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Humor in Shakespeare plays
Mercutio significance in romeo and juliet
Mercutio significance in romeo and juliet
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In William Shakespeare’s play “Romeo and Juliet,” Mercutio is introduced as Romeo (the main character) and Benvolio’s (Romeo’s cousin and friend) good friend and relative of the Prince. Mercutio is a very beloved friend to Romeo, but that doesn’t mean he isn’t unkind or disrespectful. He is also very dramatic and perverted, yet somehow laid back and relaxed at the same time. He is very interesting in the way that he can seem kind, but be an awful person and friend at the same time. If Mercutio weren’t as dramatic or such an attention-seeker, he wouldn’t have died and eventually caused Tybalt, Paris, Romeo, and Juliet’s deaths and the sadness that followed each death.
In Act 2, scene 4, Mercutio shows that he a very disrespectful young man. He says to Peter, “Good Peter, to hide her face; for her fan’s the fairer of the two.” (94-95) He is telling Peter that Juliet’s nurse is ugly and that she needs to cover it up, because her fan looks better than her face. Mercutio is so disrespectful that he tells Peter how ugly the nurse is right in front of her. For one, she’s older and deserves respect from others, even if she doesn’t demand it. For another, she never said anything to anger any of the Montague’s or any of Mercutio’s friends or family therefore, she does not deserve to be treated like a piece of trash or compared to an ugly fan. But,
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Mercutio disregards that she is not a bad person or even a hateful person and attacks her looks and later goes on to insult the amount of knowledge that she has. Even though the nurse did not understand what Mercutio was saying or that he was even discrediting her, it still makes Mercutio disrespectful person. Secondly, Mercutio is unkind for the same reason. If Mercutio cannot treat others right, he cannot treat anyone right. As stated before, “Good Peter, to hide her face; for the fan’s the fairer of the two.” Mercutio not only shows his disrespect for others through the way he so harshly speaks about them, but his unkindness for those that do not meet his definition of “normal.” People like Mercutio are beloved and held high on the societal pedestal because they say “amusing” things and make others laugh. But, just because what Mercutio says is funny to others, even though the nurse doesn’t understand, does not mean that what was said was right or fair at all. What Mercutio has to say may be humorous to others, but it is crude and, in my opinion, should be left unsaid. Also, Mercutio’s personality is that of a pervert. What he says is extremely degrading and tremendously insulting to women. In act 2, scene 1, Mercutio talks about Rosaline’s body, as if it is an object, “By her fine foot, straight leg, and quivering thigh.” (19) Mercutio treats Rosaline, and other women, as if they are items to be used for conveniences and fun. Mercutio could try to control what he says, but it seems that he has no filter. Sadly, Mercutio is not the only one who thinks and talks this way. Paris, upon meeting Juliet for the first time, states that she has ruined the face that he “owns” through tears and crying. “Thy face is mine, and thou hast slandered it.” (4.1.35) Paris implies, one, that Juliet is ugly and two, that he wishes she would stop crying because she is ugly. Paris does not care how Juliet feels only that he doesn’t want to be seen with such a hideous face. This shows that he is judging Juliet based on her looks rather than her personality. Mercutio and Paris are very alike in the way that they do not care for women’s feelings and treat them as entities. Shakespeare’s character, Mercutio, is not only disrespectful, inconsiderate, and perverted, he is also dramatic and attention-seeking.
