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Gods and goddesses in the Odyssey
Gods and goddesses in the Odyssey
ANCIENT GREECE aP art history
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There are many people throughout history to look to. In the Ancient Rome and Greece times there are just are many people that have influenced our society today. Praxiteles is one of those people. Praxiteles is perhaps one of the most influential artists in history. He has influenced the art world in many different ways. He has set the stage for the expectations of art and the methods that artists to come use and even use today. Sculpture was seen as a prestigious occupation in ancient Rome and Praxiteles one of the most notable sculptors in this era. His sculpting career lasted from 370 BCE to 340 BCE.Praxiteles broke tradition and made the whole greek world gasp. Praxiteles was known for known for giving his sculptures a humanistic appearance …show more content…
which was influenced by the Peloponnesian War which before the common style of sculpture was idealistic of Phidia.He is the first artist to create the whole female nude with his sculpture Aphrodite of Knidos. Praxiteles was a very giving man, he was very well known to give extravagant and expensive gifts to those he cared well for. The female nude was taboo and still is, to some extent. A nude female was not to be sculpted not even goddesses were to be shown nude. Even though for over 350 years the male nude has been on display. Being a sculptor made him a highly respected artist in the Greek world. Praxiteles also, introduced contrapposto in sculpture which is very widely used and first seen in the works of Polykleitos. Contrapposto is the stance that the figure takes, leaning all weight on a single straight leg and twisting the body to balance on the other side for balance, this creates the illusion of life in sculpture. It is kind of like how people stand while waiting in line; all of the weight on one leg and the arms swung slightly to the other side or the opposite hip is popped. Contrapposto is from Attic sculpture. Praxiteles had a style of his own. Many called it redefined and graceful to the looks. His works are so celebrated that some of his sculptures are engraved on Roman coins. Praxiteles had such a unique style that his sculptures of the gods gave them a humanizing sight. He was very interested in young gods and goddesses like Hermes and Apollo unlike the more elderly gods like Zeus and Poseidon. Although, a talented sculptor just like any artist Praxiteles had his influence. His father and/or teacher (still to be debated) Kephisodotos was also a sculpture. It is presumed that Kephisodotos is Praxiteles’ father because Praxiteles names one of his sons after him and that they share many stylistic resemblances. Many of his sculptures are in the likeness of a woman named Phryne. She was his favorite model and it has been rumored that they were perhaps lovers as well. Praxiteles’ most famous sculpture is in her likeness, Aphrodite of Knidos. As Praxiteles has said himself when asked what his favorite pieces are, “Those to which Nicias has put his hand so much did a prize of the application of color of that artist.” Then Nicas who is his favorite painter, painted many of his sculptures and those painted by him are Praxiteles’ favorites. Praxiteles created many sculptures in his lifetime. Some of his most notable pieces are Aphrodite of Knidos as mentioned before and Hermes with Infant Dionysus. The sculpture Aphrodite of Knidos is about the Greek goddess, Aphrodite and her renewal of virginity.
Aphrodite is the goddess of love. It was originally commissioned in 330 BCE by the island of Kos but because of the scandalous nudity of the sculpture they rejected it thus the island of Knidos purchasing the sculpture instead. Even though the sculpture is nude Aphrodite positions her hands in a modest way that also invites the viewers attention to her nudity. Almost, daring the view to look beyond her hands. The sculpture was so highly admired that Knidos refused to sell the sculpture to King Nicomedes who was willing to erase the city’s debt for it.This sculpture is taled to be in such the likeness of her that Aphrodite herself visited the sculpture and said, “When did Praxiteles see me naked?” Also, that the sculpture was so beautiful that a man snuck into the place where the statue was being displayed and had certain relations with the statue, leaving an unpleasant stain on her thigh. Aphrodite of Knidos is such an important sculpture that it is the first known full female nude. But, we only know what has been recorded of the sculpture and know its likeness from the Roman copies made of it. It is believed that the original sculpture was burned in a fire in 476 AD and the last known location of the sculpture is in the Palace of Lausus in
Constantinople. Another very notable sculpture of Praxiteles is Hermes with Infant Dionysus which is believed to be his only surviving sculpture. It was found in 1877 AD in the Heraion at Olympia.He blends humanitivity with divinity in this sculpture which is one of his trademark attributes. Although, the authenticity of this sculpture being an original is doubted by some historians.This sculpture described as delicate and exquisite. Praxiteles makes the sculpture humorous by making infant Dionysus greedily reaching for a group of grapes referring to his destiny of being the god of wine. This sculpture is similar to his father’s sculpture Eirene and Ploutos. Even though Praxiteles uses the contrapposto of Polykleitos, he abandons Polykleitos’ rules of proportion to make Hermes appear more elegant and fluid. Praxiteles no doubt left his mark in history. He influenced all types of styles of art that preceded him. Including, Hellenistic art, Classical, and even Renaissance styles and there are traces of his influence in many other types of art. Praxiteles had two sons both of which followed in his footsteps and became notable sculptors as well. Then with his most famous sculpture, Aphrodite of Knidos many artists made replicas of her in their and his likeness.
