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Taming of the shrew and gender roles
Taming of the shrew and gender roles
What is the development of gender roles in the taming of the shrew
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Breaking Kate's Spirit in Taming of the Shrew
In the play Taming of the Shrew, a man named Petruchio attempts to tame a mean spirited woman named Kate. Much to Kate's chagrin Petruchio convinces her father that Kate loves him so they will now be married. Through several maneuvers to try and squash Kate's pride, Petruchio is met with strong resistance at first when he finds she can equal him in verbal back and forth. The fact that Petruchio could match Kate surprises her as well. Eventually, Kate sarcastically gives in with her speech about the sun and moon on the way to her sister's wedding. Finally after all his calculating moves throughout Petruchio successfully breaks Kate's spirit which is evident in her final speech.
Petruchio undertakes to woo Kate before he has met her. He decides to recommend himself to her father as the dominant male that could tame her: "And so she yields to me. For I am rough and woo not like a babe."(II.I.136-137) Petruchio reports to Baptista that it is a match. Conclusively, he refuses any further discussion of the matter. If Petruchio were to speak more of the truth then his strategy to woo Kate may be revealed. His domineering attitude has limited Kate to express her thoughts of the situation.
From the moment Petruchio sets foot in her room, Kate is most abrasive towards him. Kate makes an effort to assert her dominance by developing a shrewish attitude. They engage in a lengthy verbal duel with elaborate puns. "If be waspish, best beware my sting."(II.I.209) Kate's puns are generally insulting or threatening, but Petruchio twists them into sexual innuendo. His persistence in breaking her spirit causes Kate to become more conniving.
Petruchio has employed a hawking metaphor to describe how he has begun his reign over Kate. "My falcon now is sharp and passing empty. And till she stoop she must not be full-gorg'd, for then she never looks up her lure. Another way I have to man my haggard, To make her come, and know her keeper's call, That is, to watch her, as we watch these kites That bate and beat, and will not be obedient.
Different Interpretations of the Relationship Between Kate and Petruchio in The Taming of the Shrew
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
In the play, Taming of the Shrew, this character is known as Petruchio. In act 1 scene 2, Petruchio insists on meeting Kat no matter who tells her of his behavior, for he was only looking at one factor – that she had a rich father. Upon meeting Baptista, Petruchio insists on meeting Katherine. “Lucentio” and Petruchio battle, promising this and that to Katherine until Baptista finally chooses Petruchio. Upon meeting Katherine, she immediately is biting at his heels. With his quick wit he is responding with equal amounts of insults which frustrates Katherine. Every insult Katherine throws at Petruchio he manages to throw back a sexual innuendo. further along into the story with Kate and Petruchio. Petruchio
The scene starts off Katherine terrorizing her sister, the men all introducing themselves, and Hortensio being hit by a lute. Katherine is eventually brought out to met Petruchio and they are left alone. Petruchio takes to calling Katherine by “Kate”, wriling her up. Kate begins to insult her suitor without hesitation. They then engage in an argument, which was more along the lines of clever puns and metaphors thrown to and fro. It then ends in Kate hitting Petruchio and his response being they will be married on Sunday, “will you. nill you”.
By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...
The Cold War, which is said to have lasted from the end of World War II to the dismantling of the Soviet Union in 1991. Intrinsically, this Cold War was a tense political period between the Democratic and Communist blocs, the East and the West, and most importantly, the United States and the Soviet Union. Although this period has now come to an end, many disputes have been raised concerning the initial conference at Yalta near the end of the Second World War, and the actual causes of the Cold War tensions involving Communist and American aggression.
Patrick and Petruchio’s desire to date Kat or Katerina is influenced by money. In Taming of the Shrew Hortensio mentions that Katerina is a shrew, but Petruchio does not care because she is wealthy. Petruchio could have easily found another woman, but with money involved, Petruchio does what he can to “win” her love by attempting to talk with Katerina and eventually takes his time to try and tame Katerina. “When Petruchio first meets Baptista, Petruchio inquires about the dowry, once Baptista replies, Petruchio immediately demands to sign the contract.
Tranio, Lucentio's servant, is perhaps the only man in this scene not to talk ugly about Kate, claiming she is either "stark mad or wonderful forward" (69). In Act II, Kate comes in, dragging Bianca with her tied up. When first reading this, the thought of one sister tying up the other and dragging her is pretty funny. But when you stop thinking about why Kate is doing this to her sister, you start feeling sorry for her. We see the immaturity of Kate and that she does not know how to deal with her feelings and instead of using words, she uses her physical actions....
The next reason why Taming of the Shrew is different from the Shrew’d is the set design. Petruchio is still trying to convince Kate that he is in love with her. Kate is still keeping her guard up by saying, “A witty mother! Regardless of her son” Also in Taming of the Shrew, the characters are marrying someone that is in their same class. On the other hand, in the Shrew’d the characters conversations end with them passionately kissing each other.
The Taming of the Shrew unravels to reveal a wild beastly Katharine lacking respect for her family, herself and others around her. Kate is a very outspoken and vulgar woman without respect to authority. Katharine, although depicted as a beautiful woman quickly becomes the talk of Padua. Kate has found that if she is loud and obnoxious she can have her way. She screams and grunts and pushes those who she does not get along with. The general character of Katharine seems to be that of a small child.
Much responsibility lies with readers, actors, and directors. Remember, “There is nothing either good or bad, but thinking makes it so.” Katharina and Petruchio are both victims of their social situations, their passions, and their egos, and by Kate’s final speech, it is clear that she doesn't really believe what she's saying – she's just telling Petruchio what he wants to hear. The final speech, then, can be seen as an extension of Kate's newfound ability to "role-play," or act. Katherine’s motivations for giving this speech (fear, exasperation, amusement) and whether or not Kate derives any power in her new relationship with Petruchio
that it is up to the individual person to make the right choice and to
The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly, he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it. Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention her sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process.
of life. Death is inevitable. Why should each of us not have the right to
Ever since people started to settle into their way of living, certain expectations over a certain culture is shaped by what the elders pass down. Over generations, the culture slowly changed yet it shapes to what makes society for what it is and what is expected to come from people in that certain time period. So how does this change occur within these generations? In The Taming of the Shrew by William Shakespeare, it becomes evident that the older generation influences the younger generation and proves what is expected from its time, especially when it comes to family.