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Gender issues in taming of the shrew
Gender issues in taming of the shrew
Gender issues in taming of the shrew
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William Shakespeare, although living in the sixteenth century challenged social norms that would be in place long after he died. Examples of his actions can be seen in several of his plays. In the play As You Like It, Shakespeare refers to the multiple social normalities that we have to play fullfill each day. We can be a son in one instance and a student in another, both of which are different social roles we are expected to fill. Like As You Like It and several other Shakespearean texts, social norms from the sixteenth century are brought to light in The Taming of the Shrew. The story is set in Padua Italy during what was considered the Italian Renaissance. Although, the time period is well known for its achievements in music, literature, …show more content…
When confronted with suitors, Baptista declares that no man should marry Bianca until Kate is wed. Not soon after this announcement from Baptista one of the main suitors, Hortensio is reunited with an old acquaintance, Petruchio. From what Petruchio explains to Hortensio his arrival in Padua is of selfish intensions. He tells of his father’s recent passing and the substantial inheritance that followed. The inheritance is not enough for a man like Petruchio and so he “come to wive it wealthily in Padua;/If wealthily, then happily in Padua.”(I.ii.76-77). Hortensio seeing the opportunity in the entire matter describes Kate to Petruchio in a negative manner, but according to Petruchio her shrewish behavior is a unimportant factor in his decision to wed the daughter of the wealthy …show more content…
The wedding that takes place between Kate and Petruchio in The Taming of the Shrew is far from the expected service for a daughter of high social status. Petruchio, the groom makes his appearance to his own ceremony late. When Lucentio (disguised as Tranio) is questioned by Baptista about the humiliation that he is enduring by the tartness of the groom he is more worried about what the people in the town will say, then the feelings of his oldest daughter. Baptista and many other characters in the play write Kate off as some deranged shrew and even on her wedding day her emotional anguish is
Different Interpretations of the Relationship Between Kate and Petruchio in The Taming of the Shrew
In the play Taming of the Shrew, a man named Petruchio attempts to tame a mean spirited woman named Kate. Much to Kate's chagrin Petruchio convinces her father that Kate loves him so they will now be married. Through several maneuvers to try and squash Kate's pride, Petruchio is met with strong resistance at first when he finds she can equal him in verbal back and forth. The fact that Petruchio could match Kate surprises her as well. Eventually, Kate sarcastically gives in with her speech about the sun and moon on the way to her sister's wedding. Finally after all his calculating moves throughout Petruchio successfully breaks Kate's spirit which is evident in her final speech.
His words demonstrate she is like an item that is worn out ready to be replaced. The last way Shakespeare displays Hortensio as having a degrading tone towards Bianca is when he uses diction and syntax when he realizes Bianca and and Lucentio are in love. Since he has realized this he knows that he will marry a wealthy widow that loves him, “as long as I have loved this proud disdainful haggard” (4.2.39). Once again Hortensio takes away Bianca's identity referring to her as a wild animal. He strips her from her own individuality. He talks about her in a cruel way only to show how he has no respect for her. The words used in this quote portray that he has no affection for her and thinks of her as being in his own control. Shakespeare does not put breaks between “proud” or “disdainful” revealing that Hortensio does not give enough effort to even separate his thoughts about Bianca. Failing to hesitate, Hortensio continues to humiliate Bianca through his words. He just keeps humiliating her without stopping to think. He never really loved her as a person but only as the girl he craved in his
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
Italy, a lot of the plays written were set in Italy. This play has a
What do you mean by that? No mates for you unless you were of gentler, milder mould.’ This quote shows Hortensio picking up that Kate had referred to them (Gremio and Hortensio) as ‘mates’ however Hortensio criticises this saying she will have no ‘mates’ unless she was ‘gentler’ and ‘milder’ which is what the ideal woman would be at the time, a contrast to herself. He calls her a ‘maid’ which is an unmarried girl/woman often young and virgin (due to premarital sex being looked down on in this time period). This could be used to cause offense to Kate as she is older than her sister and men are not willing to marry her, so he is pointing out that she is old and unmarried which is not positive.
