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How does the media portray mental illness essay
Thesis about media portrayal on mental disorders
How does the media portray mental illness essay
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Otto F. Wahl, a clinical psychologist and professor of psychology at George Mason University, analysed the horror film stereotype of mentally ill murderers in his 1995 book Media Madness: Public Images of Mental Illness. He notes that a string of films based around mad doctors came after Robert Wiene’s The Cabinet of Dr. Caligari (1920) including such films as Dr. Mabuse, the Gambler (1922), The Island of Dr. Moreau (1932), The Black Cat (1935), and Mad Love (1935). All of these films feature similar plots of a doctor “gone mad” and senselessly murdering clients. A similar trend came after Alfred Hitchcock’s Psycho (1960) of films portraying psychotic killers whose only motivation is their insanity; Homicidal (1961), Maniac (1963), Paranoiac …show more content…
However, this study reinforces Wahl’s findings by also suggesting a lack of understanding of the real experience of mental illness and instead putting focus the darker side of illness. The communication of primarily scientific information appears to me as a way of alienating the mentally ill from the wider population by making them seem more like patients than humans. Wahl analyses this idea further in chapter three of his book in which he looks at the physical presentation of the mentally ill. He notes that the mentally ill are often portrayed “recognizably different from others in both manner and appearance, that they stand out as deviant and bizarre”. He presents the example of Peter Lorre, a well known actor in the 1930-50s who was typecast as “deranged and obsessed men” in a number of films because of his appearance. After reading this, I was interested to see what others had said about this typecast. Film historian Philip Kemp describes Lorre as “Squat, stocky, round-faced, at once pitiable and terrifying, he seemed a textbook illustration of schizophrenia… Small wonder if he found himself cast as madmen and
Smith, Claude J., Jr. “Finding a Warm Place for Someone We Know: the Cultural Appeal of Recent Mental Patient and Asylum Films.” Journal of Popular Film
Madness: A History, a film by the Films Media Group, is the final installment of a five part series, Kill or Cure: A History of Medical Treatment. It presents a history of the medical science community and it’s relationship with those who suffer from mental illness. The program uses original manuscripts, photos, testimonials, and video footage from medical archives, detailing the historical progression of doctors and scientists’ understanding and treatment of mental illness. The film compares and contrasts the techniques utilized today, with the methods of the past. The film offers an often grim and disturbing recounting of the road we’ve taken from madness to illness.
The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others. This film takes an in-depth look at how someone who possesses a mental illness might behave or think.
People are constantly bombarded with negative images of people with mental illness. In movies especially this is seen. Most horror movies are centered around a character with mental illness who goes unnoticed and performs horrible crimes because of their illness. People who are portrayed as being depressed, anxious, or compulsive in media are usually seen in a negative way, whereas the characters who are carefree and have no emotional problems are seen in a more positive way. Media is significantly adding to the stigma of mental health.
What is madness? Is madness a brain disorder or a chemical imbalance? On the other hand, is it an expressed behavior that is far different from what society would believe is "normal"? Lawrence Durrell addresses these questions when he explores society's response to madness in his short story pair "Zero and Asylum in the Snow," which resembles the nearly incoherent ramblings of a madman. In these stories, Durrell portrays how sane, or lucid, people cannot grasp and understand the concept of madness. This inability to understand madness leads society to fear behavior that is different from "normal," and subsequently, this fear dictates how they deal with it. These responses include putting a name to what they fear and locking it up in an effort to control it. Underlying all, however, Durrell repeatedly raises the question: who should define what is mad?
There has been a large variety of horror films produced throughout the last fifty years. People are always going to be frightened and scared by different types of horror films. But, what type of horror film scares more people, and were men or women more frightened by these horror films? Each one of the horror films had its own agenda to frighten its audience using several different methods of horror. Some of these methods were more so directed at the female audience than the male audience. Most horror movies show the female as being vulnerable, because in real life females are defenseless against monsters.
