do such a crime if he have known it is was a
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
The fact that Othello is wavering between believing Iago and trusting his wife is reflected in the imagery Shakespeare uses in the soliloquy. The first image that is used is that of a falcon. Lines 301-304 read: “If I do prove her haggard, / Though that her jesses were my dear heartstrings, / I’d whistle her off and let her down the wind to prey at fortune.” This shows that Othello is still unsure about Desdemona, and claims that though he is in love with Desdemona, he would drop her if he found out she was cheating. This is quite a strong willed statement, but it is diminished by lines 319-320, which follow the entrance of Desdemona and Emilia into the chamber. Othello says, “If she be false, heaven mocks itself! / I’ll not believe ‘t.” This is an example of how turbulent Othello’s state of mind is. The steadfast determination expressed using the falcon image sort of “melts” when he sees Desdemona, and he immediately professes denial that she could be untrue to him. Yet, just ten lines earlier (l. 308), Othello says, “She’s gone! I am abused!” and proceeds to lament the very institution of marriage: “O cure of marriage, ? That we can call these delicate creatures ours / And not their appetites!” Shakespeare’s placing of these three different conclusions Othello has drawn in such close proximity is an example of antithesis, and a testament to the changing and chaotic state of mind of Othello.
All Iago had to do was hint at Desdemona being unfaithful and Othello’s becomes very bothered it and eventually starts believing it. The author of an essay does an analysis on Iago and says “He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.“ (Shakespeare’s Othello – Honest Iago). So Iago would hint at something going between Desdemona and Cassio so that Othello would become bothered and ask him what he means by that, it was like a game that Iago was playing, he would drop a little hint and then expect Othello to pick up on it and start questioning it and become more even suspicious. Brabantio tells Othello “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (I.ii.286-287), So In this scene Brabantio warns Othello that Desdemona has already fooled him and she might fool him too, so be careful, and it turns out, Othello believed in him after all and that’s part of the reason of why he thinks that Desdemona is being unfaithful to him. It leads him to start questioning Desdemona in a very suspicious way. At one point he even hits her in front of a nobleman and that was very shocking to the nobleman because he believed him to be a very calm and collected gentleman but obviously he was a changed man. The nobleman even expresses his shock by saying that “My lord, this would not be believed in Venice, though I should swear I saw’t. ‘Tis very much make her amends; she weeps” (IV .i.217-219). This negative thinking and insecurity was one of the main reasons to Othello’s change in a negative way. A lot of this was Iago’s doing but it was also Othello’s fault to fall for Iago’s
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
In the first act of scene 4, we see Othello and Iago discussing Desdemona’s unfaithfulness. Othello still doesn't want to believe that Desdemona is capable, or would cheat on him. They're discussing the handkerchief, it's a very significant in the play, it's one of the first signs for Othello to believe that Desdemona is cheating on him. We usually see Othello defending Desdemona and Iago accusing her, but the roles have reversed and Iago seems to be defending Desdemona, while producing more "evidence" to condemn her. When Iago simply just says “Lie-” (Page 169, Line 33) without any further elaboration, Othello immediately assumes 'Lie with her”, which gives him more proof to condemn Desdemona and Cassio. Othello almost seems to be persuading himself that Desdemona did cheat on him when he says “Lie with her? Lie on her? We say lie on her when they belie her. Lie with her -Zounds, that's fulsome” (Page 169, lines 35-37). Right after that he falls in a trance, and Iago takes this opportunity, to make his accusation more believable. He calls in Cassio and tells him to come back again...
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
Othello believes every lie Iago is telling him which makes Desdemona look really bad. Othello doesn't ever go up to Desdemona and ask her about the handkerchief or about her recent, secretive relationship with Cassio. Othello just assumes that Iago is right about it all and doesn’t even bother to talk to Desdemona or Cassio. “Sweet soul, take heed, take heed of perjury. Thou art on thy deathbed.”
However, Iago works diligently to damage her reputation. She is devoted to her loved ones with her loyalty ultimately being her downfall. Her father, Brabantio, plants the initial seed of doubt by warning Othello, “She has deceived her father, and may thee” (Act I, Scene 3). It is later revealed that Desdemona adores Cassio and is willing to continuously beg Othello to assist him—her stubbornness leads Othello to believe that Desdemona is in love with Cassio, though she was only trying to help her friend. Desdemona’s initial portrayal of how she truly is and how she appears to be is correct; her character is later misconstrued to appear manipulative and cunning, verifying Brabantio and Iago’s slander.
Othello believing Iago of Desdemona’s infidelity so quickly, shows his insecurities. In Act 3, Scene 3 Iago starts planting his plan on Othello to make him believe that Desdemona has been unfaithful. Iago brings up the fact that Desdemona is very young and many other young men would be happy to be married to her but she decides to marry Othello. When Iago says this Othello begins to wonder “Why did I marry” to himself (3. 3. 283). Othello’s insecurities begin to show when he starts wondering why did Desdemona really married him. Desdemona is young and beautiful so Othello doesn’t understand why she would choose him over a younger man. Othello’s insecurities about his own physical appearance bring suspicion about Desdemona. Later Othello says “Haply, for I am black” (3. 3. 303) suggesting Desdemona may have cheated because he is black. Othello saying this shows that he is self-conscious about being black. He believes that because he is black Desdemona would possibly cheat. Othello insecurities with himself cause him to lose control and fall into Iago’s plan. Othello turns from being successful to murderous due to his insecurities. His constant doubt that Desdemona could actually be in love with him controls his thoughts and he begins to believe that she is cheating. Othello’s insecurities consume him to the point that he makes the ultimate mistake of killing
“The Tragedy of Othello Written by William Shakespeare" highlights a variation of ways in which males and females reacted to intense situations.” Previously in Act 4, Iago furthered his influence on Othello making him more gullible than in Act 3. Iago suggested that Othello should go and kill Desdemona and that Roderigo should go kill Cassio. Iago says “If Roderigo lives, he'll demand all the jewels and gifts he gave to me, intended for Desdemona.” He was also thinking “If Cassio lives, his goodness will only remind everyone that, by contrast, Iago is really evil.”
All of the trouble and headache Iago has caused throughout the play has led to this very event. Iago believes that he will be able to fill Othello's head full of false information, tricking him into believing that Desdemona feels lust towards Cassio, all while Cassio is trying to plead his case to Desdemona. Iago believes that after putting phony, misleading information in the back of Othello's mind, he will think that Desdemona talking to him, trying to get him to understand Cassio's case will cause Othello to think that Desdemona has lustful thoughts and feelings towards Cassio, causing an uproar between all three of