Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Movie industry brief history
Movie industry brief history
Movie industry brief history
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Movie industry brief history
During the golden age of Hollywood the film studios became very powerful. They handled every aspect of a movie from production to distribution. Any one who worked for the film studio was under contract from the actors to the set designers and beyond, everyone was the property of the studio. This started out in the 1930s and the studios would tell their employees that they can and can not do. If you were not willing to listen to the studio there was a chance you would be put on suspension[Learner]. “ The trouble with movies as a business is that it's an art, and the trouble with movies as art is that it's a business”[brainyquote]. This quote from Charlton Heston sums up what the studio system was about. The problem with the Studio System is …show more content…
The producer of the film would tell directors how they want the movie to be shot not allowing them to direct the way they wanted to. Directors would have to argue with producers in order to get more creative freedom on their movies. Meanwhile the actors are almost collectors items for the studio. They would put them in multiple films with no creative freedom to act the way they see fit, they would also loan them out to other studios to be featured in different films. The actor had no say if whether or not they would be in a film and how they can act during scenes. Although there are problems there are also pluses to the Studio System. With this system, everyone was always working and busy, it was almost like a factory setting the way they turned out movies so quickly. This brought many actors into stardom and brought about the celebrity attached to actors. Even if an
However, after the dust settled, it was widely accepted that the blacklist was unjust, which enabled many film workers to pursue the movie studios in civil courts through the 1950’s for unpaid contracts and wages (Lewis, 2008). While the studios were initially impacted by the Paramount decision, the breadth of competition and independent successes of smaller studios gave rise to the advancement of innovative filmmaking that may not have been possible if it were not for the Paramount decision. Filmmaking is one of the riskiest and most profitable ventures in modern day society, and without these events, the studios and the film workers may not share the successes that they do
...ons as to why the studio system collapsed and how Hollywood tried to prevent this from happening. The Hollywood we see today is a reformed version of the old studio system, yet is still seen as the most dominant film industry in the world, despite its earlier collapse.
Movies today are extremely expensive to make and are typically financed through either film studio contracts or from investors willing to take a risk. In order to be successful, movies need to be marketed and distributed either under contract by the film studios or by companies that specialize in such services. The aspects of financing, marketing and distribution of films have changed between the studio and independent systems over the years as the evolution of the film industry took place.
With the loss of its centralized structure, the film industry produced filmmakers with radical new ideas. The unique nature of these films was a product of the loss of unified identity.
Describe some ways in which business values and artistic values in Hollywood contend with one another.
Clara’s experience with the motion picture industry gives us a picture of what it was like in the 1920’s. It was new and intriguing, enticing and corrupt. The motion picture industry underpaid Bow, which is almost inconceivable today. The environment of Hollywood now pays actors and actresses corpulent amounts of money...but that may be the only change. The “star-maker” environment is still as enticing and corrupt as yesterday’s.
Many people might say that stars are merely a product of the Hollywood system needing to make a profit; Hollywood manufactures a product and creates the demand for it. A star's image is processed through advertisements and promotions and has little to do with what the audience wants and needs from entertainment. There is a widespread mentality that any Average Joe can become a star with enough resources backing him up. Richard Dyer points out, however, that even movies full of stars fail, and stars can and do fall out of fashion (12). A star's economic worth is not invulnerable to audiences' opinions. The audience isn't so easily controlled.
The roaring twenties would be nothing without the roar of the MGM Lion. “If Hollywood had no other studio than Metro-Goldwyn-Mayer, the town still would have been the movie capital of the world” (Fricke para 1). MGM enchanted audiences with its high-budgeted films and glamorous list of stars (Hanson para 1). Three failing movie companies came together in 1924 in hopes to make it big in the motion picture industry, and it did (Fricke para 3). Metro-Goldwyn-Mayer created spectacles of movies after its merging which made MGM one of the most prosperous motion picture companies in the 1920’s (Hanson para 2).
... middle of paper ... ... Larry Ceplair and Englund stated in the book The Inquisition in Hollywood, “The destruction of the motion picture Left not only transformed the political atmosphere in Hollywood, but also adversely affected the kind of product which the studios turned out. “ In the early 20th century Hollywood reframed from producing politically controversial films in fear of becoming a target of McCarthy or the HUAC.
Largely influenced by the French New Wave and other international film movements, many American filmmakers in the late 1960s to 1970s sought to revolutionize Hollywood cinema in a similar way. The New Hollywood movement, also referred to as the “American New Wave” and the “Hollywood Renaissance,” defied traditional Hollywood standards and practices in countless ways, creating a more innovative and artistic style of filmmaking. Due to the advent and popularity of television, significant decrease in movie theater attendance, rising production costs, and changing tastes of American audiences, particularly in the younger generation, Hollywood studios were in a state of financial disaster. Many studios thus hired a host of young filmmakers to revitalize the business, and let them experiment and have almost complete creative control over their films. In addition, the abandonment of the restrictive Motion Picture Production Code in 1967 and the subsequent adoption of the MPAA’s rating system in 1968 opened the door to an era of increased artistic freedom and expression.
A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line producers. They all do very different things. Some are the producers are responsible for raising the funds for the movie while others are responsible for the production that goes on during the filming of the movie and still other producers are in charge of what physically goes on the set. Then it is time for the director. The director is in charge of the actors. The director works with the actors to visually bring to life what was written on the screenplay (Fortunato, Who Does What on a Film). Now the idea needs to come together. The idea of writing, “what you know” is not always true and writing, “what you come to know” is in fact a more accurate way to write. Other good ways to formulate ideas are to use existing plays, novels, short stories, life stories, new articles, or even past TV shows and film. When using existing work a person needs to make sure that one secures the copyrights before starting write. Securing the copyrights does not mean one is finished yet. Now a person needs...
Thompson, K 2003, ‘The struggle for the expanding american film industry’, in Film history : an introduction, 2nd ed, McGraw-Hill, Boston, pp. 37-54
Hollywood labor unions are considered necessary because labor unions deal with the employees so that that can receive higher wages, hours, and better working conditions. Union members make more money than non-union because they have someone fighting for them to be appreciated as an employee. Unions go to management and try to negotiate for the unions through bargaining. Sometimes labor unions and management cannot agree on terms and the members need to stand their ground and fight. Sometimes this is done with picketing, strikes, and boycotting. Sometimes after lengthy negotiations and tactical exercises, outside arbitration is called to assist in coming to a resolution agreement. (Ferrell, O.C., Hirt, J.A., & Ferrell, L., 2015, January
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
Hollywood's Star System The star system, brought forth in the silent age of film, survives in the land of Hollywood. The star is the most important part of the picture, not the picture itself. It is the culture of the movie or TV business, but is it worth it economically today? Are actors paid too much?