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Poetry death and nature
Death of a naturalist full analysis essay
Poetry death and nature
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Seamus Haney has written poems that have caused readers to be moved, inspired, and most of all, relate to and understand. This poet has his readers understand and relate to his poems in his use of truths and tension. In "Death of a Naturalist", the poet tells a story about a young boy who collects frog eggs from a pond every spring. He puts the eggs in jars and watches the tadpoles hatch, all for his own amusement. One day, the boy sees a huge group of frogs around the pond the frog eggs come from. He can only assume the frogs are there for revenge. In this essay the mains points will be the public and personal tension and the universal and individual truths in "Death of a Naturalist". This specific poem is used because it explores the tensions …show more content…
and uses these truths to make an impact on the readers. In "Death of a Naturalist", the poem is littered with personal and public tension scenarios.
In the beginning of poem, the poet states: "In the shade of the banks. / Here, every spring I would fill jampotfuls of the jellied / Specks to range on window sills at home,"(Line 10-12). These lines show personal tension because it's an something only the narrator experiences. The poet's use of tension allows the reader to appreciate the narrators depth. In the next lines, the poet states: "On shelves at school, and wait and watch until / The fattening dots burst, into nimble / Swimming tadpoles. Miss Walls would tell us how" (Lines 13-15). This is an example of public tension, because he is discussing something that happened at school where other students attend, and his teacher is remarking on his frog eggs. This use of this public tension builds an innocent feeling for this poem, so the ending makes a more powerful impact on the reader. It is also here to remind readers that the narrator is a child. And finally, the poet states "when fields were rank / With cowdung in the grass the angry frogs /Invaded the flax-dam; I ducked through hedges"(Lines 22-24). These lines exhibit the personal tension, because there are animals involved, but only one human. No other human is there to experience this. This personal tension makes a huge impact of the reader - we go from an innocent child at school to a person facing something that horrifies them. The way the poet uses the personal and …show more content…
public tension in this specific poem is what really impacts and connects the readers. An individual truth is something that only one person can relate too.
In "Death of Naturalist", most of the individual truths are memories that belong to the narrator alone. In this poem, the poet states: "All year the flax-dam festered in the heart / Of the townland; green and heavy headed / Flax had rotted there, weighted down by huge sods. / Daily it sweltered in the punishing sun." (Line 1-4). This is an example of a individual truth, because this is a description of the of the narrator's fictional hometown. This poet's use of this truth and his use of imagery in this example gives the reader a picture in their mind of a place that isn't even real. The next example states: "Here, every spring / I would fill jampotfuls of the jellied / Specks to range on window sills at home,/"(Line 10-12). This is an example of of a individual truth because this memory doesn't mention anyone else lining the window sill with jars of frogs eggs. This truth is here to remind readers that the narrator of this story is just a child. Finally, the poem states: "The great slime kings / Were gathered there for vengeance and I knew / That if I dipped my hand the spawn would clutch it."(Line 31-33). This is also individual truth, because this a memory of terror the narrator experiences alone. This truth indicates the major change in the poem, when his calendar custom suddenly is interrupted by frogs, seeking revenge for the theft of all these years. There are many individual truths in this poem,
and the way the poet uses them makes it enjoyable to read and relatable.
"The thing could barely stand." ("The Bull Calf" line 1). The calf is referred to as a thing not an animal or creature. This is the way the author blocks emotion. The first line in the first stanza is a contradiction from the rest of the stanza because the rest of it has a positive attitude and the first sentence shows that the animal is weak. The third and the fourth line show the glory of the animal by hinting to royalty. The last line in the first stanza helps to back this information up by pointing to Richard the second. In the fifth line the narrator uses thee word us this connects him to the event. "The fierce sunlight tugging the maize from the ground" ("The Bull Calf" line 6). This is imagery, the sunlight showing promise and hope, maize is yellow this refers us back to the sun through the similar color. The last line refers to Richard the second this makes the poem flow better into the next stanza, Richard the second was lowered from his rank much like the calf is going to be.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
In Mary Oliver’s poem “The Black Snake,” the narrator contemplates the cycle of life with the unpredictability of death. Mary Oliver’s work is “known for its natural themes and a continual affirmation of nature as a place of mystery and spirituality that holds the power to teach humans how to value one’s life and one’s place” (Riley). In the poem, The Black Snake, the narrator witnesses a black snake hit by a truck and killed on a road one morning. Feeling sympathy for the snake, the narrator stops, and removes the dead snake from the road. Noting the snake’s beauty, the narrator carries it from the road to some nearby bushes. Continuing to drive, the narrator reflects on how the abruptness of death ultimately revealed how the snake lived his life.
For this assignment, I have decided to write about a famous poem of Billy Collins which is titled as ‘Introduction to Poetry’ written in 1996.
The entire poem is based on powerful metaphors used to discuss the emotions and feelings through each of the stages. For example, she states “The very bird/grown taller as he sings, steels/ his form straight up. Though he is captive (20-22).” These lines demonstrate the stage of adulthood and the daily challenges that a person is faced with. The allusions in the poem enrich the meaning of the poem and force the reader to become more familiar with all of the meaning hidden behind the words. For example, she uses words such as innocence, imprisonment and captive to capture the feelings experienced in each of the stages.
