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Analysis of the setting of Wuthering heights
Analysis of the setting of Wuthering heights
Analysis of Bronte s Wuthering heights
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In Wuthering Heights, by Emily Bronte, Catherine Earnshaw was liked and disliked. However the way she brought out herself as she grew up, made people dislike her more. Earnshaw felt it was okay to fall in love with two men, Heathcliff and Edgar. That is what made her selfish. Catherine wanted to be happy and satisfied with her life so she took advantage of men, not just any men but men that were wealthy. She has a desire for social advancement, which made her seem like such a careless, selfish woman. That wasn’t the case though; Catherine is free-spirited, beautiful, and spoiled. These two characters, Nelly and Edgar have two different lifestyles, she follows Catherine, while he feels used but still loves Catherine so very much.
“Nelly
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Nelly tells us, “He possessed the power to depart as much as a car possesses the power to leave a mouse half killed, or a bird half eaten.” The irony here is that Catherine is the cat and Edgar is the house or bird. Their relationship grows from her desire to and ability to overpower him (“eat him”) and his willingness to let it just happen. On the other hand, Nelly as well feel s that if she marries Edgar life will be so much different, compared to the lifestyle Catherine was living with Heathcliff. Nelly dislikes the fact that Catherine plays around with two men when love is involved. “Catherine feels that there is something wrong in her soul that she cannot decide the cause of. To explain …show more content…
As each day goes by their relationship grows to abuse. Her power over him and his willingness to give her all, is what brought the relationship to an unhealthy way of living. However, he admired her, she was beautiful and such a charm. Catherine loved Edgar but without passion. She cared but just in another way, because Edgar was the right social class for
Catherine first becomes exposed to the opposing forces as she experiments with her desires for love and a better quality of life. *6* Because she constantly shifts priorities from one man to the other, her love for Heathcliff and Edgar results in a destructive disequilibrium. *1*In the novel, Cathy is portrayed as a lady with untamable emotions. *7* In her childhood she learns to l...
...periences in life. The most important one is search for freedom. Catherine is always locked up in her chamber, or trying to get away from the suitors. Throughout in the book she thinks about going to the abbey, leaving the manor, or going on an adventure. In the end her marriage with Stephen shows her that now she is “… at least less painfully caged” (Cushman 164). The story was very exciting when you wait to see what she would do to another suitor. I learned that as much as you try to fight something sometimes you cannot and it’s bound to you. As seen with Catherine and marrying any one of the suitors. “If I was born a lady, why not a rich lady” (Cushman 4). I think the author wrote this because she wants to show how medieval Europe was like, the social classes, education, religion, and especially society’s look on marriage.
Catherine is very pleased to meet Isabella after being disappointed in not seeing Mr Tilney again. The narrator informs the reader that Catherine is fortunate in finding a friend as ‘Friendship is certainly the finest balm for the pangs of disappointed love.’ (p.18 NA). Isabella being the elder of the two has much more knowledge of fashionable society than Catherine and is, therefore, able to teach her a great deal about the expectations of society at that time.
In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs literary devices such as antithesis of ideas, and the motif of repetition to reveal the destructiveness of wild love versus a domestic love.
...he power to depart, as much as a cat possesses the power to leave a mouse half killed, or a bird half eaten” a window motif can be seen here, as Edgar has been pushed on the outside of Wuthering Heights while Cathy remains inside her home. A change is signalled in that Edgar is likely to ask Cathy to marry him, for her cannot take his eyes off her or leave her side for one second. The plosives ‘possessed…power’ emphasise the choice that Edgar has to go back to the Grange or stay with the girl he loves, and the simile ‘as much as a cat possesses the power to leave a mouse half killed’ shows Brontë making a comparison to emphasise that Edgar would rather stay with Cathy even though she has just hit him moments early in a flurry of passion, this also shows that Edgar is easily swayed to make decisions without much persistence or effort from anyone.
Emily Bronte also uses the love of Heathcliff and Catherine to show how women wanted to be equals to men. But when Catherine marries Edgar she becomes a 2nd class citizen and this is typical of men's views on women at the time when the novel was written. The way in which Catherine's name changes throughout the book shows how women have a crucial lack of identity that was common at the time the book was written. The contrast between wuthering Heights and Thrushcross Grange is very important in the novel because the novel is all about contrast, conflict, unions that fail, how the unions produce manipulated unhappy children. The contrast in the houses symbolises the contrasts and differences inherent in life that produce conflict not peace.