In the 1700s, "mad doctors" or doctors specializing in the mentally ill. "They began to devise their own unique classification system for mental disorders. Many cases of what we would now call schizophrenia were probably classified under one or more of these early attempts to devise a more scientific method of understanding mental illness"(Noll, xix). Doctors at this time described the symptoms of schizophrenia somewhat differently (Berle, 14).
horror movies, King argues that “we are all mentally ill” (345). He expresses that we all
...reader to gain inside thought into how bad the mental condition is affecting him as his behavior allows for further indication of craziness as a result from the schizophrenia. The evidence presented in this play for the scientific explanation of this literary classic is quite prominent as it gives an insight into what a schizophrenic acts, thinks, and behaves like.
The definition of insane in today’s world is embedded with controversy by our society. As an active member of society, Ken Kesey writes his own opinion of insanity in his successful novel, One Flew over the Cuckoo’s Nest by subtly incorporating his his thoughts towards the topic through dialogue between characters, the narrators comments, and much more. Kesey begins his novel by introducing an outspoken man named Randle Patrick McMurphy who enters the mental hospital where the narrator, Chief Bromden , resides and creates a lasting effect on his fellow patients by allowing them to think beyond societies’ strict ideology and how to gradually immerse themselves with their individuality. Much like Kesey’s opinion, today’s world is comprised of
Most people gather what they know about mental illnesses from television and film. Unfortunately these media portrayals are inaccurate and create stigma. They depict people suffering from mental illnesses as different, dangerous and laughable. Characters are often addicted to drugs or alcohol, are violent, dangerous, or out of control. Horror film characters like Norman Bates in Psycho, Jack Torrance in the Shining, or Hannibal Lecter in Silence of the Lambs associate the typical 'psycho- killer' with people who suffer from a mental illness. But dramas and horror films are not the only film genres that create stigma. Comedies like What About Bob and many others not only stigmatize, they also make fun of mental illnesses and the people who suffer from them. This paper will discuss how the film Me, Myself & Irene is an inaccurate, offensive and stigmatizing portrayal of an individual suffering from schizophrenia. It also discusses what can be done to counteract the stigma created by these types of films.
Shutter Island, directed by Martin Scorsese and starring Leonardo DiCaprio, is a frightening film full of twists and turns that presents a highly dramatized depiction of mental health and psychiatric treatment. It fulfills a checklist of the classic elements of Hollywood’s psychological horror genre: foreboding asylums, psychiatric experimentation, dangerous mental afflictions, multiple personalities, intense hallucinations, and even lobotomy. The media’s portrayal of psychiatric disorders and treatment is an important contributor to the continued stigmatization of mental illness in our society. This paper will analyze which aspects of Shutter Island portray
History shows that signs of mental illness and abnormal behavior have been documented as far back as the early Greeks however, it was not viewed the same as it is today. The mentally ill were previously referred to as mad, insane, lunatics, or maniacs. W.B. Maher and B.A. Maher (1985) note how many of the terms use had roots in old English words that meant emotionally deranged, hurt, unhealthy, or diseased. Although early explanations were not accurate, the characteristics of the mentally ill have remained the same and these characteristics are used to diagnose disorders to date. Cultural norms have always been used to assess and define abnormal behavior. Currently, we have a decent understanding of the correlates and influences of mental illness. Although we do not have complete knowledge, psychopathologists have better resources, technology, and overall research skills than those in ancient times.
Many recent movies contain this same concept, one of which is The Dark Knight. The most famous villain in the Batman series is The Joker. The Joker is considered a mass-murderer, a psychopathic killer, and an unstable character. Like Norman in Psycho, “…the Joker has often been casually diagnosed with schizophrenia, dissociative identity disorder, and post-traumatic stress disorder,” showing that through how the villain is portrayed, the viewers classify them with a certain disorder without fully being aware of what the actual symptoms of the disorder is (John Goodwin and Izzat Tajjudin). As people are classifying mental illnesses with no background information other than what is given in the movie, stereotypes for mental disorders are formed. These stereotypes vilify those who are mentally ill because they have a predetermined outlook on each illness based on a movie. Because the movies have mentally ill villains, like the Joker, the viewers will automatically think that the mentally ill are very capable at turning into a psychopathic killer. Therefore, movies like the The Dark Knight cause the viewers to believe that those who have a mental disorder can easily become monstrous due to their state of mind. The movie does not give them a chance to prove it
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...