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The different genres of movies
The different genres of movies
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How the Director Manipulates the Audience's Reaction to the Opening and Closing Sequences of the Film Bend It Like Beckham
The Film 'Bend It Like Beckham' is shown as a light hearted comedy in
the blurb and also at the very start of the film. The term 'Comedy'
means humour, a film with a comedy genre is supposed to make people
laugh. So, it seems that 'Bend It Like Beckham' is comedy, however
once the storyline of the film begins the director starts to add
themes and particular issues. The Director makes the issues apparent
not only through the narrative but also film language and techniques.
So is the film just another comedy, or does it have a serious message
behind it?
The opening sequence starts with contrapuntal sound. The audience
hears the commentary of a football match whilst seeing the credits on
the screen. Immediately the audience is thinking the film is about
football. David Beckham's name is mentioned, and he is praised of his
football skills. The visuals then complement the diegetic sound
because it shows an extract from a televised football match. Use of
camera movements, close-ups, long shots and especially the low-angle
point of view shots make the football match more intense. This then
makes the goal look even better and exaggerates the glory of the girl
who scored it. The audience's reaction is immediate laughter because
the possibility of a teenage Indian girl scoring a goal for Manchester
united is ludicrous. This lures the audience into the false perception
that the film is a comedy. The director then has Gary Linikker and
others doing a football focus of the match and of Jess, the girl who
scored the goal. At first the scene appears to be realistic and then
you see an Indian women saying she doesn't approve of her daughters
football. This scene brings a lot of humour to the audience, but
underneath the layer of laughter there is a serious issue being
conveyed.
This is also obvious when the film moves into the real world.
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
In 2013, the horror film The Conjuring first aired. The director of this and many other horror films such as Insidious is the talented James Wan. The main characters in this trailer are Patrick Wilson and Vera Farmiga, two well-known individuals in the horror film industry. This trailer is intended for an older audience who likes to be scared. It's not suitable for young children. When watching The Conjuring trailer, one would notice many examples of pathos. These examples included the eerie music, real pictures from the actual Warren family, word clips that come across the screen, and scary pop up scenes from the film. There are a few examples of logos and ethos that are present in the film as well. The visuals in this trailer successfully
Cuaron because he had to bring the film up to date by making the film
From what it seems like even as a child Jess a young indian girl has always loved soccer, her parents didn’t mind when she was a child but to them she has reached an age where it is time for her to stop playing soccer and get married, but Jess doesn’t wish to have a husband, she had dreams of her own. In the movie Bend it Like Beckham, the main character Jess deals with internal conflicts such as her Family’s expectations vs her Own expectations.
However, one cannot lose sight of the humanity within the film. The spectacles of the balls themselves intimately show a mirage of human emotions including passion, desire, joy, humor, grace, and delight. The featured men willingly share the pleasure they feel through participation in the balls with us, the watching audience. They attempt to describe the exhilaration of being able to "become anything and do anything." (1.)
Then the question is posed to Mr. Lockwood, "How did it all begin?" The answering of this question is what my paper will explain. I will attempt to break down the opening scene and show how it all started. By using tools of film such as sound, editing, mise en scene, and cinematography, this paper will show how the scene was made as well. Mise en scene played an important role in this movie as with any other movie.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
Alfonso Cuaron is seen through the American public as the creator and mastermind behind Gravity, he is one of the most talented foreign directors worldwide but is never truly recognized for his other amazing works. Cuaron is the Dante Alighieri of long shots in editing, he is often praised through his attention to detail, and the interaction between a character his environment within the realms of each shot. Along with his partner in crime Emmanuel Lubezki, the cinematographer, they are well acclaimed free-thinkers and celebrities in the realm of fantasy and science fiction. In 2006 their collaboration created one of the most underrated films of all time, and one which is still all too relevant to the world we live in today. Children of Men
Bend it Like Beckham is a 2002 British film depicting the lives of two teenage female soccer players. Jess Bhamra is the daughter of strict Punjabi Indians living in a borough of London. She’s had a deep love for the game of soccer her whole life, yet her parents do not allow her to play because of their cultural beliefs. Despite her parent’s rules, Jess often plays with boys in a park where she first encounters Jules Paxton. Jules sees Jess playing in the park and invites her to join the women’s team she plays for, the Hounslow Harriers. Behind her parent’s backs, Jess joins the team and quickly becomes close friends with Jules. Bend it Like Beckham shows the clash that occurs when religion and culture intersect with sport, while also touching on subjects such as homophobia and gender norms.
As every scene went by, my mind was blown little by little. By the end of the play my brain was loaded with an adrenalin, oxytocin and dopamine cocktail that only a masterpiece is capable of summoning. I felt, I heard, I breathed, I tasted and I saw “Our Country is Good.”
referred to as a gangster smile. He has a gun in his hand, which shows
...ver, this film is a little different than his other films in that he creates images that are amazing to view, but this time you can't pull yourself away. The brute force of Brando's acting, along with the unbridled lust between Paul (Brando) and Jeanne (Schneider) create images that, although often disturbing, are images that stay in your mind long after you've left the screening. This film also showcases Bertolucci's great use of space, often separating characters by walls but showing them in the same shot. By doing so, Bertolucci shows a division between the characters that is usually achieved by shot/reverse-shot, cut-away, or parallel editing. By showing them in the same shot, using walls as the division rather than camerawork, he lends a realism to the shots that makes it all believable. That's what appealed to me about Bertolucci -- I believed in what I saw.
Throughout the film the actors utilized many different movements in order to express a feeling or to demonstrate how the actors themselves are feeling. For example, Mrs.