In act 3, scene 1, Mercutio is dying, “No, ‘tis not so deep as a well; nor so wide as a church door.” Mercutio is on his deathbed and he is describing his wound, trying to make himself sound like a hero. Mercutio put himself in a tense situation by preparing to fight. He knew that the consequences were severe, yet he eggs Tybalt on and gives others a reason to fight. If not for Mercutio’s dramatic and attention-seeking personality, Romeo, Juliet, Tybalt, Paris, and he would all still be
alive. Mercutio is dramatic, but he can also be easygoing and relaxed when he needs to be. I think that this is one of, if the only, good attributes to him. Mercutio knows when fun is needed and when to help other relax and have a good time. In act 4, Romeo doesn’t think that he will have any fun at the party because he thinks that he is still in love with Rosaline. Mercutio insists on Romeo going to Capulet’s home, “Nay, gentle Romeo, we must have you dance.” (1.4.13) This quote shows that Mercutio can have fun and help others do the same. Romeo ended up having a great time and getting his mind off of Rosaline. In fact, he even ended up falling in love and getting married to Juliet. However, Mercutio’s actions still lead to many deaths, including his own. Lastly, Mercutio is an intense story-teller. He has a big imagination and can quickly come up with smart lies to get himself out of trouble. Mercutio puts Romeo’s worries to rest by convincing him that the party will be harmless and fun. He starts his long story by making Romeo think that he is foolish. “O, then I see Queen Mab hath been with you.” (1.4.53) This quote shows that Mercutio has a way of making others think that what they said may be wrong or that he or she is worrying too much. However, even with Mercutio’s smart talk and quick ideas, he still is the cause of the deaths(Romeo, Juliet, Paris, Tybalt, and his own) in the play. In conclusion, Mercutio does not have a pleasurable personality, even when he died. He was disrespectful, unkind, perverted, and dramatic. At the same time, he was easygoing around certain people and had a quick tongue. Mercutio was able to make others feel as if they were being ignorant and blunt. He was also capable of creating drama and turning quiet situations into extensive conditions. Mercutio knew that looking for ways to anger others was risky and could easily get out of hand. However, being Mercutio, he wanted something to do, because he was bored. Knowing Mercutio more fully, the readers were able to foretell that his role would end the play on a down note. He is the reason behind the sadness and confusion in the last act of the play and I am very happy that Mercutio’s actions ended in his death. If they had not, Mercutio would still be alive, making bad choices, and messing up other people’s lives.
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Mercutio's prankster personality plus Tybalt's hatred of all Montagues instigates the common end to three very different characters. Romeo does not wish to draw a sword, and therefore becomes the peacemaker. "Gentlemen, for shame! Forbear this outrage!" (III, i, 82). Under Romeo's peacekeeping arm, Tybalt thrusts his rapier, and Mercutio curses both Montagues and Capulets. "I am hurt. A plague a both houses! I am sped" (III, i, 86-88). To Mercutio, destiny is not the cause of his death, but rather specific people brought about his fatality. His behavior is static as he teases while being carried away by
Mercutio can be blamed for Romeo and Juliet’s peril because he initiated the fight with Tybalt and forced Romeo to go to the Capulet’s party. At the beginning of the play, Romeo gets invited to the Capulet’s party by a servant, unless he was a Montague. At first, Romeo did not want to go, but Mercutio eventually convinced him under the pretext that Rosaline, Romeo’s love, was going to be there. The next day, Tybalt, a Capulet, went looking for Romeo because he knew that Romeo was at the Capulet party. Instead, he stumbled upon Mercutio and Benvolio and asked them where he could find Romeo. However, Mercutio did not want to tell him and insisted on having a duel. Tybalt killed Mercutio during the fight, and Romeo kills Tybalt because he has the need to avenge his friend. Unfortunately, Prince Escalus punished Romeo by banishing him from Verona. This made Romeo and Juliet’s love
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
The most famous foil character in ''Romeo and Juliet'' is Mercutio. He is known for his sharp wit and quick, often ribald, humor and is considered a foil to Romeo. He lacks Romeo's effusive romance, his adoration and almost courtly approach to the idea of love. He often urges Romeo to just find a woman to sleep with and stop worrying about the ephemeral, yet all consuming, love Romeo is desperate to achieve. Mercutio warns Romeo to be skeptical of love and not to rush ahead, but Romeo is all rush, no
In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths. One of the people I think is responsible for Romeo and Juliet’s death is Mercutio. Mercutio had evoked a fight with his enemy Tybalt. In Act 1 Scene 1 lines 228-229 Benvolio tells Romeo “By giving liberty unto thine eyes.
Romeo was very loyal to his friends and family, and it is possible that Mercutio thought that Romeo would help him fight off Tybalt (since he was unaware of Romeo and Juliet’s secret marriage that somewhat united Romeo and Tybalt). However, this argument is easily deemed invalid. Romeo was not in the town square when the fight had first begun, so Mercutio expected his help in the fight would be a far-fetched idea. A person who is not present cannot help or hinder the situation at hand. In addition, Romeo tried to break up the fight when he said, “Gentlemen, for shame forbear this outrage!
