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Charles willson peale introduction essay
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In the late 1700s the United States of America was beginning to emerge as a nation, and it was during this time that Charles Willson Peale, an American artist, was a prolific painter. Later, Thomas Cole was also a well-known Romantic artist, who painted during part of the Industrial Age in Europe and America. Since the circumstances around a person affect what they do and think, these two artists’ circumstances must be examined. First, the American Nation’s beginnings will be discussed to see how it affected Charles Willson Peale’s works, and secondly, Thomas Cole’s work will be examined in light of the Industrial Age which was occurring during his lifetime. Born in 1741 and dying in 1827, Charles Willson Peale lived in the midst of the American struggle for freedom from Britain. These circumstances definitely had an impact on his work, as he was a very active and patriotic colonist. Not only was he a proficient painter, but Peale also became one of the Sons of Liberty and an American soldier. All these things affected his work in several ways. First of all, Peale was able to paint many of the famous Revolutionary leaders. He painted George Washington seven times in person, and from these paintings, made many more. …show more content…
(Magister) He also made portraits of Jefferson, Hamilton, and Franklin. These were just a few of his works, however. Early in his painting career he was appointed by a colonist to paint a series of pictures which would show the colonies’
Fully skilled in many fields Charles Peale was known as an American Leonardo. Living from 1741-1827 Peale was the eldest of 5 children who grew up in Chestertown Maryland (Complete Dictionary of Scientific Biography). Because of being a scientist, artist, saddler, watchmaker, silversmith, upholsterer, soldier, politician and inventor, Charles Peale earned the title of a true enlightenment man. Inventing a new type of spectacles, porcelain false teeth, a steam bath and a stove that consumed its own smoke, Peale certainly was superiorly innovative (Strickland 72). While being trained in the trade of saddle making, Peale decided, at the age of 21, that painting would be a better route to take. In 1776 he settled in Philadelphia and during the American revolutionary war, Peale served as a militia officer from 1776-1778 and continued to paint throughout this whole time. With his three wives, Rachel Brewer, Elizabeth DePeyster and Hannah Moore, Peale had 17 children (Complete Dictionary of Scientific Biography). Due to his insatiable interest and curiosity Willson Peale founded a natural history museum...
His first trip to England to paint Queen Victoria was in 1842. He returned several times to paint the growing royal family, doing at least 120 works for them (abcgallery, par.1). One of these, a private painting commissioned by Queen Victoria, was to be given to Prince Albert as a
This essay will also compare the work of Thomas Moran, another Hudson River School artist working with the same subject matter, and will attempt to clarify the artist’s similarities and differences in regard to both technique and contributions. The work of Winslow Homer, a contemporary of Church, will be briefly discussed in relation to the impact the Civil War had on subject matter in relationship to nati...
Hermann Ottomar Herzog was a prominent artist born in Bremen, Germany in 1832.He was primarly known for his magnificents landscapes. While living in Germany he entered the Düsseldorf Academy at the age of seventeen. Herzog, painted in several countries of the European Continent, until he came to America in 1869. His early commercial success in Europe granted him clients among the nobility in Europe, among his most famous clientele were Queen Victoria and Grand Duke Alexander of Russia. In 1860, Herzog settled permannently near Philadelphia, he painted across the western states, arriving in California in 1873. From this trip he painted one his masterpieces a series of oil canvas inspired in Yosemite Valley. It was “Sentinel Rock” this collection that got him an award at the in 1876 Philadelphia Centennial Exhibition. He is considered by many as part of the Hudson River School, although his art is more realistic and less dramatic than the artwork from his peers Frederick Edwin Church or Albert Bierstadt.
...s Cole did an excellent job in portraying realism in his paintings. He helped America vision a society with possibilities, opportunities, and abundance of resources. Not only did Cole inspire the nation; he also influenced many artists who are now heading Cole’s way. Cole was a brilliant man of great intelligence who stole the hearts of many. In an article written by William Church Bryant, Bryant explains, “We might dream in his funeral oration on Cole, that the conscious valleys miss his accustomed visits and that autumnal glories of the woods are paler because of his departure.” Cole died on February 11, 1848 due to an illness and was remembered by many whom he helped to see the true vision of America.
