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Representation Of Women In Literature
Gender in literature
Role of a woman throughout history
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In today’s society, women are empowered, independent, and have freedom on their parts to live their life freely. This is definitely a positive aspect of the modern day society, however, this may not be how it always was. Travelling back in time, to the Red Hook community of Brooklyn, circa 1950s, we are able to see the societal expectations of a women at the time through Arthur Miller’s A View from the Bridge. The two female characters, Catherine and Beatrice, play crucial roles in the play and are essential to the tragic storyline of Eddie and his downfall. However, Arthur Miller has skillfully been able to show the lives and societal expectations of the women at the time, and to portray how women should not be treated. Both Catherine and Beatrice face different particular issues, but in the end are treated similarly as women. First, we shall look at Catherine and Beatrice and their individual parts in the story. After this, the portrayal of women and femininity in Red Hook at that time will be explored in reference to Catherine and Beatrice. Catherine is 17 years old in this play, and is growing up to become a woman, while starting to think independently as seen in her clothing choices. However, Eddie is against this idea of her blossoming into a woman, as seen when he says, "You're getting to be a big girl now, you gotta keep yourself more, you can't be so friendly, kid." At the same time, Beatrice gives Catherine advise that she should not be so dependent on Eddie and that she should view herself as an independent woman instead of letting Eddie dictate her life, when she says, "You're a woman […] and now the time came when you said goodbye." Through the story, Catherine is put in a spot where she does not want to leave eith... ... middle of paper ... ...ould merely be because of the Italian value of loyalty to the family before all, however, it is more probable that Beatrice was stuck in a situation which offered her no way out. In the 1950s, women are to marry, give birth to children, and be homemakers, and there was very little opportunity for women to succeed in a working environment as men were considered to be superior in this area. Beatrice thus would not be able to live her own life without Eddie, even if she had considered leaving him. This shows that women back then may have been deprived of a social stature that would allow them to live in their own free will. Arthur Miller has thus brought the aspect of women and femininity in the Red Hook community in the 1950s to light in A View from the Bridge, providing a thinking point for all readers alike, especially compared to today’s roles of women in society.
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Throughout history, women’s place and role in society has changed. Women are often seen as a lower status and have a need to be taken care of by men. There are conflicts with the idealization of women as they are often overlooked and viewed as secondary characters. This idealization is well established in the characters of Desdemona in Othello and Daisy in The Great Gatsby. In F.Scott Fitzgerald’s novel The Great Gatsby and Shakespeare‘s play Othello, Desdemona and Daisy are both responsible for their tragedies due to the manipulation and impact of the outsiders, their loss of innocence, and their vulnerability as women.
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
In conclusion, gender role in Elizabethan era is very complex with respect to women’s role. Men are the masters of the home and society; they preside over every aspect of life. They are however, expected to take care of their family and also be actively involved in politics, war, and they inherit their father’s properties. Women role varied a according to their social status. All women were raised to be subservient to men. Unlike upper class women, lower class women were denied any kind of education. And all women are expected to get married and bear children. The qualities Shakespeare gave Beatrice are very significant because it contrasts traditional Elizabethan theater. Gender role has evolved over time, especially women’s role and it will continue to evolve as long as there are women like Beatrice around.
As insinuated through her poem’s title, “A Double Standard,” Frances Harper examines a double standard imposed by societal norms during the 19th and 20th centuries, as well as the different effects this standard foisted upon those of different genders. Harper’s poem is narrated by a woman who has been derided by society for her involvement in a sexual scandal, all while her male counterpart experiences no repercussions. By describing how her situation involving the scandal advances, delineating the backlash she receives for her participation, and reflecting on the ludicrously hypocritical nature of the situation, the speaker discloses the lack of control women had over their lives, and allows for the reader to ponder the inequity of female oppression at the turn of the 19th century.
