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Examine the role of disguise in Twelfth Night
Discuss deception on the twelfth night
Examine the role of disguise in Twelfth Night
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Recommended: Examine the role of disguise in Twelfth Night
David Wall
Mrs. Anderson
ENG1D
28 April 2015
Lies and Deceit in Twelfth Night
In William Shakespeare's Twelfth Night, the theme of lies and deceit is consistent throughout. Although some characters deceive more than others, they all play an important role in the deception of the play. There are various occasions in Twelfth Night where lies and deceit are used, such as through Viola's disguise, Sir Toby's fabrications and the pranks played on certain characters.
The use of disguises in the play deceives many characters. Viola's use of a disguise not only deceives strangers but also relatives.When Viola says, "Disguise, I see thou art a wickedness," she is indicating that for the time that she has been disguised, she has deceived many people and Olivia has fallen in love with her thinking that she is a man named Cesario (2.2.26). Viola then says, "O time, thou must untangle this, not I: / It is too hard a knot for me t'untie." meaning only time could possibly get her out of the mess that the disguise has gotten her in to (2.2.39-40). Later on it the play when Sabastian, Viola's twin brother enters the play other
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This is evident through the many occasions of deception. When Sir Toby tells Sir Andrew, "Why, man, he's a very devil; I have not seen such a firago." he is telling him that Cesario is a strong and brave warrior, when in fact Cesario is really afraid. His cowardice is known because he says, "Pray God defend me!" (3.4.276). Sir Toby then tells Sir Andrew and Cesario, that the opposing challenger is strong and brave but they are both afraid due to Sir Toby's lies. Sir Toby only wants them to dual for his personal entertainment. In the mean time Sir Andrew is so frightened of Cesario and wishes that he had never challenged him to a dual, and is willing to give up his horse instead of battling Cesario, all because Sir Toby's lies. This is noticeable when he says, "Pox on't. I'll not meddle with
Deception is present in Tennessee Williams’s drama ‘A Streetcar Named Desire’, William Shakespeare’s Tragedy ‘Othello’ and L. P. Hartley’s novel ‘The Go-Between’; the writers choose to use characterisation to explore the theme in depth. Often the protagonists of each text are the primary offenders of deceit, though some supporting characters mislead as well; although Iago is the antagonist of ‘Othello’, he is incomparably the most deceitful character in the entire play. Similarly, Williams uses Blanche to develop the plot by misleading the other characters and even herself at times, though arguably, unlike Iago, Blanche is presented as a character who lacks the motivation to hurt anyone. Conversely Leo, although the protagonist and narrator of the novel, is not the most deceitful character – Ted Burgess and Marian Maudsley not only coerce him into the deceit, but they themselves are presented as masters of the game they play, however, this essay will focus on Leo as he is a unique symbol of deceit; he is unaware of the consequences of his actions.
It is no surprise there is truth and deception in Hamlet, considering Shakespeare’s other plays. Truth and deception are two words that mean different things to many people with each having great importance. Both terms being opposite of each other peak anyone’s curiosity. The words said together make you think about if the statement or situation wondering if it is true or is it false? Truth and deception is one of 18 easily identifiable themes, which help create the play Hamlet. In one of the first scenes, Hamlet starts betraying his feelings about his father’s death.
Lies play a central part in the play as the story is based around lies
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
William Shakespeare had a way of creating intelligent characters who made use of the art of deception for their own personal gains. Characters such as Lucentio and Petruchio in The Taming of the Shrew; Oberon and Puck in A Midsummer Night's Dream; Portia in The Merchant of Venice; and Richard in Richard III, all wanted to further their own agenda and did so in very sneaky and deceitful ways. These characters smartly used trickery and deceit to achieve their goals, and succeeded.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Throughout the play “Much Ado About Nothing” by William Shakespeare is about how trickery and deceit is used to persuade the minds of different characters of change the play outcome. These events eventually led to love and romance, which affected many characters. The first time trickery and deceit were encountered in this play was when Prince fooled Benedick and Beatrice into falling in love with each other. The second time deceit was used when Don John fooled Prince and Claudio into believing Hero was a whore. Lastly deceit was used when the friar came up with a plan to fool Claudio and the prince making them believe hero was dead.
The majority of the plot lines depend on the disguise. Without it, the world would be a disaster. main theme of the play would be the gulling of Malvolio. In a play where most of The characters fall in love with each other, blind to the gender and true identity of the objects of their desires, a disguise like Viola's becomes the center of the action, and causes almost all the of the important aspects of the play. I will be there.
In the play Much Ado About Nothing, William Shakespeare explores the concept of lies and deceit. The outcome of the play was based on lies and deceit. To some, lies can be portrayed as harmful, but this play shows otherwise. Many lies are used for good in order to help keep harm away. In this play, some lies are made up, some are true, and some are not lies at all but rather a misunderstanding which turns into deception. Lying is a form of deception, but deception does not always involve lying. Lies can ultimately shape a relationship between people even though lies should never be the foundation of any relationship.
Viola's situation is precarious due to the liminality she has experienced throughout the play . She could live freely away from the society's authority behind her transformation, but the liminality she faced caused her troubles in expressing her true feelings. She is in between her femininity and her twin brother adopted masculinity. But soon as her disguised is discarded, she returns to her proper situation voluntarily accepting the role that the society imposes on her: the role of a wife.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
In Shakespeare 's well known play Twelfth Night, which takes place somewhere in Illyria, Lady Olivia is an independent, powerful, wealthy but single woman; the sudden deaths of her father and brother has left her in sadness alone in a big castle to herself. She has her relative Sir Toby Belch who was still around and visited her. Orsino, a duke, has a huge crush on her and is trying to have her to himself. Meanwhile, the jealous steward Malvolio who also has a crush on Lady Olivia, is a guy who is full of himself and acts like he 's king, he forgets where his place is sometimes. In Olivia 's house there is the weak and foolish Sir Andrew who has a crush on Olivia and is wishing one day he would get a chance with her. are also these twins,Viola and Sebastian. They have been shipwrecked and isolated from each other, so Viola thinks Sebastian is dead, and Sebastian thinks viola is dead. Later Viola decides to disguise herself as a messenger and call herself Cesario so she can work for Orsino. Since Viola was so pretty and the way she used her words were great, she won Orsino’s trust. Orsino tells Cesario
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...
A supposedly noble Duke Orsino is suffering due to his unrequited love for the Lady Olivia. The Lady Olivia, however, is also suffering due to the recent deaths of her brother and father. Her way of mourning them involves her hiding behind a veil or disguising herself from the truth and refusing male company: 'But like a cloistress she will veiled walk, And water once a day her chamber round With eye-offending brine'. Disguise creates confusion when a character named Viola becomes shipwrecked in Illyria, a place previously unknown to her. She has been warned of the dangers of being alone in Illyria and decides that it is best if she disguises herself.