Mercutio’s Desire for Attention Young men, when surrounded by their friends and peers, tend to act in a more impulsive and careless way. They often do things to impress the people around them. They might be more inclined to show off and take reckless actions. In the first act of Romeo and Juliet, Mercutio displays this tendency by eliminating his self-control that might otherwise be present.
...ic face, / To fleer and scorn at our solemnity? / Now by the stock and honour of my kin, / To strike him dead I hold it not a sin." ( , , 53-58). Tybalt's attitude toward the boy he calls to get his sword is very unkind. He shows no respect to his peers and he is often found ordering people or provoking them to fights. His loyalty towards Also, Tybalt wants to go to the lengths of frightening the guests to go fight with a Montague. This shows how unsympathetic Tybalt is to people even though, his actions are not necessary. In Tybalt's place, Mercutio would have let it go or at least called him aside and then fight with him. Mercutio is a very loyal friend especially to Romeo where Tybalt treats the boy like trash. In the end, Mercutio and Tybalt have diverse families and personalities where Mercutio is the typical nice guy and Tybalt is the typical bad guy.
Because he is Romeo’s friend, he stands on the Montague’s side. In fact, Mercutio simply appears in four scenes in Romeo and Juliet, in other words, he is not the main character in the play. Nevertheless, I think he is an attractive and memorable character in the play. Actually, Mercutio’s name is related to the word “mercurial,” meaning “having an unpredictable and fast changing mood,” an accurate description of Mercutio’s personality. Moreover, he also plays a vital
After Tybalt killed Mercutio and Romeo challenges him to a duel, Romeo demands, “That late thou gavest me, for Mercutio’s soul/ Is but a little way above our heads/ Staying for thine to keep him company/ Either thou or I, or both, must go with him” (Shakespeare Act III scene i, lines 119-123). This quote shows how Romeo’s downfall is partly his fault because he is defying the prince’s command to no longer fight with the Capulets by challenging Tybalt. Since Romeo is aware that he is defying the prince and fighting anyway it is proven he is contributing to his own demise or downfall. When Mercutio is wounded after fighting Tybalt , he cries, “I am hurt/ A plague o’ both your houses!” (Shakespeare Act III scene i, lines 84-85). The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged in it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown a tragic hero because his demise is partly his fault and not an
In act three scene one it says this about the fight, "Tybalt insults Romeo, but Romeo, who has just returned from his wedding, remains calm. Mercutio, on the other hand, is furious with Tybalt, and they begin to fight. As Romeo tries to separate them, Tybalt stabs Mercutio, who later dies." Romeo feels this sudden rage. Romeo then, "Romeo
In Shakespeare’s Romeo and Juliet, the views of love held by the character Romeo contrast sharply with the views of Mercutio. Romeo's character seems to suffer from a type of manic depression. He is in love with his sadness, quickly enraptured and easily crushed again on a passionate roller coaster of emotion. Mercutio, by contrast is much more practical and level headed. His perceptions are clear and quick, characterized by precise thought and careful evaluation. Romeo, true to his character begins his appearance in the play by wallowing in his depression over Rosaline who does not return his love:
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.
Romeo on the other hand would much rather use his words than resort to violence. In Act 3, scene 1, during the violent encounter between Mercutio and Tybalt, Romeo is seen as trying to settle the feud between the two men rather than them getting into a fight. “Gentle Mercutio, put thy rapier up. / Draw, Benvolio; beat down their weapons. / Gentlemen, for shame! forbear this outrage!” (3.1.83-86). Romeo is once again portrayed as more feminine since he is trying to diffuse the situation using his words and not actions. However, later in the scene when Mercutio is murdered, Romeo’s feminine traits as well as masculine traits are portrayed since he only then resorts to violence in order to defend Mercutio’s honour and avenge his death. This shows that Romeo has the capability to show his more masculine side when he choses. Unfortunately, when faced with difficult circumstances, Romeo is forced to choose between the two sets of