Catherine was born into a rich solid family, where her father, Mr. Earnshaw, was a strict man, and her mother, Mrs. Earnshaw, was a pretentious woman. Through her conceited youth Catherine’s immaturity is clearly explained. Born with a very strong attitude; she is the type that throws a fit when doesn’t get what she wants. An example is, “when she learnt the master had lost her whip in attending the stranger, showed her humor by grinning and spitting at the stupid little thing” (33). Catherine was never love by her father, whom felt the need to tell her, “Nay Cathy, I cannot love thee; thou’rt worse than thy brother. Go, s...
Catherine is 17 years old in this play, and is growing up to become a woman, while starting to think independently as seen in her clothing choices. However, Eddie is against this idea of her blossoming into a woman, as seen when he says, "You're getting to be a big girl now, you gotta keep yourself more, you can't be so friendly, kid." At the same time, Beatrice gives Catherine advise that she should not be so dependent on Eddie and that she should view herself as an independent woman instead of letting Eddie dictate her life, when she says, "You're a woman […] and now the time came when you said goodbye." Through the story, Catherine is put in a spot where she does not want to leave eith...
Catherine is free-spirited, wild, impetuous, and arrogant as a child, she grows up getting everything she wants as Nelly describes in chapter 5, ‘A wild, wicked slip she was’. She is given to fits of temper, and she is torn between her wild passion for Heathcliff and her social ambition. She brings misery to both of the men who love her, ultimately; Catherine’s selfishness ends up hurting everyone she loves, including herself.
In this narration and as a narrator, Nelly subtle and blatantly gives her perspective and bias on Catherine and Heathcliff, which remains unchanged until adulthood. Despite Nelly’s young age, she shows the audience the understanding of social politics within the Earnshaw family and its effect on Catherine and Heathcliff. Due to this knowledge and Nelly’s position in the family, she demonstrates her negative view on the two said characters when Catherine returns from Thrushcross Grange:
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?
However, Catherine is torn between two worlds. On one hand, she longs to be with Heathcliff, her soul mate and childhood friend. Their life together, growing up and playing on the moors, represents the freedom and innocence of childhood that despite the class gap between them, allowed for them to continue their bond. On the other hand, she recognizes what a marriage to Edgar can do for her socially, and she enjoys those things that Edgar can provide for her. Ultimately, she is self-absorbed and self-centered, and although she claims to love both Heathcliff and Edgar, she loves herself more, and this selfish love ends up hurting everyone who cares for her.
Catherine and Heathcliff’s ardour , intensity warmth for another appear to be the centre of Wuthering Heights, given that it is strongest and more abiding , deep-rooted than any other feeling demonstrates and exposed in the tale, and that it is the beginning , cause of most of the larger collision and clash that construction the novel’s intrigue . Catherine and Heathcliff’s tale, Nelly disapproves and condemns both of thembrutally, cruelly and sternly , condemning their feeling as impure ,dissolute ,indecent .,lewd but this passion is certainly one of the most conclusive and carchy appearance of the book. It is not effortless to adjudge whether Brontë intends the reader to blame and disapprove these lovers as reproachable or to apotheosize , glorify them as sentimental heroes whose love eclipses social benchmarck and normal honesty , morality, integrity. The tale is actually configurated around two coextensive love stories, the prime half of the novel focused on the love between Catherine and Heathcliff, while the le...
In the novel, Wuthering Heights, we see a young girl named Catherine growing up while struggling with herself as she tries to figure out who she is and how she feels. Brontë’s symbolic use of the religion motif appears throughout the plot and allows the reader to see through Catherine’s mistakes, that devotion requires balance. Starting when the Earnshaw’s die, Catherine fails to balance religion in her life to where, soon it becomes a thing of the past. Through this, Catherine shows only her kindness but rarely her forgiveness. Kindness and forgiveness are two basic traits a good Christian develops, in which she clearly fails to have obtained.