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Murder on the orient express main characters
Agatha christie main themes
Analyses of Agatha Christie's works
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As a teen, the famous multimillionaire and owner of microsoft, Bill Gates, used to be judged by his character and physical appearance as a loser who would never be anyone important in life. Years later, he is now the richest and most successful human to be alive, proving that his character and appearances did not show his true identity and destiny. The novel Murder On The Orient Express is a novel written by Agatha Christie, known by her suspense novels as the queen of mystery, which conveys a similar message as Bill Gate’s story. The novel takes place in the Orient Express, a train heading to London, where Samuel Edward Ratchett, a millionaire, is assassinated by an unknown individual. Hercules Poirot, the protagonist and detective of the …show more content…
Poirot is known as a world famous detective for the vast amount of crimes he has successfully solved, but not nearly as much for his character and appearances. In the beginning of the novel, Hercules Poirot is introduced by the author as a “small lean man, muffled up to the ears of whom nothing was visible but a pink tipped nose and the two points of an upward curled moustache”(Christie 3). Agatha Christie gives detailed imagery of Hercules appearances which portrays the detective as a small and reserved person, not capable of doing anything impressive due to lack of confidence and his physical character. The author also gives a vivid description of a specific part of his body, like Poirot’s mustache, which implies that the detective is more conscious about himself and his body than caring for others. Further into the story, the author gives an insight of Poirot’s character by revealing his emotions and expressions. When talking to Ratchet, Poirot’s “face was completely expressionless. The others could have no clue as thoughts were passing in that mind” as he answered that he “regrets. I cannot oblige you”(Christie 35). Poirot’s facial expression portrays a sensation of uninterest, which, paired with his response to Mr Ratchet’s request, exposes his character as a selfish man that does not help other like every detective …show more content…
As Poirot is finishing his last conversations with the remaining passengers and gathering background information, he announces to his assistant, M. Bouc, that he can “now open our court of inquiry without more ado”(Christie 89). Even though Poirot is initially described and portrayed as a man with inexperience and lack of initiative, he breaks the first appearance given by his physic by his use of language commonly applied in court, or at a jury. The detective’s language conveys the idea that in the inside, Poirot is a man of great passion and initiative in the search for justice, which is opposite to what his appearance and characterization portrayed about him. Furthermore, during the process of solving the murder mystery, Poirot reveals one of his true morals about life as he tells M. Bouc that he believes that “the impossible cannot have happened, therefore the impossible must be possible in spite of appearance”(Christie 189). Poirot’s statement exposes one of his key beliefs that has helped him to solve many crimes, that despite of the appearance, everything has a second meaning and is possible even if it is viewed as impossible at first. This same idea is applied to poirot’s character, even though he is firstly introduced and presented to people as a small lean man that portraits lack of confidence and determination, he
Finally, Francisco Jimenez uses characterization to display the different aspects of all the characters during this time. “‘Andale, Panchito,’ Roberto yelled out, banging his shovel on the ground. ‘You can sleep tomorrow when we go home.’” This is characterization because it shows how Roberto is a hard worker and he is willing to persevere through
My initial inspiration for this piece was Trifles, which funnily enough only shares the characteristic of detectives being involved within the plot. As per suggestion on my proposal, I developed my idea of detectives solving a case further by including dialogue and inter-personnel relationships similar to those found in Glengarry Glen Ross. Taking the idea of different members of the real-estate office discussing work and plotting in Glengarry Glen Ross, and applying them to a trio of detectives on a case was interesting to say the least.
As for his character, it reveals that he can find beauty in the smallest things in life, meaning in the smallest revelation, but that he is a down-to-earth man (at the time he relates the story) who canget his point across, but not romanticize things. He expresses things as he sees them, but he sees them in a unique and detailed way. He mak...
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
How does a person’s appearance affect the way you perceive them? Appearance can hide a person’s personality and their intentions, and can often create conflict. Appearance versus reality is a common theme used in novels to create conflict and help to evolve the plot. 1984 by George Orwell and Hamlet by William Shakespeare have similarities and differences in the way appearance and reality is used. The original purpose of deceit in each novel appears different but have the same meaning. The way the theme of appearance versus reality is conveyed through different mediums such as double lives, actions, and organizations are similar. In the end, the theme of appearance and reality has different outcomes
Mysteries have always held great fascination for the human mind, not least because of the aura that surrounds them and the realm of the Unknown into which they delve. Coupled with the human propensity of being particularly curious about aspects which elude the average mind, the layer of intrigue that glosses over such puzzles makes for a heady combination of the literary and the popular. In the canon of detective fiction worldwide, no detective has tickled the curious reader’s imagination and held it in thrall as much as Sir Arthur Conan Doyle’s Sherlock Holmes. The 221-B, Baker Street, London ‘amateur’ detective combines a rare blend of intellectual prowess and sharp wit to crack a series of baffling riddles.
