William Shakespeare's Hamlet illustrates the inevitable cycle of revenge as the characters are drawn into a whirlpool that they cannot escape. In this play, the readers witness the power of death and the wavering resolution that acts as a domino effect. The first one to fall into this despair is the protagonist, Hamlet, which affect both directly and indirectly those around him. Horatio, Hamlet’s best friend from school, becomes his only ally who knows of Hamlet’ schemes and miseries. While Laertes becomes Hamlet’s enemy when the protagonist inadvertently kills Laertes’ father thinking he was King Claudius, Hamlet’s subject of revenge, when he was eavesdropping on Hamlet. Another important character in this play is Fortinbras, who seeks revenge …show more content…
Hamlet trusts Horatio implicitly; he confides in Horatio and exalts him as “e’en as just a man / As e’er my conversation coped withal” (III.ii.50-1). His character is relatively simple compare to the rest of the characters in Hamlet. Not only is Horatio the guiding hand that helps Hamlet through his revenge, Horatio is also the shadow that stabilizes Hamlet when needed. The audience first encounters Horatio’s knowledge when Hamlet makes up his mind to follows the ghost of King Hamlet, "Why, what should be the fear? I do not set my life at a pin's fee, and for my soul, what can it do to that"? (I.iv.71-73). Even though he could not sway Hamlet’s decision to follow the ghost, he considered his friend’s judgement and decide to believe in Hamlet, "Have after! To what issue will this come / … / Heaven will direct it" (I.iv.89-91). True and faithful, Horatio is the epitome of a perfect friend that Hamlet finds which has remained unchanged and unchallenged. In the midst of Hamlet’s internal turmoil, he longs for Horatio’s peaceful …show more content…
In addition to being a foil to Hamlet, Fortinbras becomes the guidelines for Hamlet;s internal conflict. Although Fortinbras sets out to avenge his father’s honour, he did not takes his time to take action nor did he rush his plan for revenge. Looking at Fortinbras, Hamlet acknowledges “Rightly to be great/ Is not to stir without great argument,/But greatly to find quarrel in a straw/ When honor’s at the stake” (IV.iv.55-53). Although they are similar, Fortinbras act upon his word and does not think as much as Hamlet does. In addition, Fortinbras plan for revenge does not includes killing his opponent, but taking back “a little patch of ground/That hath in it no profit but the name” (IV.iv.19-20) that his father lost when he died by the hand of King Hamlet. Compare to Horatio and Laertes, Fortinbras is the right balance between the primitive instinct and the realistic conscience of this play. Shakespeare uses Fortinbras to bring out the innate passion that Hamlet suppresses with
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
Many characters in the play have confidence in Horatio because of his trustworthiness. Horatio is very trustworthy, and not only in the way that he can keep a secret if needed, but he is honorable and keeps his word, and is honest to himself, showing integrity. Here, Horatio shows this trait by revealing to Hamlet that Hamlet’s father’s ghost had appeared.
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play.
In the play Hamlet, by William Shakespeare, the confidant Horatio is created to serve a number of different purposes. Horatio is a flat character. He is a loyal, obedient, and trustworthy companion to Hamlet. His character does not undergo any significant transformation throughout the play, except that he serves as a witness of the death of Hamlet, Claudius, and Gertrude. Horatio's role in the play seems to be as a utilitarian character that Shakespeare created in order to heighten the suspense of the play. Also for Horatio to be Hamlet's ear so as to appease the audience's ear, and to communicate the moral of the play.
Fortinbras and Laertes are parallel characters to Hamlet, and they provide critical points on which to compare the actions and emotions of Hamlet throughout the play. They are also important in Hamlet, as they are imperative to the plot of the play and the final resolution. Hamlet, Laertes and Fortinbras are three young men who are placed in similar circumstances, that is, to get revenge for their fathers' deaths. The way they each come to terms with their grief and how they rise to the call of vengeance is one of the main contrasts between the three.
