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Hidden sexuality is one that hides their own personal sexuality. Embracing sexuality makes an individual a better person than hiding one’s sexuality simply that one may be supported as Alison is in Fun Home. Fun Home written by Alison Bechdel is a tragicomic about the main character Alison and her dysfunctional family living in a “Fun Home.” Whereas hiding one’s sexuality is lying, embracing sexuality makes one a better person given that Alison was accepted when she “came out,” while her father kept it a secret and was not the ideal father for it. In Fun Home, Alison attends Simon’s Rock Early College so she does not know what is going on back at home with her father. While Alison is in college exploring the unknown lesbian in herself, she decides to come out via letter from college. She states “But it was a hypothesis so thorough and convincing that I saw no reason not to share it immediately,” that lets us know she did not plan to keep her sexuality hidden unlike her father. She even joins a gay union on campus to embrace …show more content…
her sexuality. Alison is able to feel comfortable with her sexuality and come out of the closet because of the supportive community, but why is Bruce so afraid? Why does he not come out of the closet? Alison’s mother accepts her daughter being a lesbian, but her response was telling Alison that “your father has had affairs with other men” for quite some time actually. Alison did not really understand her father’s actions and that explains the allusions used in the memoir. Bechdel says that Bruce is gay by writing in her diary that “he appeared to be an ideal husband and father…but would an ideal husband and father have sex with teenage boys.” Bruce is not all what he pretends to be. Bruce is having affairs with the babysitter Roy and other young men and no one knows about it until the mother finds out. How she find out is not discovered. Her mother tells her that “He…He was molested by a farm hand when he was young,” maybe that is the reason for his actions. Bruce is ashamed of his sexuality and that is the reason he keeps it as a secret. He continues to keep it a secret even after his daughter comes out of the closet. Bruce would rather lie to his family and society about his hidden sexuality. He lies right in front of his family’s faces. His sexuality bled through his skin with interior designing, forcing his daughter to dress more feminine than she actually is, and wearing female clothing also showing clues of his hidden sexuality. Bechdel includes illustrations in the first chapter of Bruce forcing pink flower wall paper into Alison’s bathroom.
Alison states that she hates pink, but her father does not take that into consideration. He likes the wall paper and so he tells Alison “Tough Titty” and puts it up anyway. Alison knows how talented her father is which is supported by the statement “My father could spin garbage… …into gold.” He not only forced pink flower wall paper into her room, but he makes her dress as a girly girl which she is not. After Bruce tries to force her to wear a burette and pearls, Alison thinks her father attempts to express his feminism though her. Alison finds a photo of her father in a women’s bathing suit, “He’s wearing a women’s bathing suit. A fraternity prank? But the pose he strikes is not mincing or silly at all. He’s lissome, elegant.” This proves that he hides his sexuality in real life but pictures is proof of his hidden
homosexuality. Bechdel have visual images on every page to stimulate reader’s senses. She connects through literature as a comparison of her own life while creating her own story .The art plays a very important role in this memoir. Bechdel would draw pictures to express feelings when she would not narrate. Most drawings were of guys she noticed because she tries to “abandon the female identity forced upon her; namely, she began carrying a pocket knife, cut her hair short, and began to spit occasionally. “I continued using the girls’ bathroom and checking the female box on questionnaires. But in my head I occupied my own private Switzerland, where I spent the remainder of my childhood in splendid neutrality.” Overall, Bruce hides his sexuality throughout his entire life. Alison suspects his homosexuality even as a young girl. Her suspicious are proven when she finds the photographs of her father and childhood babysitter Roy, and also when her mom tells her that her father has had affairs with Roy and young men. Alison refuses to hide her homosexuality and learns to embrace who she really is. She is not afraid of what the world or her family will think about her. She is determined to be happy and not live a life of lies, unlike her father Bruce. Bruce lies about who he really is not just to society, but to his family. He lies to his daughter who she thought she connect with on a sexuality level.
With nobody but herself at home, Ann strongly desires to talk to someone, and that someone who arrives at her house is Steven. Ann who has been feeling anxious and helpless while isolated suddenly feels relief when Steven comes as shown, “-and suddenly at the assurance of his touch and voice the fear that had been gripping her gave way to an hysteria of relief.” Steven helps comfort Ann, while Ann is being cautious of herself. She knows that Steven is enticing, but will not give in to him despite how attractive she finds him. Steven is the complete opposite of John and Ann compares John to Steven multiple times, “Steven’s smile, and therefore difficult to reprove. It lit up his lean, still-boyish face with a peculiar kind of arrogance: features and smile that were different from John’s.” and even favours Steven more than her husband. Ann is used to seeing John’s features but not Steven’s. This excites Ann and prompts her to develop feelings that are of a high school girls’, “She didn’t understand, but she knew. The texture of the moment was satisfyingly dreamlike.” It takes Ann a moment to realize that her object of temptation is right in front of her, and it does not take long for her to take the opportunity to ease her boredom and isolation through her upcoming
On page 113 she tells her brother to call her a man's name instead of her name so that she could fit in as a boy, not a girl. “Call me Albert instead of Alison” (Bechdel 113). Whenever her brothers were looking at a naked women calendar Alison had the curiosity and need to look at it. That may have helped her realize that she was actually interested in women, not men. When she left for college she started to experience and putting in place her sexual orientation. She got a girlfriend which actually supported her during hard times in her life like her father’s
Every family has secrets. Taboo secrets are typically the one's we'd like to keep hidden the most. Unfortunately, what's done in the dark always finds itself resurfacing to the light. In Allison Bechdel "Fun Home", she recollects the memories that impacted her life the most when she was in the stage of discovering her true self. The memories we remember the most tend to play a major role in our life development. For Allison, one well-kept secret that her father contained well from her, unraveled many memories of the truth that laid before her eyes.
