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Don’t judge a book by its’ cover they say, but don’t we all do it anyway? The same can be said about people, that we shouldn’t judge others based on their appearance. However, in How to Read Literature Like a Professor, Fosters writes that in literature, physical deformities mean something symbolically, emotionally, or thematically. Allowing us to scrutinize these characters to further understand them. Hosseni uses the motif of scars and physical deformities in The Kite Runner to illustrate a character’s purity and goodness.
Deformities and scars function highly in the novel, and the author correlates the characters’ markings with their virtuousness. In most literature “bad guys” posses a physical marking or injury; however, the contrast is true in The Kite Runner. For example, Ali has polio and paralysis, but he exhibits many admirable
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qualities: kindness, faithfulness, and humbleness. He marries his cousin to save her reputation, loves Hassan like a son even though he isn’t, and is a loyal servant and friend to Baba. Hassan’s cleft lip symbolizes his innocence, loyalty, and hoensty. Soraya is unable to have children. This also symbolizes her integrity, as she taught her servant how to read and write, becomes a teacher despite the low pay; helps Amir through Baba’s cancer and death; and welcomes Sohrab with open arms. Lastly, Baba’s scraped and scarred hands represents his bravery and loyalty as he sacrifices everything to bring Amir to America: “I’d seen the way he winced and rubbed his wrist […] ‘[b]esides, I didn’t bring us here for me, did I’ ”(130)? Just as how having a physical deformity signifies a character’s goodness, the opposite is also true.
Characters such as Sanabaur and Amir who have no scars display dishonorable qualities. Sanabaur “in her youth […] was a vision” and “no one who passed her on the street, […] could look at her only once” (210). Despite her beauty, she abandons her family shortly after Hassan’s birth, has an affair with Baba, and treats Ali horribly. Amir also demonstrates shameful traits; he’s selfish, disloyal, and dishonest. He allows Hassan to get raped so he can bring the kite home to Baba and receive his praise, allows Hassan to take the blame for stealing, and treats Hassan unfairly. However, when these two acquire a physical deformity, they find redemption. It’s not until Sanabaur is physically scarred that she becomes the mother Hassan deserved and in the end she has found redemption and Hassan’s forgiveness. Amir’s split lip, gives him a deformity like Hassan’s that allows Amir to feel as though he’s been redeemed of his betrayal and symbolizes he’s become someone like Hassan-brave, selfless, and willing to stand up for what’s
right. Hosseni demonstrates a character’s integrity through the use of scars and deformities and it’s the characters’ actions that leave a permanent mark whether it’s on the inside or outside. The same can be said for us. We all leave our mark on the world, but whether or not it’s good is up to you.
The only thing that separates humans from the savagery of mere animals is our ability to distinguish right from wrong. Throughout thousands of years of evolution and our own constant road towards an unstable future, humans have long grappled with morals and ethics. It is up to the individual to determine what they believe to hold true in situations that test their values. Literature shows us scenarios to interpret without the risk of real experiences - literature tests our ideas of what it means to be “a good person”. Critic Roland Barthes describes literature as “the question minus the answer”. In the novel The Kite Runner by Hoseinni, we see through the eyes of an Afghan boy named Amir as he continuously makes selfish decisions fueled by
In Franz Kafka’s The Metamorphosis, symbolism, archetype, and myths are three concepts he uses to compose the unique story. The symbolism in the story stands out vaguely. An archetypical reference occurs at the very beginning of the story that carries on throughout the book. The mythological aspect is sensibly the whole concept the story is about. All three of these notions are openly highlighted throughout the story. They each obtain explanations for multiple subjects. The book, How to Read Literature Like a Professor by Thomas C. Foster helps explain the three concepts in Kafka’s, The Metamorphosis.
In the skillful novel, "How To Read Literature Like A Professor" by Thomas C. Foster, there is neither a protagonist nor antagonist. As a whole, the novel gives insights on how to pick up signs of symbolism, irony, and many other hidden details that are buried within the words of literature. Foster refers to many classis novels by classic authors to demonstrate the use of logic in writing. The novel is extremely educational, leaving many insightful questions and interpretations to the reader's opinion.
