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When it comes to being bullied, would the slow and painful death of the accuser normally be one’s first thought? If yes, the person in question should not be allowed to roam free and should very well be checked by a licensed psychiatrist. Montresor in Edgar Allan Poe’s “The Cask of Amontillado” should be once such individual. After being taunted by Fortunato, which the specifics were never given, Montresor sought his revenge in a very dark and elaborate way. Throughout the story, Poe uses irony, a change in setting, and symbolism to represent Montresor’s revenge against Fortunato. Poe starts off the story ironically with Montresor finding Fortunato near carnival season, where “[h]e had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells” (156). Most readers can deduce that Fortunato’s outfit was a jester’s costume, which is often worn at festivals and carnivals. Poe deliberately placed him in this costume as a hint of what was to come, for Montresor intended to make a fool out of Fortunato as he had made a fool out of him. As the story progresses and the characters move from the carnival to Montresor’s home, or palazzo, the setting …show more content…
Dressing Fortunato in a jester’s costume was a bit of irony to hint at what it to become of Fortunato. Poe’s drastic change in the setting of the story is a way of showing what is in store for Fortunato and begins to reveal Montresor’s true intentions. The Amontillado itself became a symbol of Fortunato’s death after being lured into Montresor’s trap and ultimately put into his grave, ending the story and satisfying Montresor’s need for revenge. Thus ends the tale of Montresor, where the monsieur was revealed to be the monster after
He gives very little information about Fortunato, past that he is a wine connoisseur. There is no mention of what Fortunato does for leisure, his family, or even his job. In fact, the only details the reader receives on Fortunato paint him as a fool, with his costume, his drunken attitude, and obliviousness Montresor is focuses on the facts that make Fortunato look bad; he not only wants Fortunato dead but he also wants Fortunato’s name discredited. Montresor tells the reader even less about himself because there is no background to who Montresor is, what he does, or even what kind of contact he has with Fortunato. The only true details of Montresor that are given must be implied and give a sense of intelligence. In addition, he gives little to no details about the carnival, such as where it was, why the carnival was happening, or even why he chose this particular day to enact his plan. From these details, or lack of details, it seems Montresor doesn’t want his audience to know this information. The audience is supposed to simply look at Fortunato a fool and Montresor a genius, the harbinger of death. The facts such as who these people were, the time, or the setting are not important to Montresor’s focus in the
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with his societal prominence.
Have you ever met someone so clever, determined, and cruel to leave a man to die over an insult? Montresor is the perfect example of these character traits. In “The Cask of Amontillado”, by Edgar Allan Poe, Montresor uses all of these character traits to get revenge on Fortunado for insulting his family name. Montresor’s clever planning, determination for revenge, and cruel murder are the perfect combination for his unequaled revenge.
The protagonists Montresor wants to get back at Fortunato for deeply insulting him and Montresor vows for revenge. During the fall carnival, he sees his opportunity and is quick to pounce on this and put his plan into place. “With Fortunato intoxicated and falling and stumbling all over the place Montresor knows that the time is now” (Russell 211). Montresor knows Fortunato’s weakness for wine and Montresor tells him he found Amontillado a very rare wine and it is in his vault. Montresor knows how far Fortunato will go for wine as rare as Amontillado and that is what eventually leads to his tormented and revengeful death. Edgar Allan Poe also gives lots of scenes that foreshadow to the future and the plotting about the death of Fortunato and the steps leading up to it. “The great example is putting Montresor into the future fifty years later telling the story and everything that went into the murder that he had committed” (Elliot 268). Poe depicts that revenge is very sweet and even fifty years later, that the deep gothic death and revenge themes still show up in Poe’s writings (Russell
In Edgar Allan Poe’s, “The Cask of Amontillado,” the main character and narrator, Montresor begins the story by expressing how he has put up with many insults from a man named Fortunato and that he has had enough and vows revenge against him. Montresor lures Fortunato into the catacombs to taste the Amontillado so as to kill him secretly. Montresor portrays in the beginning of the story that he is going to be lying to Fortunato’s face, acting one way while really thinking another. This fact indicates that Montresor is an unreliable narrator for telling the story because he lies to people he knows, gives hints that he is jealous of Fortunato, does not offer an explanation for wanting to murder Fortunato and his tone of narrating the story.