Deeper down, however, the author demonstrated that sometimes when one does not conform to the social norm, but rather follows his own desires, they potentially cause a shift in the norm. Although it may have undesired consequences for the person in the short term, there may be benefits to society in the long run. It is through individuals following their own desires that society can be shaped. Shakespeare displayed this motif when the protagonist attended the Capulet ball, married Juliet, and when he killed Tybalt. The author demonstrates that when one commits an act of non-conformance, others will inevitably follow, though they may cause further repercussions. As these repercussions accumulate, it requires a change in the societal norm to eradicate
They skeam together a plan to fix their mutual problem of there being no husband for Katherina, “Hortensio: that we may yet again have access to our fair mistress and be happy rivals in Bianca 's love, to labor and effect one thing specially. Gremio: What’s that, I pray? Hortensio: Marry, sir, to get a husband for her sister.”() Gremio has a hard time believing that a husband could be found for such a woman as Katherina, but at last they both agree to scheme together and find a man that would be willing to marry her and free Bianca to be courted. Petruchio goes about courting Katherina in a very different way, after learning about the opportunity of him being able to marry into wealth and power he directly makes known his intentions to court Katherina and eventually marry, with no thought of if she would want to marry him. After settling the details of the dowery Petruchio boldly calls Baptista his father before anything is set and states, “for I tell you, father, I am as peremptory as she proud minded. And where two raging fires meet together the do come the thing that feeds their fury.”() He is outright stating that even though Katherina is hard headed and has an attitude he
This results in Luke and Cameron creating a plan to get Patrick Verona, who is known as Kat’s equal, to attempt and date Kat. When Petruchio arrives in Padua and visits Hortensio he states he is looking for a wife, Hortensio mentions Katerina and her father’s wealth and immediately Petruchio wants to meet Katerina’s father to talk about the dowry and wedding. In this scene Petruchio says, “I come to live wealthily in Padua; If wealthily, then happily in Padua” (Shakespeare, Act 1 Scene 2 Lines 72-73), which shows Petruchio only wants the money and doesn’t care as much for true love. In 10 Things I Hate About You, Patrick is offered money to date Kat, in which he accepts the deal.
Shakespeare, sets up a teaching lesson, helping us to see the mistakes of our own judgment. When Baptista announces that Kate must marry before Bianca may take suitors, Gremio describes Kate by saying "She's too rough for me" (1.1.55). Later in the scene, Gremio reiterates his dislike for Kate, claiming she is a "fiend of hell" (88) and offering that "though her father may be very rich, any man is so very a fool to be married to hell" (124–126). He finishes by saying that to marry Kate is worse than to "take her dowry with this condition: to be whipped at the high cross every morning" (132–134). Hortensio, too, is quick to add to the situation, calling Kate a devil (66) and claiming that she is not likely to get a husband unless she is "of gentler, milder mold" (60).
Elizabethan Society had a very strict social code at the time that William Shakespeare was writing his plays. Social class in Elizabethan England could determine many things, from how a person spoke or what they could wear. This led to Shakespeare basing his plays on these social classes, mostly the upper class. Shakespeare used the upper class in a majority of his plays, such as “Shakespeare’s Henry IV.” Shakespeare relied on the innovations of the Renaissance in his plays related to the upper class, because he liked to give his characters more depth and vary the overall rhythmic structure of his plays to make them interesting for the audience.
During Shakespeare's time social classification was much more rigid than today and some members of society were considered superior to other members. Shakespeare provides an example of this rigid social structure through his play, The Tempest. Shakespeare illustrates how superior men differentiated themselves from lesser beings on the basis of race, financial status, and gender. Through the character of Prospero, Shakespeare provides and example of one, who had reason to feel superior, yet treated others equally and with the respect due to them.
The concept that ‘things are not always as they seem’ is quite evident in the events surrounding, and including, Petruchio’s wedding ceremony. This particular scene in the play demonstrates how the use of false realities (a real situation falsely presented in order to deliberately deceive) can be used to create humour. Biondello describes Petruchio’s appearance to Baptista, and by doing so sets up the expectations of the audience. He says that Petruchio comes wearing:
... between Petruchio and Kate is contrasted with the superficial properness of the relationship of bianca and lucentio.
William Shakespeare's comedy, The Taming of the Shrew illistrates the difficulty of trying to tame a headstrong, stubborn, and a high-spirited woman so that she will make a docile wife. The one attempting to tame Kate, the shrew, is Petruchio. They contend with each other with tremendous vitality and have a forced relationship. In contrast, there is another romantically linked couple who seemingly possess an ideal relationship. These young lovers, Bianca and Lucentio, share a love that is not grounded in reality, but in fantasy. These two sub-plot characters are stock characters and Shakespeare creates the irony of the play through the differences between the two couples. It is through his use of stock characters and irony that the differences between the two couples are revealed.