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Trickery and Deceit in Shakespeare's Works
William Shakespeare had a way of creating intelligent characters who made use of the art of deception for their own personal gains. Characters such as Lucentio and Petruchio in The Taming of the Shrew; Oberon and Puck in A Midsummer Night's Dream; Portia in The Merchant of Venice; and Richard in Richard III, all wanted to further their own agenda and did so in very sneaky and deceitful ways. These characters smartly used trickery and deceit to achieve their goals, and succeeded.
"And let me be a slave, t' achieve that maid whose sudden sight hath thrall'd my wounded eye, " (I.i.219-220) In The Taming of the Shrew, Lucentio has come up with a plan to woo his love Bianca. It involves his servant Tranio pretending to be him so that he can pretend to be a schoolmaster. Bianca's father, Baptista, has decreed that she stay locked up in the house until her sister, Kate, is married. The only people allowed in to see her are her tutors, one of which is Lucentio in disguise. Ironically, Lucentio came to Padua to study Philosophy and virtue. While disguised as Bianca's tutor, he woo's her and in the end he wins her heart and her hand in marriage.
Petruchio, who's one driving need is to marry a rich woman, uses trickery once he has wed Kate to change her from a shrew to a loving wife. He acts foul and ill-tempered
toward all of his servants, more ill-tempered than Kate ever had, and at the same time he keeps reassuring her of her own good qualities, such as sweetness and kindness. She immediately sees from Petruchio's actions that her own shrewish ways were wrong and impossible for others to tolerate. At the same time, she realizes what kind of a person she is inside, the same kind of person that Petruchio has been insisting she is. Petruchio effectively tricks Kate into stopping the shrewish behavior so that she can be that kind of person. In the end, Kate is a more loving and attentive wife than her own sister.
In A Midsummer Night's Dream, the fairy king Oberon wants an Indian boy to be his henchman, but the fairy queen Titania will not give him the boy. They argue about it and Titania simply leaves. "Well; go thy way. Thou shalt not from this grove till I torment thee for this injury," (II.
Different Interpretations of the Relationship Between Kate and Petruchio in The Taming of the Shrew
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
1. William Shakespeare, the most popular playwright of all time, experiments with comedy, mystery, betrayal, romance, and tragedy in his play, Hamlet, Prince of Denmark. The author uses a variety of characters from different social backgrounds to give us an elaborate picture of deception. From the opening line of "Who’s there?" the reader gets the impression that people are not what they seem in this play. The interrelationships between the royalty and people of the court are well-developed to illustrate the major and minor similarities and differences between the characters. Shakespeare reveals the deceptive nature of man and the ruin it causes through his use of foils. [Many of the other essays did not follow the directions and used the definition of foils as the introduction. This writer understood that the essay was to be about the use of foils in the play. The introduction, therefore, is about the play, and it leads up to a thesis which briefly states the function (meaning) of the foils within the play. The thesis, in other words, does not simply state that the essay will discuss foils in the play, but rather that the essay will show how the foils help reveal the deceptive nature of man and the resulting ruin. This is, I believe, also the only writer who alludes to "Who's there?" and thereby nicely connects the essay -- and thus the foils -- to much of what I emphasized in class discussions of the play.]
So how does Kate’s attitude go from this, “No shame but mine; I must, forsooth, be forced to give my hand, opposed against my heart, unto a mad-brained rudesby…” (III:II 8-20) to this, “What is your sir, that you [Petruchio] send for me?” (V:II 104). At the beginning of the play, Katherine lashes out at everyone around her with violence and spite, but at the end she is completely subservient to her husband. I do not truly believe that Katherine has been “tamed” by Petruchio, but rather has developed a more mature
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
The way Kate was acts resembles that of a stubborn child. She is a shrew; a selfish, ill-tempered woman who is inconsiderate to those around her. When Kate and Petruchio first meet, Petruchio sends her way an exorbitant amount of compliments which she promptly replies with, “Moved!, In good time: let him that moved as you hither. Remove you hence. I knew at the first you were a movable.” (Act II, Scene 1, Line 215-218) Kate immediately insults Petruchio and dismisses the fact that Petruchio is probably the first man to compliment her in such a way. This shows that she is not even willing to have a civil conversation with someone she's just met. If a person gives out a compliment in the real...