While at the carnival, Montresor bought some of the finest Amontillado wine to use in his vengeful plan to murder Fortunato. He then meets his "friend," Fortunato. Fortunato is wearing "a tight fitting parti-striped dress and head is surmounted by the conical cap and bells" (Poe 528). By him wearing this outfit, makes it great for the narrator because he is going to make a fool out of Fortunato. Montresor is a manipulative person. He challenges Fortunato's connoisseurship on wine tasting and leads him to his family estate.
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
Montressor waits to get revenge during the madness of the carnival, a time when it is likely neither will be missed from the festivities. When Montressor meets Fortunato in the palazzo, he tells of the Amontillado he has received, and that he has his doubts on the genuineness. Montressor knows that Fortunato is a wine connoisseur and will be intrigued at the thought of Amontillado being so near. Montressor tells Fortunato that since he is otherwise engaged in the ... ... middle of paper ... ...
In his article, he mainly wanted to answer two questions; 1) What could have been Montresor’s motive to kill Fortunato? And 2) Why did he wait fifty years to tell the story? As I finished DiSanza’s article, neither of those questions were actually answered. I guess that’s because no one but Poe himself could really tell us readers why. Bales, Kent and Gargano were DiSanza’s most used sources and even those authors couldn’t answer his main questions, which he based his article around. I found that while reading “On Memory, Forgetting, and Complicity in “The Cask of Amontillado”” by Raymond DiSanza, Edgar Allan Poe’s short story causes the reader to ask many questions. In which, those questions interconnect more frequently than you’d think. DiSanza makes you realize Poe never mentions Montresor’s motive because he knew exactly how the readers would react. A great tactic Poe brilliantly uses, purposefully leaving out information in order to create suspense and mystery; causing the reader to wonder. Poe wanted us to overanalyze and try to figure out the many possibilities behind these questions, he wanted us to think in a way we wouldn’t have. He is able to avoid giving examples of what these injuries Fortunato put upon Montresor were. Poe 's problem in writing this story include keeping the reader somewhat sympathetic for a man who was able to bury another man
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
the story starts out in the familiar festive social setting of the carnival. In this catholic celebration, people dress in costume and masks and drink. This celebration occurs just before Lent on the Christian calendar. This setting is conventional, making it hard to tell the identity of each other. This creates a sense of chaos and estrangement, commonly found in the gothic genre. However, this is also an unconventionally ironic setting to start a story about revenge because the carnival was a celebration of life, yet Montressor has chosen this day to commit murder. furthermore, it is then introduced to Fortunato, who is dressed in motley. This is ironic because his name means fortunate, yet he is dressed as a fool. The man wore motley. He had on a tight-fitting pants-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand. This characterization also symbolizes his character because his arrogance and ego are what cause him to be foolishly misled by Montressor to his death. Montressor is also dressed according to his character. The story dresses him in black with a mask, symbolizing evil and death. The irony of the way that these characters are dressed add to the terror of the story because it states that although Fortunato Is actually foolish, he is an innocent drunk who does not deserve to die. Montressor is a mysterious evil character because the reader never find out the reasoning behind his actions and, therefore, can perceive him early on as a psychotic and evil person. This mystery is even further unsettling for the reader. Later on in the story, their characters become even more obvious. Fortunato is unable to realize Montresor 's intentions. He makes a reference to the freemason, which he believe Montressor is not part of. Ironically, Montressor makes a disturbing joke that he
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.
His superego is telling him all the things that could go wrong, but his ego is telling Montresor to go through with getting revenge by murdering Fortunato. Kevin J. Hayes states in his book The Annotated Poe, that the motivation for Montresor to murder Fortunato was Poe’s own desire to get revenge on a former friend, Thomas Dunn English (Hayes 351). Montresor, like Edgar Allan Poe, felt like he has been wronged and needed to punish that person. Fortunato shows up wearing a motley, similar to a joker’s attire. Scott Peoples says in the book “Social and psychological Disorder in the Works of Edgar Allan Poe” that his belief is that Montresor is committing this murder out of an act of jealousy. Also, Montresor has created an enemy to place all of his disappointments and failures upon (40). According to Montresor it is accurate because the joke is on Fortunato. Fortunato does not have a clue what is about to happen to him in the catacombs. He thinks he is just showing Montresor the difference between Spanish sherry and Amontillado; he is too drunk to even consider that this is a death trap. After seeing Fortunato’s attire, Montresor decides to go ahead with the murder plan. Montresor is dressed in all black and fits the attire of the carnival, but his clothes have another meaning. Criminals dress in black to blend in with the night. To avoid the victim’s