Each poem describes a scene where a man learns from his experience and interaction with nature. In “The Meadow Mouse” the man instantly finds himself a father-figure to the mouse that he finds. When the mouse leaves, he thinks of the dangers of nature such as, “the turtle gasping in the dusty rubble of the highway.” From his instant love and pain of losing the mouse, he learns how he truly feels about nature. Set in a different scene, the fisherman in “The Fish,...
There are a couple of similes the author uses in the poem to stress the helplessness she felt in childhood. In the lines, “The tears/ running down like mud” (11,12), the reader may notice the words sliding down the page in lines 12-14 like mud and tears that flowed in childhood days. The speaker compares a...
Throughout Grave’s poem, “Warning to Children,” a recurring theme can be observed – that life is full of diversity. This diversity is represented in the poem with the usage of colour, “…blocks of slate enclosing dappled red and green, enclosing tawny yellow nets, enclosing white and black acres of dominoes, where a neat brown paper parcel…” This thematic material is repeated several times throughout the poem, and creates an image of a never-ending cycle of colourful, wondrous things. The theme and the image that goes with it creates an allusion of the life that everyone wishes that they have – one that is forever full of different things to see and do. In this sense, this poem reflects upon part of Santayana’s quote: “The subject matter of art is life.”
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
In Heaney’s poem “Blackberry Picking”, the narrator describes the blackberries as sweet so he picked as many as he could find and stored them. He then expresses that “it wasn’t fair that all the lovely canfuls smelt of rot. Each year I hoped they’d keep, knew they would not” (Blackberry Picking). Heaney wrote this based on his own experiences of blackberry picking where he realizes that time turns the berries’ once sweet juices into something vile. Visual imagery is used as an element to vividly describe the deterioration of nature and discuss that as time goes on, things that seem so beautiful and vibrant eventually turn to dust. The blackberries symbolize the narrator’s, or in this case Heaney’s, innocence as he comes to the honest conclusion that death is inevitable and that nothing, especially the blackberries, lasts forever; making every moment so precious since time is relentless. Heaney describes the narrator in “Death of a Naturalist” as happy and enthusiastic about taking frogspawn until “angry frogs invaded the flax-dam; [he] ducked through the hedges to a coarse croaking that [he] had not heard before” (Death of a Naturalist). The use of alliteration in “coarse croaking” portrays the “angry frogs” who express their deep-seated dislike of the boy, or the narrator, who continues to collect “jampotfuls” of the frogspawn. Since the narrator is Heaney, the
“Not all that glisters gold,” Gray surmised in his poem, Ode on the Death of a Favorite Cat. While the term is widely understood now as meaning that not everything is precious, there is evidence to suggest that there is a more cautionary tone which surrounds this saying. As Gray uses it to lament the death of Horace Walpole’s favorite cat, when the text is analyzed further, aspects of the mock epic are revealed. However this usage of the mock epic is less humorous in tone and more as a vehicle to warn readers of the tragedy that befalls them when they mindlessly pursuit certain desires. Therefore, in Thomas Gray's Ode on the Death of a Favorite Cat, Gray uses the style of mock epic along with a non-human character in order to depict how people dangerously pursuit the material in their life, at the risk of their own demise.
It will further deal with the development of tension throughout the poem. By making a distinction between tension through formal aspects, such as rhyme scheme, and tension through content it will try to show the interconnection between both of them. Additionally, the paper will deal with the possible effect of tension on the reader and how the poem might be perceived by him/her.
Death is inevitable. Chidiock Tichborne and John Keats in their poems “Tichborne’s Elegy” and “When I have fears that I may cease to be” convey death in opposite ways. Tichborne through his poetic style, shows an acceptance of his death, as a result of reflecting on a life fulfilled, but unrecognized. While Keats, expresses a fear of death, where he contemplates that he will not be able to experience love or fame. Both these poets have lead lives that varied from each other in ways that are most revealed through their use of form, metaphors, repetition, punctuation and rhyme schemes. Moreover, both poets express and explore deep rooted human emotions such as, nostalgia, pain, love and a feeling of insatiability. Although “Tichborne’s Elegy” and “When I have fears that I may cease to be” share a common theme because each speaker contemplates the inevitability of his death, their perceptions differ mainly as a result of their circumstances.
	The speaker of the poem is a civilian observer, probably a local. There is a sense of tension and fear in the speaker’s tone. The speaker uses an observatory tone in the poem, a combination between 1st and 3rd person. The author shows us that the speaker is an observer when he says "They are not there…/You finger the trigger of your Bren." (ll. 8&10) You can clearly see that the author creates tension when he says "Half-fearing, half-desiring the sudden hell/ Pressure will loose." (ll. 11-12) The poet has a way of building us up to a climax then letting us down, and again he gets us on the edge of our seat, only to sit back down quickly.