By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...
Patrick and Petruchio’s desire to date Kat or Katerina is influenced by money. In Taming of the Shrew Hortensio mentions that Katerina is a shrew, but Petruchio does not care because she is wealthy. Petruchio could have easily found another woman, but with money involved, Petruchio does what he can to “win” her love by attempting to talk with Katerina and eventually takes his time to try and tame Katerina. “When Petruchio first meets Baptista, Petruchio inquires about the dowry, once Baptista replies, Petruchio immediately demands to sign the contract.
Another part of the theme is that when a person changes outfit's and roles, their personalities and attitudes stay the same. The first and most prominent role change is the one between Lucentio and Tranio. Lucentio, in order to marry Bianca, exchanges outfits with his servant Tranio in order to become a tutor for Bianca. Although Tranio appears to be a nobleman, he is really just a simple servant. His identity did not change despite the fact that his outfit did. In the same fashion, Lucentio becomes Cambio, the tutor. His true self is as a nobleman, but due to his love of Bianca, he tries to change himself. Just like Tranio, despite the change of outfit, Lucentio's real personality is not altered. Hencefoth came Hortensio, the least successful prenteder. He too becomes a tutor for Bianca, but is rejected by her.
Hamlet is a play by William Shakespeare about a prince named Hamlet who was spoken to by the ghost of his dead father telling Hamlet to kill his uncle Claudius (the new king) because Claudius killed him. The story revolves around Hamlet's dillema of how to kill his uncle while being deceptive enough so that no one finds out about the ghost. This essay will prove how deception is often used in Hamlet for many reasons. Claudius uses deception to protect himself from being prosecuted for his crime of killing the King. No one knows what the deal is with Gertrude because she deceives everybody by keeping to herself all the time keeping everyone from knowing anything. By using quotes from the book I will prove how these two (Claudius and Gertrude) and among a few others , use deception for different reasons and in different ways. A lot of the times it is to protect someone, or themselvs because they believe that the truth will hurt more than their lies.
The major theme is portrayed by the attitude towards marriage shown in Petruchio and Kate’s relationship. First the relationship was started entirely against the wife’s will, and for the fiscal benefit of the husband, with no intent of love involved. This is especially shown when Kate walks onto the roof of her father's house. The first thing that Petruchio does is states his worries about loosing not Kate, but his "20 thousand crowns," that he was promised if he wed Kate. Petruchio used his wife only as a stepping block, and later after "taming" her, used her as a status symbol. His method of "taming" her was suppressive, and locked her into a position she did not willingly want to be in. After she was tamed, she stopped speaking of her feelings and misgivings honestly, and suppressed them. In a relationship, the second most important thing is to be able to openly share and reveal your feelings, which is not what the play of this play shows. In the play, Kate is forced to suppress her feelings just to get food, or to be able to visit her friends and family. Petruchio "tames" Kate by rewarding her for being obedient, and punishing her when she disagrees with him.
Everyone at some point in their lives lies even when they know that they should be telling the truth. Deception is a key element in William Shakespeare’s play, Romeo and Juliet. Romeo and Juliet are both deceptive to their parents when they do not tell them about their marriage. They then continue to lie, Juliet telling her parents she would marry Paris when she secretly arranged to fake her death and Romeo deceiving Friar Laurence by going back to Verona. All of the deceiving in the play leads to conflicts, which eventually ends in death of both Romeo and Juliet. By showing how Romeo and Juliet being deceptive to their parents and role models led to pain and conflict, Shakespeare shows that you should always be honest if you want to maintain
... between Petruchio and Kate is contrasted with the superficial properness of the relationship of bianca and lucentio.
Have you ever met a bad tempered or aggressively assertive woman? Some may say yes, some may say no, but let me tell you you it is not a pleasant sight. In Shakespeare’s, The taming of the shrew, Kate is the definition of selfishness, aggressive , and rude flatout. Kate is a shrew because of her reputation, actions, and her attitude.
How Shakespeare Explores the Theme of Deception and Self-Deception in Twelfth Night Deception is the use of deceit that deceives everyone around you including yourself. It is the fact or state of being deceived. It can be a ruse or a trick in disguise, which deludes, giving a sense of indirection. It’s a misleading falsehood. One can deceive by running away from even their true self either physically or mentally.