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Fashion in the 1920s and 1930s
Fashion in the 1920s and 1930s
Fashion in the 1920s and 1930s
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Darkness and Light
From a very young age, American photographer Richard Avedon had a major influence on the medium of photography, and the way he used his photos to convey emotion and reality to people, he changed the world we live in. He changed the fashion photography industry and the way fashion as well as other products are promoted commercially. He developed a style that had never been seen before, changing the medium of photography to be not only a tool to sell products, but also to be an art form.
Avedon was only 19 when he was hired to work at Harper’s Bazaar magazine. His style of photographs were not what people were normally used to seeing. The fashion photographers of the 1930’s and 40’s followed the Art Deco tradition of photography where the models stood still, posing like statues, and with serious faces. He wanted his pictures to show movement, not only of the models, but also of the clothing and their facial expressions. He moved around the models as he photographed them, giving even more emphasis on movement in the pictures. The clothing the models wore was usually in motion, showing flowing fabric and flowing hair. He wanted his photographs to
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He photographed clowns and actors. But later in his career he wanted to photograph real emotions, not fake. He photographed Dorothy Parker and the dark side of her emotions, and the toll life had taken on her. He wanted to show the hidden emotions of people, like King Edward and his wife, Wallis Simpson. He watched them interact together and wanted to bring out real emotions, not fake smiles. So when photographing them, he told them a story of how the taxi he was riding in hit a dog, so he could get a real expression from them, and he got it. He photographed many celebrities, including Charlie Chaplin and Marilyn Monroe, and catching glimpses of real emotion during the
John Singleton Copley was born in 1738 in Boston, Massachusetts. His mother Martha Babcock Amory was married to Richard Copley who died shortly after John’s birth. A couple of years later his mother remarried to Peter Pelham. Peter would prove to be a big influence on John’s early career. Pelham, one of Boston’s top engravers, would teach him the intricacies of printing and give Copley a chance to access a large library of prints to work from. These would later be used in the compositions of paintings like The Return of Neptune (fig1.1) and Mrs. Jerathmael Bowers. At first he borrowed poses and backgrounds from his step father's mezzotints, and tricks of color and modeling from his elders in Boston's portrait-painting fraternity. But he soon found he could go farther by paying scant attention to the modes and strict attention to his models. He would spend up to 100 hours on a portrait wit...
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
photographs of the pictographs and talking about them to several people. His second visit to the
It was towards the end of his career that Minors photos became more abstract. He began taking photos of rocks, wood, and water. They were close up photos which represented something more spiritual. A rock was not just a rock but had a deeper meaning behind it. He began placing these photos in a sequence to show the viewer the connection between the photos. “In White's sequences, every photograph is meant to be individually appreciated as well as felt within its sequence. This made the last photograph in a sequence, like the one from Sequence 1967 (1995.563), bear a tremendous amount of weight, but the strength of White's work bore it
It’s his compassion for his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia, he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions left to be made by the viewer. Have you ever been at the beach safely shielded by a dark pair of sunglasses and just watched?
Beaton’s most memorable pieces were taken throughout the 1930s. Although many of his personal opinions were far from elegant this was not evident within his work. He is known as one of the great photographers of high society. And was, as I believe responsible for recording the elegance, glamour and style of his time.
He wanted to get his point across to other people, and photography was one of the easiest ways, because each picture was worth a thousand words and expressed more emotion than did in his writing. However, he used pictures to be the main support of his very famous novel, “How the Other Half Lives,” in which he details in writing his experiences and thoughts about tenement housing and social
The Life and Works of Annie Leibovitz Annie Leibovitz is one of the best portrait photographers in this modern age. Her works focus on varied subjects but hover more among celebrity portraits. Apart from these, her photographs depict visual stories that affect the audience's emotions. The diversity and life of her photographs create visual artistic realms that touch the soul. Biography:
Photography and portraiture is a powerful medium for art. Through photography and portraiture we are able to capture the essence and being of individuals and moments. Many artists that primarily work within these genres do so for that very reason. Famous photographer Robert Mapplethorpe was no different, using his photographs to capture portraits of the various characters that made up the fabric of his social existence as a gay white male living in New York City. Robert Mapplethorpe, as a member of a fringe lifestyle and culture within America, wanted to utilize his work to bring to the public conscious, recognition and appreciation of these fringe groups and cultures, even if it required shocking depictions and imagery.
Inspiration The world has many photographers that anyone can look at. You can call me an amateur or say I don’t really understand the art, but when I look at most of the pictures available, and I have looked at thousands lately, I don’t see anything different in the style of photography. I just saw the pictures. I see pictures of beautiful subjects and pictures of ugly subjects. I never really thought about the difference between being the photographer instead of the subject, until I saw Elliott Erwitt.
In 1958, Irving Penn was named one of "The World’s 10 Greatest Photographers" in an international poll conducted by Popular Photography Magazine. Penn’s statement at the time is a remarkable summation of purpose and idealism: "I am a professional photographer because it is the best way I know to earn the money I require to take care of my wife and children."
” Edward Hopper, a classic realist painter of the twentieth century, had a fascination for light. His plays on the mood of light stretch as a major theme throughout his works, and contribute to the intensifying effect he could inject into seemingly every day scenes. His works took a dramatic appeal through the “eerie stillness's” and lone figures sprinkled throughout his paintings. Although influenced by Edgar Degas and Edouard Maent, Edward Hopper easily added his own personal touches to the beautiful style of realism.1 Born in July of 1882 in New York, Hopper grew up interested in art and encouraged by his parents. After attending both the Correspondence School of Illustrating in New York City and the New York School of Art, Hopper experienced a shift in interest from illustrations to the fine arts1.
He seems as though he wants to illuminate the segregation between black and white people and that he has a wish to influence this through photography. This the background of the powerful photo.
Richard Avedon changed the images of fashion photography. Avedon loved the idea of movement. He was one of the first fashion photographers to p...
Models’ pose in the illustrations was stiff and unnatural. In particular, ready-made clothes were produced for the first time in the early 1900s because