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Essay on ‘Surviving Pandemic’
My survival narrative
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Recommended: Essay on ‘Surviving Pandemic’
It is likely that Kirsten Raymonde will survive to the end of the book. However, surviving is more than just physical, it also encompasses who a person is and whether that changes or not. Despite the 20 years that were undeniably different than the first 8 years of Kirsten’s life she has managed to hold on to pieces of who that little girl was. She remains stable in her development of social skills despite the limited interaction that she may have been accustomed to in the pre-pandemic world, this is rebellion. Survival is all of these things and more. Kirsten managed to hold onto the pieces of her life from the adolescence that she remembers. Arthur Leander gave her comic books when she was young, and she holds onto those 20 years later. Every time she sees magazines she searches through them searching for a familiar face in the pages, that of Arthur Leander. She takes clippings out of these magazines and saves them, so she can look at them later, she holds on to a memory of a man that died in front of her 20 years earlier. She is performing in …show more content…
plays with the traveling symphony long after theaters and spotlights. They little girl that was present at the beginning is still showing through in the woman that she becomes two decades later. Not only does she survive by holding on to memories and pieces of her past, but she also physically survives.
Her body is still fully functioning and alive, she has the physical ability to take part in all activities that take place day to day. She performs in plays and find newspaper clippings that contain images of Arthur Leander. She breaks into old abandoned buildings with August, another member of the traveling symphony, allowed to do so because on occasion they find items deemed useful by the conductor. She accompanies the traveling as they are “traveling back and forth along the shores of Lakes Huron and Michigan, west as far as Traverse City, east and north over the 49th parallel to Kincardine” (Mandel 37). to different cities by walking alongside the caravan. There would be no way of her participating in these activities if she had not physically survived for 20 years after the Georgia Flu devastated the
world. Throughout the 20 years of no education, limited interaction with children her age, and limited food supply she has developed normally. She is not developmentally delayed in social interaction or comprehension of different texts that she acquires over time. This is a form of survival because it is an act of rebellion against the tragedy she was a victim to. Despite her young age and the death of her mother, Kirsten has learned how to read, learned how to interact as an adult, and learned how to provide for her basic needs. She still has friends and happy moments in the face of great sadness. This act of survival is different because it is a rebellion so different than the other forms. It is the beautiful kind, the fact that people can still have a life that is good even through such tragic times is survival. Survival is not just one thing, it is many things, both small victories and big ones. Survival is holding on to humanity, remaining faithful to beliefs, seeking happiness in tragedy. It is remaining triumphant in defeat, and searching for the rainbow in the storm. Kirsten fits these characteristics because she has faced something that many of the others may not have faced themselves. She is durable and young, she is strong and intelligent, she has what it takes to survive. She has what it takes to survive and if she keeps on going the way she has for the past 20 years she will.
...through and seen as a child, she really overcame the battles of the community as an artist gathering bits and pieces of memories from the trash just to make something out of it. But, to Saar it meant the world to her to have that doll that was repaired for her on Christmas. She really didn’t see it trash but as treasure in her eyes.
Almost every main character has two distinct storylines in Station Eleven. The first is life before the outbreak and the second is life after the outbreak. These storylines assist the author in illustrating the dramatic change undergone by the characters. For example, Kirsten Raymonde is introduced as a helpless child actress. “He (Jeevan) heard a whimper, and there was a child… a small actress… she kept wiping her eyes.” (pg. 6) Twenty years later Kirsten is described as an independent, fierce, and deadly survivor. Kirsten’s change is a direct effect from the outbreak. It forces her to grow up and to do whatever it takes to survive. This change is shown through the comparison of the flashback to present day Kirsten. The flashback gives the basis to make such a drastic change from past to
From the beginning of Kat’s life, she was at odds with her environment. When she was a child, she was Katherine, a doll like representation of what her mother wanted her to be. As a teenager she was Kathy, a representation of what she believed others wanted, “a bouncy, round-faced [girl] with gleaming freshly washed hair and enviable teeth, eager to please and no more int...
