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A critique of taming of the shrew
Characterization of women in Shakespeare
A critique of taming of the shrew
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Have you ever had to act a certain way to get what you wanted? Imagine acting a different way for such a long time that eventually that becomes the norm. William Shakespeare showed this in the play The Taming of the Shrew, this idea became reality for Katherina. Beginning the story as a shrewish, and callous, Katherina would undergo various challenges that would eventually change her into a superior women. Petruchio would take up the task of taming her to better himself and everybody around her. Despite some people believing that Kate was no actually tamed I believe because of Petruchio’s remorseless tests, Katherina was infact tamed into a pleasant women. Right from the start Petruchio made it clear with Katherina in what he was going be undertaking …show more content…
Petruchio argued until Katherina said that the sun is the moon. This is something Katherina would have originally never have agreed with, she would have bickered with Petruchio forever that the sun was actually the sun and not a moon. Katherina agreeing with Petruchio here helps show how her as a person is changing. Shortly after she gives in even further to Petruchio, finally showing major signs of change; “But sun it is not/ when you say it is not,/ and the moon changes even as your mind,/ what you will have it named, even that is/ and so it shall be for Katherine.” Katherina declared that whatever Petruchio says is reality. Some people may argue that she is just faking all this to get what she wants. People believe that she doesn’t actually mean all this but I think she does. Days earlier in the play you would never expect Katherina to be so obedient, she would always be arguing and living life how she wanted to no matter what people thought of …show more content…
“...gentlewomen wear such caps as these,” says Katherina, “When you are gentle, you shall have one too,/ and not till then.” (198) Petruchio puts his foot down on Katherina, forcing her to be tame. Petruchio’s tactics may be inhumane but they get to Katherina. Katherina has never lived such a poor quality of life and now Petruchio is making it happen until her attitude on life is changed. Because Katherina is smart she knows that if she actually does change the way she acts she will be able to live life happily. If she behaves well enough she knows that Petruchio can treat her rightly and make her happy. All the more reason in which she wants to change, to be able to please Petruchio and inreturn heightening the quality of her own
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
Patrick and Petruchio’s desire to date Kat or Katerina is influenced by money. In Taming of the Shrew Hortensio mentions that Katerina is a shrew, but Petruchio does not care because she is wealthy. Petruchio could have easily found another woman, but with money involved, Petruchio does what he can to “win” her love by attempting to talk with Katerina and eventually takes his time to try and tame Katerina. “When Petruchio first meets Baptista, Petruchio inquires about the dowry, once Baptista replies, Petruchio immediately demands to sign the contract.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention he sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process. Katherine reveals this attitude in act 2 scene1, lines 31-35, "nay, now i see she is your treasure, she must have a husband; i must dance barefoot on my wedding day, and for your love to her, lead the apes to hell. Talk not to me i will sit and weep!...." This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke petrucchio so rudely upon first encountering him. Katherine surely realizes that petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an...
In Taming of The Shrew Petruchio yells at a tailor “ 'tis lewd and filthy: Why, 'tis a cockle or a walnut-shell”. Petruchio in this example says how Katherine's dress is hideous and that no lady should ever where even though she likes it. Throughout the Play he does multipole things like this until in the end she ends up conforming to how a woman should be because he breaks down her spirits. In ten things Patrick is asked to take Kat out for money to which he states “50 bucks and we’ve got a deal, Fabio.” Patrick agrees to receive payment for taking out Kat so other men might have a chance with her sister.
In William Shakespeare's comedy, The Taming of the Shrew, one follows an intricate play within a play of two sisters in a dilemma. The younger sister, Bianca cannot marry one of her many suitors until her older, brash sister Kate who is considered a shrew. Bianca's suitors then find a man to marry Kate, so that they may have a chance at Bianca. Throughout the play, one can see Kate undergo a change in her behavior and attitude, therefore making her a dynamic character.
The taming of the shrew displays sexism through gender stereotyping, patriarchy, and power. The play has set a certain stereotype on how women should act and be. For example, Petruchio tames his wife Kate, who was a shrew, in order for her to become obedient and follow his rule. Taming is discrimination rather than discipline because it does not allow women to be themselves.