“Unfortunately, this moral looking-glass is not always a very good one. Common looking-glasses, it is said, are extremely deceitful, and by the glare which they throw over the face, conceal from the partial eyes of the person many deformities which are obvious to everybody besides. But there is not in the world such a smoother of wrinkles as is every man’s imagination, with regard to the blemishes of his own character” (112).” (Kelleher
The author in this chapter states that writers use physical marks on characters in order to show their individuality and their importance in contrast to the characters who are less important and without any physical marks. In the quote, he goes further and states that markings are indicators of possibilities for the character. Throughout the examples the author presented, he explained the symbolic meanings of each mark of a character. The mark on a character will always reveal something about the character that possesses the mark. The mark may be an indicator or a past injury, or foreshadow an event later on in the story. Marks doesn’t always have to be scar or a mole, it can also be a disability. Disabilities are very symbolic and can represent the emotional pain of a character, the past of a character, and the limits that the character is bound to. If a character has “a limp in Chapter 2, he can’t go sprinting after the train in Chapter 24.” Disabilities hinder the character in ways that impact the entire course of the story. In this chapter, the author also discusses the possibility that characters are a reminder to not only the character but to the reader that people are different from the start of
The Kite Runner by Khalid Hosseini and William Shakespeare’s Hamlet have demonstrated how the protagonists’ action of concealing and revealing their true selves impacts themselves and the surrounding. Amir’s escaping from the alley in the year of 1975 and Hamlet’s supernatural conversation with the ghost respectively trigger the aggressive plot development in the stories. Second, Amir’s desperation for paternal love and Hamlet’s grief for the death of Old Hamlet cause them to act differently and lead to a life dilemma. Nevertheless, Amir’s redemption saves him from further concealing the sorrow of betraying Hassan, whereas Hamlet’s life, without forgiveness, forebodes the remarkable tragedy, death.
In conclusion irony, symbolism, and foreshadowing contribute to the omnipresent theme of redemption throughout The Kite Runner. Khaled Hosseini ties together seemingly unimportant details of the story to create irony, and juxtaposes segments of his book to show redemption.
It is difficult to face anything in the world when you cannot even face your own reality. In his book The Kite Runner, Khaled Hosseini uses kites to bring out the major themes of the novel in order to create a truly captivating story of a young boy’s quest to redeem his past mistakes. Amir is the narrator and protagonist of the story and throughout the entire novel, he faces enormous guilt following the horrible incident that happened to his closest friend, Hassan. This incident grows on Amir and fuels his quest for redemption, struggling to do whatever it takes to make up for his mistakes. In Hosseini’s novel, kites highlight aspects of Afghanistan’s ethnic caste system and emphasizes the story’s major themes of guilt, redemption and freedom.
The scars of our pasts are said to have established a place among our present, however visible or invisible, and that these scars, through time, are unpeeled before our future selves. The Kite Runner by Khaled Hosseini is about the story of a man, Amir, who relays his life during the times of peace and conflict in Afghanistan, and his life in the United States. It is about the life of a man who tries to escape his shameful past, but is constantly lost and incomplete as a result. As the story revolves around the life of Amir, from childhood to adulthood, Hosseini utilizes first person point of view of Amir, various use of diction, and the symbolism of kites to reveal the underlying message of how the past is a part of whom we were and who we are today.
To conclude, Khaled Hosseini uses the theme of the loss of innocence and redemption in The Kite Runner to make the point that one can never really redeem oneself. Amir attempted to do so throughout the entire novel but failed although partial redemption may have been achieved. The pomegranate tree, the kites, and even Assef are all symbols of innocence that has been lost. Later on in The Kite Runner they also represent the pursuit of redemption. Also the historical aspect of education and children support that innocence is lost daily and can never really be restored.
In conclusion, the historical events that took place in “The kite runner” affected multiple characters in different ways, some had no way of changing the result they are put into while others are given the resources to change their life for the better like never before. However both sides have their lives changed drastically like never before.
The Kite Runner by Khaled Hosseini is a novel based in Afghanistan that shows the betrayal between two boys with two different social backgrounds. Four years later “The Kite Runner” was filmed by David Benioff, which shows the meaningful message that the book delivers in a movie. Throughout the book and movie, Amir the protagonist must live the rest of his life with guilt from his childhood. Although the movie gave the same meaningful message that the book delivered, the book was further developed, which had more detail and kept the readers wanting more. Ultimately these details that were present in the novel gave the readers a better understanding of the characters, which led to the relationships
As implied by the title, kites play a major role in the novel The Kite Runner by Khaled Hosseini. They appear numerous times within the text and prove to be surprisingly versatile in their literary function. They provide common ground for characters whose interests do not normally intersect. They are also present as a very powerful symbol, which adds an extra dimension to this already literary rich novel. Reversing the roles transcending generations, it shows itself to be a multifaceted medium.
In the novel The Kite Runner, Khaled Hosseini tells a notable coming-of-age story portraying the actions and thoughts of Amir, a penitent adult living in the United States and his reminiscence of his affluent childhood in the unstable political environment of Afghanistan. Throughout the novel Khaled Hosseini uses character description to display his thoughts on sin and redemption.
Khaled Hosseini’s goals in The Kite Runner are to create an immediate impact on the reader to the pain and suffering in Kabul, Afghanistan. The author successfully uses vivid (sometimes vulgar) descriptions to paint a realistic portrait of a country that most readers probably have very little connection to. On top of illustrating the gruesome setting of Kabul, Hosseini also emotionally connects the reader to the characters by using flashbacks and a first person point of view. The story is mainly narrated by the main character Amir, who