She continued to help others.After the civil war she would take care of sick people at her house.She continued with her good work as a caregiver for 48 years.In document E it says about how many people she would help.She would take care of 6 or 8 people at the same time.She would take care of people of all ages.From abondand babies,the epileptic,the blind,and the paralyzed.
She was to die twenty–one years later in 1879 after a prolonged and painful illness. She remained hidden in a convent about 300 miles from home, a refuge from the interrogations and the pilgrims that never ceased seeking her. At thirty–five, her strong–willed manner gave way to her frail body, and she finally entered into her eternal happiness.
As Kate Burns goes through adolescence she slowly begins to realize that change can never be avoided, and change truly scares Kate. Naturally, Kate attempts to hold on to moments of security, where everything exists as she would like it. Kate desires permanency; Kate's constant longing to stop time and freeze certain periods of time shows this desire. Kate takes mental snapshots of certain times, and just cherishes and savors these moments. As Kate matures she begins to understand that life's little surprises always bring the unexpected, whether it be good or bad, and she must treasure the brief moments of security:
While showing how brave and unselfish she was, she also showed that she was fragile and not as strong as she used to be. “A black dog with a lolling tongue came up out of the weeds by the ditch. She was meditating, and not ready, and when he came at her she only hit him a little with her cane. Over she went in the ditch, like a little puff of milkweed.” Even though she hit the dog only a little, it caused her to fall into a ditch. At last there came a flicker and then a flame of comprehension across her face, and she spoke. "My grandson. It was my memory had left me. There I sat and forgot why I made my long trip." This shows how her mind went blank, causing her to forget why she had made the journey.
In the narrative “Doughnut Shops and Doormen” a woman named Amy develops her life around a repetitive ideal. The story begins, “I have to have him. Have to have [Chris Cornell, former lead singer of Soundgarden] for real someday, not just in my fantasies” (288). Amy has convinced herself of this because Chris Cornell has been her only concern “for the past ten years” (288). Because of the dedication she has put into her “relationship” with Chris, she has created a bond with...
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
In the book Nia dies from blood loss when she was giving birth to Feather, her and Bobbys daughter. Bobby has to raise Feather on his own. In my alternate ending Nia lives and they all can be a family. Bobby is at the hospital with nia and the birth went great. They decide the keep her and name her Feather. Bobby moves in with Nia's family so they can raise feather together. Bobby becomes a more responsible artist and starts to sell his artwork. Nia finishes school online so she could be home with Feather. They both get jobs to pay back their parents, they move out and raise feather on their own. They move into an apartment close to their families and bobby gets a better paying job. So that Nia and Feather can stay at home. They pass many milestones
... mindsets shared by people all over the globe. Their shared mindset being that France was not the place for freedom from societal norms nor was it the place that they belonged. Kiki’s determination to become famous and feel free stimulates a rejection toward French nationalism that is shared by Arthur Rimbaud and opposed by her grandmother and Gertrude Stein.
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...
Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free!
From the very beginning of the narrator's vacation, the surroundings seem not right. There is "something queer" about the mansion where she resides it becomes obvious that her attempt to rest from her untold illness will not follow as planned. The house is an "ancestral" and "hereditary estate...long untenanted" invoking fanciful gothic images of a "haunted house" (3). The house they choose to reside in for the three...
She spent time vacationing with her parents and 5 siblings in the summers at St. Ives. She had a happy childhood, until her mother died when she was 10 years old. The death of her mother sparked a chain reaction of disasters in her life. A few years later her father died and then her older sister. The remaining siblings decided to move away from the city, where they were subject to observation and scrutiny, and they relocated to Brighton. This was considered scandalous because it wasn’t a desired area at the time, but they Stephens’s children took refuge in their new home. They flourished in the arts. After a trip to Greece her older brother came down with Typhoid fever and died. Virginia had seen too much tragedy and it took a toll on her mental stability. Virginia struggled with manic depression and sometime schizophrenia. She would go through phases of her life where she was out of control. She also had issues with