Around the time 530 bce a statue was carved out of marble and given the name Anavyos Kouros. It represents a male figure completely nude. It is a sculpture in the round and stands a height of six foot four inches. Starting from the top we see the man's head. His hair looks odd to that of a normal human, it does not look like it belongs on his head. Looking at his facial structure his eyes are large similar to art of ancient Egypt. His nose, lips, cheeks, and ears are well defined and proportional. His body is muscular and he looks to be in great shape. The sculptor who made this paid close
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
archetypal figures: smacked the bronze backside (libido) of Aphrodite (Greek Water Goddess of love and beauty – vain and unfaithful like Neddy)
According to Marilyn Stokstad, "the visual arts are among the most sophisticated forms of human communication, at once shaping and being shaped by their social context (xxxviii)." As this quote implies, artistic pieces invariably are a reflection of the culture in which they were created. Thus, art is a potent means of deciphering the values and belief systems of ancient societies. Apoxyomenos (330 BCE), or The Scraper, created by the sculptor Lysippos, is an enduring testament to the importance ascribed to athletics by the citizens of ancient Greece.
Ca.630 BCE. Limestone. This is a women freestanding statue in Greek art. Both of these two statues are youth sculpture and freestanding which are the naturalistically and not stocky. They do not have muscles and a strong body, I can only see they are being the lean body types. As the female statue, her feet are standing on the same level, but the male one is not. She is putting her right hand on her chest and wearing clothes to wrap her slim body. Thus, the Greek art only has little bit impact by Egyptians. Portraying nude men can be accepted, but for women it is not.
The Venus of Willendorf was believed to be created 25,000 years ago, is none-freestanding sculpture and is sculpted out of oolitic limestone. The subject matter, I believe it to convey a fertility figure for men and woman to gaze upon. The Venus of Willendorf is a none-freestanding female nude stature, which is an 11 centimeters high, made out of oolitic limestone and now resides in Naturhistorisches Museum. She was found in 1908 in Austria in a village called Willendorf. The stature has been carved out of oolitic limestone and has been given a red ochre tint. This small oolitic limestone figure representing a woman in the nude has no known artist and no information on why it was created. I believe that
Aphrodite was one of the nine that were known as the Great Goddesses, “an awful and lovely goddess,” according to Hesiod (Theogony), born of the foam that ensued when Kronos cut off Uranos’ genitals and they fell into the sea. She first walked ashore in Cyprus, and was welcomed by the Seasons (Hours):
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.
When we all hear the name Aphrodite, we can all reach agreement that the first point that comes to mind is love and beauty. In the “Ancient Roman Mythology” book, she is des...
The speech by Pausanius in Plato’s Symposium divides the goddess Aphrodite into two beings, each responsible for a different aspect of love. To prove the existence of her double life he cites her creation. There are two versions of the birth of Aphrodite, one coming from Hesiod’s work, Theogony, where she is borne out of Uranus’ castrated genitals as they splash into the sea; the other is from Homer’s work, the Illiad, where she is said to be the daughter of Zeus and Dione. (Notes on Plato’s Symposium 180e) From these two vastly different creations she takes on two vastly different forms. Pausanius describes one of her forms as “Celestial” love. This type of love springs out of the Aphrodite created from Uranus’ genitals. This form is “wholly male” (Symposium 180c) which inspires men to be a...
Aphrodite is depicted in her persona as a perfect, breathtaking woman, characterized by her potent sexual attractiveness. While Artemis is similar in her gender and her eternal youth, her appearance is not characterized with sexual attraction as much as it is fruitfulness and purity, as she is the goddess of chastity and natural environments. Aphrodite’s main symbol is a girdle that has magical powers to compel love, while Artemis contains a bow that is used for hunting flesh, and is very physically strong. And of course, because Artemis is a virgin god, she lacks a husband or any children for herself, while Aphrodite is in the complete opposite realm: she not only has a husband (Hephaestus), but an illicit lover too (Ares, the god of...
Aphrodite leg is creating a V shape. Hera seems to be modeled after Aphrodite of Knidos, with her hand somewhat modestly place to cover the female part and her body shape is also quite similar too Aphrodite of Knidos. Athena on the other hand, is giving the audience her full back. Her body creates “s” shape with gives a sense of motion. All four females depicted in the painting have that ideal female body congruent with Greek ideal at that time, 0.7 waists to hip ratio, unfit, non-muscular body. Same can be said with all the males depicted in the painting, they all adhere to the male ideal body; they are all extremely muscular and ripped, ready to protect their town and women, even Eros, a child has an extremely muscular body. Paris is seen horizontally extending his arm towards to Aphrodite granting her the apple, show casing every arm muscle just like in Discus Thrower, as if the artist just capture the exact moment of motion. There is an implied line, directing the viewer’s eyes towards the focal point, Aphrodite and Paris. All the character’s eye direction in the painting is going towards Paris choice of giving the apple to Aphrodite instead of choosing to give it to Hera or Athena. Furthermore, a dog, next to Paris, is seen horizontally lying down on the floor, which according to Greek culture, dogs were the protectors, they are calm, loyal and devoted to their masters. The viewer based on location and proximity of the dog to Paris can conclude that he will protect Paris from harm, foreshadowing the Trojan War, which Paris escapes alive. There is also iconography in the painting such as Eros, to identify Aphrodite, a peacock to identify Hera, and armor for
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological