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Romeo and juliet Figurative language notes and impressions
Analysis of the opening scene in shakespears romeo and juliet
Analysis of the opening scene in shakespears romeo and juliet
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On a busy Sunday in July during the 1400’s, Mercutio, Benvolio, and Romeo are outside of the Capulet’s party in Verona, Italy. While outside of the party, Romeo and Mercutio share dreams they’ve had and discuss their reality. Later on Sunday, Romeo meets Juliet and soon turns to the clouds for a break from the truth. Mercutio is the Prince’s kinsman and Romeo’s close friend, he’s not a Capulet nor a Montague and is one of the few characters that can mingle with both households. In this scene, Mercutio, unlike Romeo, doesn’t think that dreams can be warnings and explains that dreams are the outcome of the stress and eagerness of those that sleep. Because Mercutio isn’t a Capulet or Montague, he’s invited to the Capulet’s party while Benvolio …show more content…
An ironic point is that after Mercutio finishes his explanation of his dream, Romeo tells him that his dream about Queen Mab was nonsense and to settle down. Several poetic elements are the perfect puzzle pieces that make this scene not only aesthetically pleasing but incredibly reflective. The first puzzle piece is the use of scansion. Scansion is the division of poetry into feet by stressing certain syllables.
Benvolio has an emotional moment when he tells Mercutio “This wind you talk of blows us from ourselves.” (1.4.111). When he says this, emotions pour out into the rhythm of a heartbeat and features an iambic pentameter. Alliteration is repeating the consonant sounds at the beginning of nearby words. The beginning sound of “w”: “wind,” “who” “woos.” The words that were chosen to be a part of the “w” sound discuss fantasies and wooing someone. The wind itself blows things back and forth and tries to accomplish something specific. Just a like a person would woo someone to complete a certain task. Another piece of the puzzle is assonance, the repetition of vowel sounds in the stressed syllables of nearby words. “Supper is done, and we shall come too late.” (1.4.112). The “O” in “done” and “come” promotes completion. When you finish something, especially like a dream, it almost fleets. If you want to act upon it before it fleets you have to be diligent and focused. If Mercutio continues
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Onomatopoeia is a word whose sound is similar to the action it refers to. “Puffs” is the word used in this scene that guarantees Romeo’s daydreams are nonsense. The difference between dreams and daydreams is fairly large, daydreams happen when you aren’t really paying attention and thinking about “what ifs….” While dreams happen while you are sleeping and aren’t actively thinking. The last poetic element puzzle piece is the use of personification, Personification is giving human characteristics to nonhuman objects. Mercutio explains dreams as “children of an idle brain,” (1.4.104). Dreams aren’t children in an inactive brain, Shakespeare describes dreams that way because when you sleep, your brain isn’t actively thinking so you dream things
The first of his many traits is his profound wit. Throughout the play Mercutio seizes every opportunity to turn a phrase into a speech of puns and metaphors. Skillfully crafted, these orations often grasps the duplex meanings of words, speaking in those terms to refer to other things. At one such point, Tybalt
Mercutio's prankster personality plus Tybalt's hatred of all Montagues instigates the common end to three very different characters. Romeo does not wish to draw a sword, and therefore becomes the peacemaker. "Gentlemen, for shame! Forbear this outrage!" (III, i, 82). Under Romeo's peacekeeping arm, Tybalt thrusts his rapier, and Mercutio curses both Montagues and Capulets. "I am hurt. A plague a both houses! I am sped" (III, i, 86-88). To Mercutio, destiny is not the cause of his death, but rather specific people brought about his fatality. His behavior is static as he teases while being carried away by
Mercutio can be blamed for Romeo and Juliet’s peril because he initiated the fight with Tybalt and forced Romeo to go to the Capulet’s party. At the beginning of the play, Romeo gets invited to the Capulet’s party by a servant, unless he was a Montague. At first, Romeo did not want to go, but Mercutio eventually convinced him under the pretext that Rosaline, Romeo’s love, was going to be there. The next day, Tybalt, a Capulet, went looking for Romeo because he knew that Romeo was at the Capulet party. Instead, he stumbled upon Mercutio and Benvolio and asked them where he could find Romeo. However, Mercutio did not want to tell him and insisted on having a duel. Tybalt killed Mercutio during the fight, and Romeo kills Tybalt because he has the need to avenge his friend. Unfortunately, Prince Escalus punished Romeo by banishing him from Verona. This made Romeo and Juliet’s love
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while holding ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo accepting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
While reading Shakespeare's play “Romeo and Juliet” it is easy to see that everybody in the story is at fault for the deaths of Romeo and Juliet. Personally however, I believe that three of the main characters are more at fault then the other characters. First is Mercutio, Romeo’s best friend. Next is Benvolio, nephew of Lord Montague and Romeo’s other friend. Last is Friar Lawrence, Romeo and Juliet Franciscan Priest. In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths.
He may not want to leave because he isn’t worried about the Capulets because he is not a Montague. From the outset of the scene the anticipation of a fight raises the tension. Mercutio incites Benvolio and teases him light heartedly ‘thou art as hot as a Jack’. The audience and Mercutio both know that Benvolio is n... ... middle of paper ... ...