(Essay intro) In the modern day, women have the luxury of belonging to themselves but unfortunately this was not always the case. During his life, William Shakespeare created many positive female characters who defied the traditional gender roles and brought attention to the misogynistic patriarchy of Elizabethan England. One of these true feminist icons is ‘Much Ado about Nothing’s. Beatrice. The women in ‘Much Ado about Nothing’ defy traditional gender roles. Beatrice represents a brave and outspoken woman who defies the oppressive, traditional gender roles for the female sex. Her cousin Hero, however, represents those women who were successfully oppressed by the patriarchy and accepted the traditional gender roles without much complaint.
People who thinks of Thornton Wilder primarily in terms of his classic novella “Our Town,” The Bridge of San Luis Rey will seem like quite a switch. For one thing, he has switched countries; instead of middle America, he deals here with Peru. He has switched eras, moving from the twentieth century back to the eighteenth. He has also dealt with a much broader society than he did in “Our Town,” representing the lower classes and the aristocracy with equal ease. But despite these differences, his theme is much the same; life is short, our expectations can be snuffed out with the snap of a finger, and in the end all that remains of us is those we have loved.
At the start of the play Hero is presented as a typical woman of the time, modest and demure – she says little. In fact, Shakespeare’s first words describing Hero, ‘Is she not a modest young lady’ announce her essential qualities of modesty and decorum. In this period, these were vital qualities to have in a wife and Hero possessed them, unlike Beatrice. By contrast, Shakespeare portrays Beatrice as an untypical woman, being outspoken, independent, witty and unconventional – she is always participating in the conversation even with the men (especially Benedick), which Hero never does.
Beatrice is, without a doubt, one of the strongest female characters that Shakespeare ever came up with in his time of writing. Shakespeare shows, through Beatrice, how every woman should act in an era where only the men were even able to have control. In this era, or the renaissance time, no woman had free will; they were always told what they could and could not do, as well as, who they were to marry. In the play “Much Ado About Nothing” Beatrice has many qualities but the ones that stand out the most in the play are: her independence, her feistiness, and of course her openness to defy male subjection.
Katherine Porter’s “The Grave” takes place in the year 1903. During this time, all women were expected to fit the typical stereotype roles, which are shown throughout this short story. Using a feminist gender approach to look at this story, we can see how key symbols are used to show the roles of the main character Miranda as compared to her older brother Paul. In Porter’s story, “The Grave”, Miranda, at first goes against the social norm of how the typical women is but then eventually she accepts her role and become the ideal young woman of this time.
Everyone has expectations to uphold and often it can feel overwhelming to comply with them all. When one chooses not to comply to the expectations set by oneself or from others, it can be seen as an act of rebellion, foolish-thinking, or a failure to see what the future holds. Similarly, expectations that are too elevated towards others can result in a harsh confrontation with reality. In the novel, The Other Side of the Bridge, by Mary Lawson, the author develops the idea that one bearing too many expectations of others and of oneself can lead to developing distress and feelings of betrayal if the expectations are not met. The theme of expectations is developed using the character Ian, through the social expectations he encounters, familial
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
...o asks Hero about Claudio she responds with: "So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away." (2.1.81-83). Beatrice is what a woman should be. A more modern view of feminism would have had Beatrice not only make her own decisions but follow through with them on her own. While Much Ado About Nothing seemingly questions the traditional gender roles of men and women in Messina through Beatrice's resistance to them, at the same time, the play decidedly ends Benedick saying, "Peace! I will stop your mouth" (5.4.96), silencing Beatrice with a kiss. Still, it cannot be denied that Beatrice, for a time, equates herself with men and the power they hold. Unfortunately, she gives in to love and in so doing, she relinquishes her independence and self-control in the male-dominated world of Much Ado About Nothing.
In conclusion Eddie's jealousy and passion destroyed everyone's lives and received no achievements for himself. His passion for Catherine grew strong along with his jealousy. In the end his name was hated, he is seen as selfish, unthoughtful and deceitful. As there is a time gap in the play we can tell what the development of the relationship is. From the beginning there was a happy, and calm atmosphere. But towards the end the relationship is faint and there is a lack of communication, they grew apart as others could see the future so their duty was too keep them apart. Catherine was to blind to see what Eddie's thoughts of her were as she felt there was no reason to part from him, and Eddie was to jealous and stubborn to part From Catherine.