There are many ways to interpret Hamlet 's relationship with Horatio. Most obviously, Horatio is the only person in the play that Hamlet trusts. He is the only one who knows for certain that Hamlet 's madness is an act, the one person Hamlet confides in personally, and the one whom bids Hamlet goodnight upon his death. Considering his conflicts with his family, Horatio is the only "family" Hamlet has. He understands that Horatio is very rational and thoughtful, yet not overly pensieve like himself. As the play continues, Horatio questions Hamlet 's judgment twice. Once is when Hamlet tells him of a letter from King Claudius that he has found in Rosencrantz and Guildenstern 's pack, telling the King of England that he must have Hamlet killed. The second instance is when Hamlet tells Horatio that he will fight Laertes, son of Polonius, who Hamlet killed earlier in the play. Horatio loves Hamlet with all his heart, but he is directed by a more sensible disposition, which makes him to speak the truth to Hamlet, despite the fact that Hamlet never once takes Horatio 's warnings. In fact, there is only a single point in the play at which Horatio loses his sensible outlook, and it is but a momentary loss. At the end of the play, when Hamlet is killed in his fight with Laertes, Horatio, in his grief, offers to kill himself with his own sword. It is Hamlet 's dying request that Horatio tell
The character of Hamlet is very prestigious, but he has many shortcomings. In many cases, he shows that he is all words and no action. He waits until the very last minute to take a course of action. Hamlet realizes this, and he wishes that he had the characteristics of Fortinbras, Laertes, and Horatio.
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
The decisions of Hamlet, Laertes, and Fortinbras are utilized to show the importance of balancing thought with action in William Shakespeare’s Hamlet. The lives of the three characters are all following similar paths at the start of the play, but their personalities take them in very different directions. For Hamlet, the idea of revenge consumes him, and he becomes too obsessive to accomplish much of anything. Laertes on the other hand jumps into the pit of revenge too quickly, and gets lost in all the hubbub. However, Fortinbras knows how to carefully dance around the subject of revenge in a manner that he succeeds with little to no damage to himself. Although it is important to act quickly in tense situations, it is also important to not ponder so much that the opportunity is lost.
In Hamlet by William Shakespeare, the importance of characters Laertes and Fortinbras have been an issue that's discussed and analyzed by many literary critics. Hamlet, Laertes and Fortinbras are parallel characters in the play. Laertes and Fortinbras are often use by Shakespeare to compare the actions and emotions of Hamlet throughout the play. "They are also important in Hamlet as they are imperative to the plot of the play and the final resolution" (Nardo, 88). Shakespeare placed these three men: Hamlet, Laertes and Fortinbras into similar circumstances, which is, to avenge for their fathers' deaths. The main difference between the three is the way that each of them comes to grief of their fathers' deaths and the way they planned their vengeance.
In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations. While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father. Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet. While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet. Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for revenge, execution of their plans and behavior while carrying out their plans.
One main theme that arises in the Hamlet is the power struggle between Hamlet and Claudius. The main problem is between Hamlet and Claudius; they are in an ongoing battle throughout the play to see who will rise with the power of the throne. Claudius is the antagonist in the story and has multiple people under him that follow his every rule (Innes). He is a manipulative character who seeks revenge on Hamlet through other people he knows. On the other hand, Hamlet is the protagonist of the story, he is very unhappy after finding out the news of how his father had been killed (Innes). He is overtaken though by the ghost of his father, Old Hamlet, and is seen to become mad as a consequence. Although Hamlet seeks revenge against his new stepfather he procrastinates killing him. Hamlet has also considered killing himself beforehand because of the struggle of power between his stepfather and himself. In the last scene of the play the power struggle that had been between Hamlet and Claudius comes to a conclusion as Gertrude, Laertes, Claudius and Hamlet die. Throughout the play Laertes, Horatio and Gertrude choose a side to be on, either between Hamlet’s and Claudius’s who both are trying to obtain the utmost power.
In the play, there are several characters wanting vengeance like that of Hamlet. Throughout the play, Hamlet, Laertes, and Fortinbras all had a tragic death of a family member which caused their decision for revenge. Consequentially, these revenges caused the demise of two characters and the rise of power of another. The retaliation shown by the Prince of Denmark, as well as Laertes led to the downfall of their government. In the play, Hamlet seeks revenge on his uncle Claudius.
Hamlet contains three plots of revenge throughout the five acts of the play. Young Hamlet, after getting a shocking realization from his father’s ghost, wants to enact a plot of revenge against his uncle. Laertes, who was struck twice in quick succession by the death of his father and sister, wants to kill Hamlet. Away in Norway, Fortinbras wants to take revenge on the entire nation of Denmark for taking his father’s land and life. These three sons all want the same thing, vengeance, but they go about it in wildly different ways, but as Lillian wilds points out, “he also sees himself in the mirrors of Fortinbras [and] Laertes.”(153) It becomes clear that the parallels presented throughout the play are there to further illuminate the flaws of
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...