It is human nature to place blame and point fingers at someone, but it is a lot less common to take responsibility for your own actions. Sometimes, we put ourselves in positions that are detrimental to our lives or well-being. Even though we are responsible, it is likely that we will place the blame elsewhere. In Shakespeare’s Romeo and Juliet, Mercutio found himself with a similar conflict. Tybalt, Juliet's cousin, killed Mercutio during a fight in the town square. It would be easy to say that Tybalt caused Mercutio’s death since it was his sword that killed him, but that is simply false. Mercutio ignored many warnings and continued to antagonize the fight that lead to his death. The character ultimately responsible for Mercutio’s death is
Shakespeare strongly establishes Mercutio’s desire to prove himself as strong through his unwillingness to back down, his carelessness to danger, and his need to be seen. Shakespeare displays Mercutio as a stubborn character when he refuses to leave even when Benvolio urges him to because the conversation was becoming heated. This is best shown when Mercutio says “I will not budge for no man’s pleasure, I.” (1, 1, 58) He uses his persistence to prove himself as though he is stronger than all of the Capulets who were getting angry. Even when the sense to leave the scene is presented by Benvolio, Mercutio abandons his better thinking and stands his ground.
clever punning - 'If love be rough with you, be rough with love' and '
In William Shakespeare’s “Romeo and Juliet” Mercutio gives an imaginative speech of Queen Mab to jest Romeo for not having fun with others but dwell on his passion towards dreams. In act 1.4, Romeo explains to Mercutio that he is not going to the Capulet’s party as “dreamt a dream tonight” (1.4.50) that tell him not to. Romeo believes that dreams are reflecting reality and telling the truth and he is not joining his friends to the party. Mercutio exasperated by Romeo’s passion about dreams and scold him by giving the famous Queen Mab speech to illustrate the nature of dream to Romeo. Mercutio’s description of Queen Mab depicts that dreams are not reflecting reality but fantasy. Dreams are small yet powerful in their own way, they are hard to
Romeo, whom his friends seem to consider generally very witty and fun, originally thought the party-crashing would be a wonderful idea, but suddenly is overcome by a sense of great foreboding; although they "mean well in going to this mask . . . 'tis no wit to go" (I, iv, 48-49). This annoys Mercutio, who does not recognize Romeo's reluctance as a genuine premonition, but feels it is simply another example of Romeo's lovesick whims. Romeo tries to explain to Mercutio that it is based upon a very disturbing dream, and Mercutio passes that off as silly, telling him that "Dreamers often lie." Here he is not saying that Romeo himself is a liar, but that people should put no faith in dreams. But Romeo is insistent; dreamers lie "in bed asleep, they do dream things true" (I, iv, 52).
Humor can be found to be a virtue and a vice; however, in the grimmest situations humor may allow the gravity to turn into glee and gayness. Mercutio’s greatest aspect is his sense of humor. Which he doesn’t fail to display even in the most inappropriate moments. An instance of such portrayal is during the scene where Romeo has ditched Benvolio and Mercutio in pursuit of Juliet, in the Capulet’s garden. In which Mercutio comically says, “Nay, I’ll conjure too. / Romeo! Humors! Madman! Passion! Lover!” (II.i.7-8). This moment can be considered much graver than Mercutio depicts it to be which makes this scene much more like comic relief than a serious scene. The fact that there are Montague’s in Capulet’s territory is serious enough and can cause some major consequences for the perpetrators if caught. And now to betray their positio...
Romeo and Juliet are two lovers that are both searching for their perfect match when they arrive at the Capulet Ball. The Capulets are Juliet’s family and Romeo’s family is the Montague's. Both families have had a large, hateful relationship and have tried to steer away from each other because if one even looks the wrong way at the other they would start a huge fight. Romeo never wanted to go to the ball because he was sad that his love, Rosaline, wouldn’t return his love. His friend, Mercutio, was very stubborn and knew that Romeo would have a good time so he wouldn’t leave Romeo to be by himself.
It was the break of dawn on a Sunday in fair Verona.The town was just beginning to awake up.This was not true for the son of the Montagues who was still heartbroken over his true and new love, Rosaline. Rosaline was like most girls Romeo tried to court, young and beautiful, but the difference was that Rosaline wasn’t attracted to Romeo. Benvolio, one of Romeo’s best friends who attempts to cheer him up, but nothing worked. All this changed when an illiterate servant asks to read the note for Romeo. The note readed as follows “his wife and daughters...my fair niece Rosaline; Livia; Signior Valentio and his cousin Tybalt, Lucio and the lively Helena”(Act 1 Scene 5 L-40). Romeo asked the servant whom the party list was from, he responded by saying it was from his master, the rich and powerful Lord Capulet. The Capulets were the Montagues greatest enemy even though both houses are alike. Trying to cheer Romeo up, Benvolio tells Romeo that
Scene 4 Act 1:Romeo, Benvolio, Mercutio, and other members of the Montague house go to the Capulet feast. They are all wearing masks to hide their identity. They talk it over and decide to stay for one dance. Because Romeo is still in love with Rosaline, Mercutio teases him about being a hopeless lover. Mercutio then starts a long tale about how fairies deliver dreams to humans as they sleep.