Hypocrisy In Oscar Wilde's The Picture Of Dorian Gray

1988 Words4 Pages

Oscar Wilde liked to be right. Wait—no, no, that’s not right. Let’s try that again. Oscar Wilde liked people to think he was right. He had the uncanny ability of saying something that sounded good and then doing the exact opposite. Some would call that hypocrisy, but the more popular term for it seems to be “genius” judging by his status as a renowned writer and still-popular celebrity. Genius or not, Wilde knew how to put together a sentence. His life was one for the books, and his book, The Picture of Dorian Gray, is one ripe for the analysis. Many parallels resonate between the novel and his—to put it gently, extraordinary—life. Wilde was born on October 16, 1854 in Dublin, Ireland (Ridley). Wilde’s father was a surgeon whose philanthropic …show more content…

The two moved to London, where they had two children (Cyril, born in 1885, and Vyvyan born in 1886) and lived in luxury amongst the aristocratic crowd (Bradbeck). This setting was perfect for the aesthete; beauty, youth, and wealth abounded. He at once admired and criticized the aristocratic way of life in Victorian London; the themes of contradiction and hypocrisy that would later surface in his works were ever-present for an Irishman identifying with the true English lifestyle, a secret homosexual by night and beloved member of polite society by day …show more content…

He spent the remainder of his life destitute and alone. His wife, children, and Douglas had abandoned him. He abandoned Britain for Paris under the pseudonym Sebastian Melmoth. Only two works were published after his release: De Profundis, a letter to Douglas he had written in prison, and The Ballad of Reading Gaol, a piece meant to inspire sympathy for prisoners. Wilde died in Paris on November 30, 1900, far removed from the glamour and glory of his former life (Bredbeck). The Picture of Dorian Gray, Wilde’s only full-length novel, portrays the glamour, glory, and extravagance that was so central to his life. The novel centers on the youthful, handsome, titular Dorian Gray and the gradual corruption a life of self-indulgence brings upon his soul. At the outset, Dorian is “of a simple and beautiful nature” (Wilde 18). Upon seeing the beautiful portrait of himself his friend Basil Hallward has crafted, however, and influenced by the cynical ramblings of one Lord Henry Wotton, Dorian wishes desperately that his portrait could age while he remained forever young and

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