The plot is entertaining and suspenseful which allows it to hold up to the standards of the list. Foreshadowing maintains interest, and is a prominent part of the suspenseful nature of the plot. After the first murder of Mrs. Ascher, Hastings believed that the crime is a singular event, but Poirot stated, “This is only the beginning” (Christie 22). The author uses a delightful example of foreshadowing to hint to the later murders. This keeps the plot suspenseful which makes one want to continue reading. After discussing possible coincidences on the day of the murder with the victims’ friends and families, Poirot realized, “I tell you my friends, it cannot be a coincidence. Three crimes---and every time a man selling stockings and spying out the land” (Christie 211). The finding of clues allows the plot to continue, thus maintaining the reader’s interest and preventing the story from becoming too tedious to enjoy. While Monsieur Poirot finished pronouncing the name of the murderer, the narration stated, “Two detectives...
An author can reveal characteristics of characters in literature through several different methods. Some common methods of characterization include one’s appearance, speech, thoughts, name, actions, and emotions. However, unconventional means can also be used, such as imagery, which is visually descriptive or figurative language. In Hamlet, by William Shakespeare, imagery is used to characterize central characters to the play. Firstly, Hamlet’s characteristics are revealed through the imagery of death in his speech. Secondly, Claudius’ characteristics are revealed through the imagery in the Ghost and Hamlet’s descriptions of him, as well as his own thoughts. It is through this visually descriptive and figurative language, that readers can identify characteristics of these central characters.
In the beginning Poirot receives the letter and reads over it together with his friend Hastings. Poirot, undercover as a potential buyer of the now empty house, then wants to check the house to find out more about the residence of Emily Arundell and her way of living to be able to reconstruct the accident. He then questions her companion, Miss Minnie Lawson and all the family mem bers Emily had contact with. He comes to the conclusion that considering the dog, Bob, had been out the whole night it couldn't have left the ball on the stairs and that it was in fact an attempt to kill Emily Arundell. He assumes that she fell over a thread that was wrapped around a nail.
An image is something that a person portrays through the way that they speak, the clothes that they wear, and the way that they act. This essay is a closer look into how Hamlet uses his acting to set an image for the other characters in the play to convince them of his insanity and to hopefully pardon him of his crimes. The author's thesis claims that Hamlet's dramatic behavior results from his attempt to escape the real world "into an imagined world where moral and social responsibilities do not exist". In other words, Hamlet is portrayed as a manipulative character who aims to create an environment that somehow permits his malicious acts.
Agatha Christie wrote Murder on the Orient Express in 1934 and based it on two events that actually occurred.
The point of view in The Murder on the Orient Express is third-person omniscient, which is crucial to the book. The reader can see an example when Christie first introduces Mrs. Debenham. Christie tells all about Mrs. Debenham’s adventure up until that point and also gives a brief description of her thoughts and feelings about Hercule (Christie 6). Christie does not, however, reveal any of Mrs. Debenhams involvement in the murder. Knowing the thoughts of the characters is very important in keeping the reader interested and trying to figure out the murder without giving away. Critics supports this idea by saying, although the thoughts and feelings of all characters are given, the restricted information Christie leaves out, gives the readers a dramatic effect ("Murder on the Orient" 152). Christie’s style in The Murder on the Orient Express also included some stereotyping of individuals on the train. This stereotyping was shown when it was decided that the stab wounds seemed to be inflicted by a woman based on the lack of intensity (Christie 56). Another place stereotyping was concerned was when Antonio was suspected solely based on his Italian nationality (Christie 122). The stereotyping Christie includes in her book shows importance to the plot by distracting the readers from more valid evidence. This distraction is another tactic used to keep the reader intrigued in the story. Greg Wilson comments about Christie’s insensitive remarks and says she might use these shallow, stereotypical comments about the characters as a crucial part of the murder plot ("Murder on the Orient" 155). The author’s style draws the reader in by utilizing distracting elements to elude them from the
Characterisation is hugely important to a plot just for it to make some sort of sense. The characterisation of key figures in the plot, however, has huge significance as it helps you to understand why the characters perform certain, (often unthinkable,) actions. If we only have one dimensional characters described to us then we are unable to immerse ourselves into a highly complex plot. Intense characterisation makes us form connections with key figures and actually empathise with some of them, especially in the case of the “Thyestes.” As a rule, characterisation is vital to make any plot evoke any sort of feelings except the enjoyment of reading a pleasurable story. Methods of characterisation include appearance, personality and behaviour; which all can be split into two categories, direct and indirect. Direct characterisation is when a writer describes a character in a certain way, so they are ‘directly’ helping us to visualise the character in a certain way. Indirect characterisation is, for example, when the expressions of a key figure makes us expand on their personality. These techniques are needed to be used to help the overall impact of any plot, especially in the case of main characters. Seneca’s characterisation of Thyestes adds impact in many different ways, each of which I will now discuss in this essay.
...t-out and cunning crime will not go unpunished. This notion plays on the idea that good always wins. An idea this simple is easy to overlook, but can have profound results. Subconsciously the reader takes in that “good always wins” and this will in turn reduce/lower their desires for doing evil. So by having the detective always solve the case, which happens in virtually all of detective fiction, the reader is left more fulfilled and less likely to commit a crime themselves.