Henry was brought up mainly in Philadelphia and found a interests in the arts, specifically painting, at the age of thirteen. When Henry turned twenty he followed his passion for art and went to the Pennsylvania Academy of Fine Arts, where he studied from 1879 through 1885. It was a struggle for him to find good help since people discriminated on him since he was African American. Luckily at the Academy of fine arts he met Thomas Eakins, who became a great influence on Henry and was basically one of the first people they help sculpt henry into becoming a great artist. In 1888 Henry decide he had the artistic ability to have a humble photography gallery. So he moved to Atlanta, Georgia where he tried to make a living selling his artwork but again it was difficult for him to make a substantial amount of money because of the racial barrier. In order to escape the racial barrier, that henry experienced all his life, and to improve him artistic ability Henry went to Paris where he was pleased to discover that they didn’t judge by the color of your skin b...
time. Through everything, he realized the power that art could express. He had many viewpoints
this requires much loss and pain. The strive of the American culture for the attainment of such social luxuries is of great courage, will-power, faith and pride. During a time when the first World War had ended and the country was in a state of isolation, there were people within its borders that had an undying belief in what this country stood for. Though often overlooked and underappreciated in their time, artists had an advantage of using the suffering of the country and its industrial growth as a concentration for their bodies of work.
As urban industrial workers expanded in the 19th century, industry and the industrial work force boomed as well. Workers , however, were met with difficult situations that ultimately led to violent outbursts. Low wages could not buy food and clothes at the same time and conditions in the work place brought about countless deaths and injuries. Growing number of immigrants caused the reduction of wages and insecurity of the workers caused unemployment. There were hostilities between workers, employers, and organizations and complaints of no social safety nets. Due to these chaotic dilemmas, union members decided to emerge as one, in order to overcome the corporations. Methods of scientific management were incorporated and the two ideological groups (radicals and conservatives) were firmly rooted in the belief of mutualism. However, conflicts between anarchists and capitalists ignited strikes, generating the Haymarket Square Riot along with the Homestead and Pullman strikes. It was then clear that they could not eliminate corporate control. Even with unity, the workers resulted in a fruitless effort.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
During this time period artists became famous and inspired many people with their works. Caspar David Friedrich was a famous artist who lived from 1774-1840 in Greifswald, Germany. He was known for painting mediums with watercolors and oils, which is landscape art. Friedrich changed the face of landscape paintings with his intense and emotional focus on nature and became a key member of the Romantic Movement. "Friedrich demonstrated piety to God through nature, the diminished strength of man in the larger scale of life, and great emotion."( Artble ) Some of Friedrich's best known works and most easily recognizable paintings include Cross in the Mountains, Wanderer above the Sea of Fog and Two Men Contemplating the Moon. Another famous artist is Ferdinand Eugene Victor Delacroix, more commonly known as Eugene Delacroix, was a French painter who had a profound influence on the Romantic Movement. He was known as a master of color. He lived from 1798-1863 in Charenton, France. He focused on oil, pastel, wood, and other verities of paintings and drawings. Delacroix became a pupil of the English Romantic landscapists and extracted from their techniques, to develop a unique and memorable approach to color. Delacroix's paintings changed the art world forever and his technique had a lasting impact on the Impressionist and Post-Impressionist movements. Today, Eugene Delacroix is remembered as one...
Thesis: The French Revolution transformed not only the French society, but also had a huge influence and marked impact on what the purposes of the arts and their expression were now, making profound changes in what they would supposed to be used for, in the form of the Neoclassic works of art that made their appearance prior to the French Revolution, in which very special emphasis is given to the patriotic, the nationalist feeling, together with a strong sense of self-sacrifice that should be present in every person’s heart.
Throughout history art has presented itself in many different forms. Two forms of art are poetry and paintings. William C. Carlos’ poem “The Dance” paints a picture while Pieter Brueghel’s painting “Peasants’ Dance” tell a story. The odd thing is that both the poem and the painting have many similarities as well as many notable differences. Tone, image, and imagination show the many similarities and differences between William C. Williams’ poem “The Dance” and Pieter Brueghel’s painting “Peasants’ Dance.”
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.
In the late 19th Century, Realism became popular, by challenging many of the ideals and spiritual themes of Romantic painting. The late 19th Century was also a period of intense political instability in Europe and an epoch of major economic and social development in England. The movement grew in prominence, predominantly because of its opposition to the classical model of staid hypothetical modes of representation taught in the academies (Clark 2002, 134). The ideals of Romanticism had failed to appeal to the new breed of visionaries, who wanted more than intangibles, whether in art or literature. The passion, drama and mystery, inherent in Romantic paintings also failed to continuously inspire spectators. Hence, Romantic artists were driven to seek even more distant locales for exotic content, or to spice their canvas with images of faraway peoples. The aftermath of the Revolution fostered a desire for a pragmatic evaluation of reality. Its failure and the successive oppressions of Napoleonic regimes had taken its eventual toll on the sensibilities of the French peoples (Clark 2002, 133).