Shrewish Katherine and uncaring Petruchio were transformed into, what the writers believed to be, the modern equivalent of the plays characters. Although most of the characters are quite alike to one another there are still significant differences. Kat and Katherine both end up giving in to their suitors Patrick and Petruchio but in very different ways and different reasons. Kat forgives Patrick hoping that he actually has feelings for her and will continue to see her without the monetary compensation as she wants love. Whereas Katherine is the opposite, she gives guarantees and stamps them with powerful and theatrical words of submission.
Furthermore, she was tricked because Petruchio didn’t want to marry her at all, it was all about convenience for Bianca. The two relationships in this play that were supposed to be romanticized, are awfully sorrowful in many ways Moreover, Petruchio only has a financial interest in women in general, which is shown many times during this play. Petruchio makes his objectives obvious when he asks Hortensio if he knows of a suitable bachelorette with a rich dowry: “If thou know / One rich enough to be Petruchio’s wife, / As wealth is burden of my wooing dance… / I come to wive it wealthily in Padua; / If wealthily, then happily in Padua.” (1,2.). For Petruchio, it is all about the dowry he is about to inherit, further proving that this play is upmost
The wedding that takes place between Kate and Petruchio in The Taming of the Shrew is far from the expected service for a daughter of high social status. Petruchio, the groom makes his appearance to his own ceremony late. When Lucentio (disguised as Tranio) is questioned by Baptista about the humiliation that he is enduring by the tartness of the groom he is more worried about what the people in the town will say, then the feelings of his oldest daughter. Baptista and many other characters in the play write Kate off as some deranged shrew and even on her wedding day her emotional anguish is
In the play Taming of the Shrew, the characters Katherine and Petruchio portray how society treated women during the 16th century, as well as what its expectations were for women’s behavior. Katherine in Taming of the Shrew presents many of these social standards women had to live up to during Shakespeare’s time. For example, when coming back from speaking to her father about the marriage, Petruchio approaches Katherine. They begin to argue back and forth, Katherine exclaims, "Get out of here fool, and give orders to your servants, not me" (2.1.99). In the 16th century, women were conventionally dictated by male figures, as Katherine is by Petruchio.
In this act, Petruchio usurps the bride’s traditional delayed entrance and refocuses the center of attention to himself, as every eye turns to his outlandish attire. Weddings traditionally have the bride as the focal point being honored on what is often referred to as “her day,” and Petruchio’s actions make Katherine not the object of honor, but of mockery by turning “her day” into “his day.” By inverting wedding traditions in this punishment, Petruchio conveys his unchallenged power and male authority over Katherine. This ideological framework that outlines a patriarchal culture allows Petruchio to act out these punishments in a comic, unchallenged manner. At the end of the wedding ceremony, Petruchio further shames Katherine by psychically carrying Katherine away, mocking gallantry, shouting, “Fear not, sweet wench, they shall not touch thee, Katherine” (Shakespeare, 133).
Petruchio’s eventual wife is originally seen as a shrew precisely when she continuously “strikes” her future husband over a frivolous argument (TTS 2.1.54). Shakespeare uses Katherine’s initial idiosyncrasies to contrast her transformation to a lady after living with Petruchio. Initially, Katherine portrays her anger towards Petruchio by exclaiming how he married her then “famish[ed]” her (TTS 4.3.100). Despite Petruchio’s horrible actions toward Katherine, she is transformed by Petruchio as she delivers a speech a woman’s duty to “obey” her husband (TTS 5.2.141). Through this transformation from a shrew to a lady, Shakespeare illustrates how despite Petruchio’s destructive behavior toward Katherine, men will have consistent control over
Near the beginning of the play, Katherine’s headstrong attitude is very apparent in many of her lines. When Katherine and Petruchio enter a battle of wits, Katherine sternly warns Petruchio “if I be waspish, best beware my sting” (II. i. 223). This line clearly indicates Katherine’s attitude toward Petruchio and the concept of marriage itself. After her marriage to Petruchio, which is extremely abusive to say the least, Katherine’s will and spirit seems to break. She is transformed from a “shrewish,” independent woman to a doting, obedient wife.
In Act 4, Petruchio becomes even more irritable, hitting his servant, throwing food, and punishing Katherine (4.1.152). Katherine describes the situation by saying she is “starved for meat, giddy for lack of sleep, with oaths kept waking and with brawling fed” (4.3.9-10). However, Petruchio’s actions were allowed due to his role as a man. In “The Household: Authority and Violence,” the author explains that “heads of household…” were able to “use force to secure obedience and to maintain order” (218). As time continues, Katherine begins to accept this treatment, though it changes her personality.