Jill McCorckle's Ferris Beach - Search for Permanency

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Ferris Beach: Search for Permanency
Jill McCorkle's novel, Ferris Beach, fits perfectly into the popular genre of the bildungsroman. Ferris Beach tells the story of Kate Burns and her struggle to find her identity in a rapidly changing world. Kate looks for permanency in the swiftly changing environment of the New South. Kate's search for permanency forces her to deal with many of the other vital questions in her life. The struggle to deal with change, a central theme in most bildungsromans, certainly plays a major role in Ferris Beach.
McCorkle's Ferris Beach participates in the bildungsroman tradition. Like Bronte's Jane Eyre and Dickens's Great Expectations, McCorkle's narrative focuses on the "coming of age" of its hero - in this case, Kate Burns. Ferris Beach traces Kate's physical and spiritual journey on the path to maturity as she deals with sexuality, insecurity about appearance, and most importantly, the question of life's impermanence.
McCorkle sets her story in the changing South, creating a parallel between Kate's transition and the South's transition from adolescence. The transition of the South can be seen from the opening of the novel where a pillar of Kate's small southern town, Mrs. Poole, gripes about the "Split-levels" (the northerners) moving into their neighborhood. Mrs. Poole's attempt to resist the South's change immediately confronts the reader; this sets the mood for the rest of the novel.
As Kate Burns goes through adolescence, she slowly begins to realize that change can never be avoided, and change truly scares Kate. Naturally, Kate attempts to hold on to moments of security, where everything exists as she would like it. Kate desires permanency; her constant longing to stop time and freeze certain periods of time shows this desire. Kate takes mental snapshots of certain times and just cherishes and savors these moments.
As Kate matures, she begins to understand that life's little surprises always bring the unexpected, whether it be good or bad, and she must treasure the brief moments of security: "I stepped into the middle of the road and just stood there, the lights stretching in either direction, glowing in the deep chilly air. I could see my own breath, could feel my own warmth as it formed right there in front of me. Behind me, our house looked dark, faint lingering of I'd walk a million miles, and I wasn't even sure if it was really playing or if I was imagining the familiar, the same way a bright light remains when you close your eyelids, the way I imagine that the sight of an eclipse would burn its image into your eyes forever" (pg. - citation missing).

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