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Thematic thrust of sophocles " Oedipus the king
Characterisation in the sophocles king oedipus
How is the character of oedipus presented by sophocles
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Recommended: Thematic thrust of sophocles " Oedipus the king
Maryam Makhdoum
308 words
Oedipus the King
“Oedipus the King” by Sophocles, is a dramatic play with a tragic ending. Tragedy is certainly the oldest form of drama in the ancient Greek literature. Moreover, it was a symbol of religious and political event which called upon all the Greeks to be aware of their relationships with gods. In fact, the Greek tragedy aims to illustrate the misery and glory of life and at the same time, aims to explore the nature of humanity. In their tragedies the main character always suffers from serious misfortune which is basically the consequences of their own action.
In “Oedipus the King”, for instance, when the priest send him a massage regarding ending the plaque by punishing the murderer of the previous king, Oedipus accepted to find the murderer. He did not know that he is the one who killed the former king who was indeed his own father. Oedipus instantly swears to find the murderer and save the city. It is very interesting to note that ancient Greeks identify the king with the land; hence, any sort of corruption in that specific domain causes famine and starvation. Oedipus, take that responsibility to
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It is difficult to make a case for someone as a hero when she kills her own children. Indeed, she is not an ordinary woman. She is extreme in her strength, power, and independence. The social rules of woman do not give her security or a position, so she rejects the conventional role in order to achieve revenge. In an entirely patriarchal society, Medea is a symbol of feminine rebellion. Women’s lack of freedom in ancient Greece and not having the opportunity to voice their displeasure and concerns produced an imbalance in society. Medea, as a woman, has no rights, yet, she criticizes the male-centered culture of its time. At the same time, Medea is not exactly a feminist role model. This is not a story of female freedom, but a war between Cunning and
Euripides. Medea. Medea and Other Plays. Trans. John Davie. New York: Penguin, 2003. 51-87. Print.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
“Medea,” a play by Euripides, depicts the difficulties that befall women and how their suffering from mistreatment, turned her to commit violent and terrible transgressions. Medea’s display of ceaseless demoralized actions led to the death of nearly her entire family. The text depicts powerless women that live under the rule of their husbands in a male-dominated society. Medea rises against societal norms during this time by her strong belief in her own ideas, she rises to power, and begins to challenge the idea of a strong, heroic character. The character Medea shows great power by rejecting her gender role that society placed her in.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Charlotte Bronte once said, “Women are supposed to be very calm generally, but women feel just as men feel. They need exercise for their faculties, and a field for their efforts as much as their brothers do. They suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags” (Bronte). In the play Medea, Euripides diverged from the traditional role of Greek women through Medea’s characteristics and response to her plight. In delineating the role of women, Medea was unlike any other Greek character. Medea was portrayed as capable and resilient woman who would refuse to back down no matter the obstacles. Nevertheless, women in the Greek culture had very few rights. Housework and bearing children were their main obligations. They were basically no better than slaves. In the ancient Greek society, Medea would not fit well among fellow Greek women. Her role as a woman in the play was downtrodden. However, her determination and courage caused people to fear her. She was a woman who turned her back on her family and killed her own brother in order to help her husband.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
In ancient Greece women were viewed as many things. They were not viewed as equivalent to males by any means. Women were portrayed usually as submissive domestic, and controlled. They played supporting or secondary roles in life to men, who tended to be demanding of their wives, but expected them to adhere to their wishes. In the tragedy Medea, written by Euripides, Medea plays the major role in this story, unlike most Greek stories with women playing only minor roles, but she also demonstrates many behavioral and psychological patterns unlike any other Greek women. In Euripides’ Medea the main character, Medea, Displays many traits that breakdown traditional Athenian misogyny by displaying her as proactive in taking her revenge, having cruel and savage passions, and being a very manipulative women.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Owen, E. T. “Drama in Sophocles’ Oedipus Tyrannus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Euripides’ play, Medea, is an ambiguous narrative relating to feminism. Depending on one’s viewpoint, the title character, with her twisted sense of morality, can either be one of the most unconventional delegates of women’s rights or an oblivious saboteur willing to undermine the cause. With all factors from the play taken into account, signs point toward the former. Medea was a pioneer of feminism, acting as the original driving force behind breaking the stereotypes assigned to women. It can be claimed that she is classifiable as a “self-serving feminist”, although she still succeeds in being a benefactress even if it wasn’t the goal she had in mind.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.