When Jerry Falwell's conservative paper "outted" Tinky-Winky (the purple Teletubby) as being gay, fans of the Teletubbies television series usually fell into two camps: those who supported Tinky-Winky as a positive gay character and those who maintain Tinky-Winky has no developed sexual identity. A few unfamiliar with the BBC/PBS show asked the question, "how can you even tell if Tinky-Winky's male?" Brushed off by most fans as a naive inquiry, this concern does merit discussion. How do we, as television viewers, determine gender identities for non-human characters? How is this complicated for children's characters?
In the memoir, Fun Home, Alison Bechdel effectively depicted her life as a child all the way up to age nineteen when she finally decided to come out to her family. Growing up Alison’s path crossed paths with struggles that try to hinder her while she attempts to grasp on to the identity of being homosexual. Even though Bechdel encounter struggles she is able to overcome those struggles in a supportive environment. Despite her father, Bruce Bechdel homosexuality, which was unknown to Alison for the majority of her life could possibly be the emotional core of Fun Home. In actuality, it is Alison 's personal coming out party that assists her mother, Helen Bechdel, to expose Bruce 's hidden relationships to Alison. Effectively, the process of writing the memoir has really permitted Bechdel to reminisce about her father through the spectacles of her experiences, later giving her the chance to reveal clues about her father 's undercover desires that she was incapable of interpreting at the moment. In a scene where Bruce takes his openly queer daughter to a gay bar embodies the dissimilarities amongst Bruce and Alison 's attitudes of dealing with their homosexuality. Bruce tussles with the shame of hiding his
Sexuality of the Frontierswoman in Grey's Riders of the Purple Sage and Doctorow's Welcome to Hard Times
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
Fun Home shows how as the reader we can become educated and heal from the stories like that of Alison Bechdel’s childhood. We also can see Alison’s journey of healing as well. This full circle journey is why literature is so versatile and important to our society and culture. We depend on the creation and growth of literary themes like the ones we see in Fun House to help us grow and deal with the real world.
In Alison Bechdel’s Fun Home, Bechdel uses the theme of appearance versus reality to highlight her relationship with her father. Bechdel utilizes her illustrations and short sentences to reveal these things about herself and her father. Bechdel opens her memoir with a chapter entitled “Old Father, Old Artificer”. Bechdel refers to her father, Bruce Bechdel, as an artificer because she sees him as a skilled craftsman. Bechdel describes, “His greatest achievement, arguably, was his monomaniacal restoration of our old house.” (Bechdel 4). Her father restored their old house to make it look like a huge mansion. Bechdel knows that this is just the appearance of their household because it is not an accurate representation of their family life inside the house. Bruce created an appearance that was the opposite of reality to cover up the actual wealth of their family. He hides the fact that his family may not be as wealthy and perfect as they appear to be. In this case, Bruce reveals he believes that appearance is more important than the reality of a situation. Appearance is also important on the inside of the home as well. Bechdel mentions, “Sometimes, when things were going well, I
In Fun Home, Alison principally characterizes her desire for a masculine life while trying to find herself in an environment
In an attempt to become more like her father she tries emulate him, as he tries to make her become anything but him. As she develops, she becomes more aware of masculinity and acutely aware that her father doesn’t fit the definition. Bechdel sees men at gas stations and on television and realizes that her father is missing something that those men seem to have. In her endeavor to counteract his femininity, she becomes more masculine. Although, even at a very young age, Bechdel doesn’t show interest for feminine things. Alison seems to be oblivious to all of her father’s attempts. In this image the reader sees Bechdel analyzing all of men at the gas station. Alison drew this frame to show her readers what it was she was noticing when she was young. The men in this image are more built than her father, they dress in more casual clothes with tattoos and chew tins. However, she doesn’t seem to pay attention to the ad of the Sunbeam Bread in the background with the image of Miss Sunbeam. It is as if Alison wants her readers to know that she was given chances to evaluate what girls her age should be like but she was more interested in knowing what men were like. She was often seen in gender neutral clothes, with a boyish haircut and as she got older, her father became more direct with his wants for her to dress like a girl; she resented having to wear skirts, dresses, or accessories and
...within her household. Within her own household, Alison was uncomfortable of being herself; in fact, at times she felt that she almost had no say in the selecting items such as clothes. This was also quite complex when it came to her subjectivity as well. Instances such as the time Bruce wanted Alison to wear a particular dress to a wedding, or when he insisted for her to were a particular set of pearls, would play a pivotal role in her sexual self development. Other factors such as her relationship with her girlfriend and the news she would find out following her fathers death seemed to also play an important part. Alison Bechdel’s battle in her sexual self-development was one full of anguish and pain because of all of its complexities but she now presents the confidence in herself and her sexuality to present in her eloquent and impactful graphic novel, Fun Home.
Alison is described as young and wild. She is like an animal: " Thereto she koude skippe and make game/ As any kyde or calf folwynge his dame" (I. 3259-60). We know that she would be willing to go along with any idea as long as it is "fun". We can see her childish immaturity in the scenes where she lets Absalom "kiss" her. We do not learn the details of her marriage such as her feeling toward John, her husband. We simply know that it is a mis-matched marriage with a large age gap between them.
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...